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Author: Harriet Senie
Publisher: Oxford University Press
ISBN: 0190248394
Category : Art
Languages : en
Pages : 273
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Book Description
Memorials to Shattered Myths: Vietnam to 9/11 traces the evolution and consequences of a new hybrid paradigm, which grants a heroic status to victims of national tragedies, and by extension to their families, thereby creating a class of privileged participants in the permanent memorial process. Harriet F. Senie suggests that instead the victims' families be able to determine the nature of an interim memorial, one that addresses their needs in the critical time between the murder of their loved ones and the completion of the permanent memorial. She also observes that the memorials discussed herein are inadvertently based on strategies of diversion and denial that direct our attention away from actual events, and reframe tragedy as secular or religious triumph. In doing so, they camouflage history, and seen as an aggregate, they define a nation of victims, exactly the concept they and their accompanying celebratory narratives were apparently created to obscure.
Author: Harriet Senie
Publisher: Oxford University Press
ISBN: 0190248394
Category : Art
Languages : en
Pages : 273
Get Book Here
Book Description
Memorials to Shattered Myths: Vietnam to 9/11 traces the evolution and consequences of a new hybrid paradigm, which grants a heroic status to victims of national tragedies, and by extension to their families, thereby creating a class of privileged participants in the permanent memorial process. Harriet F. Senie suggests that instead the victims' families be able to determine the nature of an interim memorial, one that addresses their needs in the critical time between the murder of their loved ones and the completion of the permanent memorial. She also observes that the memorials discussed herein are inadvertently based on strategies of diversion and denial that direct our attention away from actual events, and reframe tragedy as secular or religious triumph. In doing so, they camouflage history, and seen as an aggregate, they define a nation of victims, exactly the concept they and their accompanying celebratory narratives were apparently created to obscure.
Author: Derek R. Mallett
Publisher: Routledge
ISBN: 1351346709
Category : History
Languages : en
Pages : 423
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Book Description
Monumental Conflicts examines 20th century wars from the First World War to the First Gulf War, each chapter analyzing how public memory has evolved over time. The chapters raise fascinating questions about war and memory: Why are wars remembered as they are? What factors drive changes in public perception? What implications arise from remembering and commemorating a war or particular aspects of a war? What does public memory of a war say about us as a society? The volume is divided into three sections focusing on political evolution, negotiated memories of war, and national pride and covers international wars from Afghanistan to Vietnam and German deserter monuments to Vietnamese war tourism.
Author: Geoffrey W. Jensen
Publisher: University of North Texas Press
ISBN: 1574417584
Category : History
Languages : en
Pages : 440
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Book Description
In Beyond the Quagmire, thirteen scholars from across disciplines provide a series of provocative, important, and timely essays on the politics, combatants, and memory of the Vietnam War. Americans believed that they were supposed to win in Vietnam. As veteran and Pulitzer Prize-winning author Philip Caputo observed in A Rumor of War, “we carried, along with our packs and rifles, the implicit convictions that the Viet Cong would be quickly beaten and that we were doing something altogether noble and good.” By 1968, though, Vietnam looked less like World War II’s triumphant march and more like the brutal and costly stalemate in Korea. During that year, the United States paid dearly as nearly 17,000 perished fighting in a foreign land against an enemy that continued to frustrate them. Indeed, as Caputo noted, “We kept the packs and rifles; the convictions, we lost.” It was a time of deep introspection as questions over the legality of American involvement, political dishonesty, civil rights, counter-cultural ideas, and American overreach during the Cold War congealed in one place: Vietnam. Just as Americans fifty years ago struggled to understand the nation’s connection to Vietnam, scholars today, across disciplines, are working to come to terms with the long and bloody war—its politics, combatants, and how we remember it. The essays in Beyond the Quagmire pose new questions, offer new answers, and establish important lines of debate regarding social, political, military, and memory studies. The book is organized in three parts. Part 1 contains four chapters by scholars who explore the politics of war in the Vietnam era. In Part 2, five contributors offer chapters on Vietnam combatants with analyses of race, gender, environment, and Chinese intervention. Part 3 provides four innovative and timely essays on Vietnam in history and memory. In sum, Beyond the Quagmire pushes the interpretive boundaries of America’s involvement in Vietnam on the battlefield and off, and it will play a significant role in reshaping and reinvigorating Vietnam War historiography.
Author: Michele H. Bogart
Publisher: Reaktion Books
ISBN: 1780239629
Category : Art
Languages : en
Pages : 288
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Book Description
Public sculpture is a major draw in today’s cities, and nowhere is this more the case than in New York. In the Big Apple, urban art has become synonymous with the municipal “brand,” highlighting the metropolis as vibrant, creative, tolerant, orderly, and above all, safe. Sculpture in Gotham tells the story of how the City of New York came to be committed to public art patronage beginning in the mid-1960s. In that era of political turbulence, cultural activists and city officials for a time shifted away from traditional monuments, joining forces to sponsor ambitious sculptural projects as an instrument for urban revitalization. Focusing on specific people, agencies and organizations, and both temporary and permanent projects, from the 1960s forward, Michele H. Bogart reveals the changing forms and meanings of municipal public art. Sculpture in Gotham illustrates how such shifts came about at a time when art theories and styles were morphing markedly, and when municipalities were reeling from racial unrest, economic decline, and countercultural challenges—to culture as well as the state. While sculptural installations on New York City property took time and were not without controversy, Gotham’s processes and policies produced notable results, providing precedents and lessons for cities the world over.
