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Author: Olivier Messiaen
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ISBN:
Category :
Languages : en
Pages :
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Author: Olivier Messiaen
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ISBN:
Category :
Languages : en
Pages :
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Author: Shi-Ae Park
Publisher:
ISBN:
Category :
Languages : en
Pages : 65
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Olivier Messiaen (1908-1992) composed his Messe de la Pentecote for organ in 1950, after a decade of exploring new ideas, including complicated rhythmic manipulations, bird calls, and others, that would be central to his later style. Much has been made about Messiaen's remark that this piece was the result of twenty years of improvising. While there is much material in the five movements of the mass that seems to be improvisatory in nature, there is also much based on rhythmic calculations drawn from Greek meters, Hindu rhythms, and Messiaen's own personnages rhythmiques and interversions, which are serializations of durations. This document explores the interaction of these two compositional procedures and their effect on each movement, especially in terms of form. It also considers how Messiaen uses these compositional procedures as well as organ registration to reflect and comment upon the scriptural texts included in the score.
Author: Messiaen
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Category :
Languages : en
Pages :
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Author: Virginia Louise Haisten
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Category :
Languages : en
Pages : 60
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Author: Billy Lynn Hebert
Publisher:
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Category :
Languages : en
Pages : 80
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Author: John Sweeney
Publisher:
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Category : Organ music
Languages : en
Pages : 196
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Author: Gareth Healey
Publisher: Routledge
ISBN: 1317097114
Category : Music
Languages : en
Pages : 223
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Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. The composer's 1944 theoretical study, The Technique of My Musical Language, expounds only its initial stages, and while his posthumously published Traité de rythme, de couleur, et d'ornithologie contains detailed explanations of selected techniques, in most cases the reader is left to define these more precisely by observing them in the context of Messiaen's analyses of his own works. Technical processes are nevertheless in many cases the primary components of a work or movement. For instance, personnages dominate 'Joie du sang des étoiles' from the Turangalîla-symphonie, and in certain cases, such as 'L'échange' from the Vingt regards sur l'Enfant-Jésus, the process (asymmetric augmentation) is the only structuring element present. Given this reliance on idiosyncratic techniques, clear comprehension of the music is impossible without a detailed knowledge of Messiaen's methods. Gareth Healey charts their development and interconnections, considers their relationship with formal structures, and applies them in refined and extended form to works for which Messiaen himself left no published analysis.
Author: Jon Gillock
Publisher: Indiana University Press
ISBN: 0253353734
Category : Music
Languages : en
Pages : 428
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Gillock supplies details about the organ at La Trinité in Paris, the instrument for which most of Messiaen's pieces were imagined.
Author: Vincent Benitez
Publisher: Routledge
ISBN: 135158913X
Category : Music
Languages : en
Pages : 393
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Olivier Messiaen: A Research and Information Guide, Second Edition presents researchers with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century's greatest composers. With multiple indices, this annotated bibliography will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field. The second edition has been fully revised and updated.
Author: Olivier Messiaen
Publisher:
ISBN:
Category : Organ masses
Languages : en
Pages : 27
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