Author: Sasha-Mae Eccleston
Publisher: Yale University Press
ISBN: 0300263414
Category : Fiction
Languages : en
Pages : 261
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Book Description
An analysis of ancient Greek and Roman works alongside contemporary literature, exploring how these classics shape our understanding of the politics of time in America Ancient Greek and Roman cultures have been privileged as authoritatively timeless throughout American history. American leaders capitalize on this privilege when, during periods of crisis, they allude to these cultures to offer relief, to reestablish trust in the status quo, and to promote national unity. Analyzing texts that also draw on ancient Greek and Roman material to respond to these crises, Sasha-Mae Eccleston explains how contemporary authors and artists have questioned calls for unity that homogenize disparate experiences and ignore systemic inequality. Their engagements with the temporalities of the ancient material reveal how time structures membership in the national community. Reading, for example, Seneca's drama Medea, Homer's epics, and the verses of Sappho alongside Jesmyn Ward's novel Salvage the Bones or the poetry of Ocean Vuong and Juliana Spahr, Eccleston examines the temporal politics of major events and everyday life in the United States. Epic Events shows how ancient works that seem to insulate audiences from disaster can actually alert them to the frightening hierarchization of American life. Eccleston skillfully weaves together analyses of ancient material and contemporary texts that range from memorials, visual art, and literature to speeches and public health declarations to bring questions of race, class, and gender into dialogue with time in thoughtful, nuanced, and original ways.
Author: Cher Krause Knight
Publisher: John Wiley & Sons
ISBN: 1119190800
Category : Art
Languages : en
Pages : 512
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Book Description
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
Author: Lawrence Aje
Publisher: Routledge
ISBN: 1000074986
Category : History
Languages : en
Pages : 267
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Book Description
Traces and Memories deals with the foundation, mechanisms and scope of slavery-related memorial processes, interrogating how descendants of enslaved populations reconstruct the history of their ancestors when transatlantic slavery is one of the variables of the memorial process. While memory studies mark a shift from concern with historical knowledge of events to that of memory, the book seeks to bridge the memorial representations of historical events with the production and knowledge of those events. The book offers a methodological and epistemological reflection on the challenges that are raised by archival limitations in relation to slavery and how they can be overcome. It covers topics such as the historical and memorial legacy/ies of slavery, the memorialization of slavery, the canonization and patrimonialization of the memory of slavery, the places and conditions of the production of knowledge on slavery and its circulation, the heritage of slavery and the (re)construction of (collective) identity. By offering fresh perspectives on how slavery-related sites of memory have been retrospectively (re)framed or (re)shaped, the book probes the constraints which determine the inscription of this contentious memory in the public sphere. The volume will serve as a valuable resource in the area of slavery, memory, and Atlantic studies.
Author: Frank Möller
Publisher: Springer
ISBN: 3030032221
Category : Political Science
Languages : en
Pages : 294
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Book Description
This study thinks with photography about peace. It asks how photography can represent peace, and how such representation can contribute to peace. The book offers an original critique of the almost exclusive focus on violence in recent work on visual culture and presents a completely new research agenda within the overall framework of visual peace research. Critically engaging with both photojournalism and art photography in light of peace theories, it looks for visual representations or anticipations of peace – peace or peace as a potentiality – in the work of selected photographers including Robert Capa and Richard Mosse, thus reinterpreting photography from the Spanish Civil War to current anti-migration politics in Europe. The book argues that peace photography is episodic, culturally specific, process-oriented and considerate of both the past and the future.
Author: Matthew Leggatt
Publisher: Routledge
ISBN: 1315411474
Category : Social Science
Languages : en
Pages : 255
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Book Description
This book re-examines the role of the sublime across a range of disparate cultural texts, from architecture and art, to literature, digital technology, and film, detailing a worrying trend towards nostalgia and arguing that, although the sublime has the potential to be the most powerful uniting aesthetic force, it currently spreads fear, violence, and retrospection. In exploring contemporary culture, this book touches on the role of architecture to provoke feelings of sublimity, the role of art in the aftermath of destructive events, literature’s establishment of the historical moment as a point of sublime transformation and change, and the place of nostalgia and the returning of past practices in digital culture from gaming to popular cinema.
Author: Cameron Cartiere
Publisher: Taylor & Francis
ISBN: 1000631427
Category : Art
Languages : en
Pages : 241
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Book Description
This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice. The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections. The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts.
