Author: Gary Totten
Publisher: University of Alabama Press
ISBN: 0817354190
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
American writer Edith Wharton (1862-1937) once wrote in Harper's that she wanted to "penetrate ... the carefully guarded interior[s]" of her past memories and fashion them "into a little memorial like the boxes formed of exotic shells which sailors used to fabricate between voyages." For Totten (English, North Dakota State U.) this statement is a striking reminder of the connections between material objects and cultural meanings in Wharton's life and work. He presents 11 essays that explore these connections in a variety of ways. Topics include critical linkages of Wharton to materiality as a means to keep her outside the canonical, resistance to commodification in The House of Mirth, the creation of the disposable object and Wharton's characters' fears of their disposability, Wharton's ideas about the use of museum space in The Age of Innocence, and the effect of technology on domestic space in The Fruit of the Tree.
Memorial Boxes and Guarded Interiors
Author: Gary Totten
Publisher: University of Alabama Press
ISBN: 0817354190
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
American writer Edith Wharton (1862-1937) once wrote in Harper's that she wanted to "penetrate ... the carefully guarded interior[s]" of her past memories and fashion them "into a little memorial like the boxes formed of exotic shells which sailors used to fabricate between voyages." For Totten (English, North Dakota State U.) this statement is a striking reminder of the connections between material objects and cultural meanings in Wharton's life and work. He presents 11 essays that explore these connections in a variety of ways. Topics include critical linkages of Wharton to materiality as a means to keep her outside the canonical, resistance to commodification in The House of Mirth, the creation of the disposable object and Wharton's characters' fears of their disposability, Wharton's ideas about the use of museum space in The Age of Innocence, and the effect of technology on domestic space in The Fruit of the Tree.
Publisher: University of Alabama Press
ISBN: 0817354190
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
American writer Edith Wharton (1862-1937) once wrote in Harper's that she wanted to "penetrate ... the carefully guarded interior[s]" of her past memories and fashion them "into a little memorial like the boxes formed of exotic shells which sailors used to fabricate between voyages." For Totten (English, North Dakota State U.) this statement is a striking reminder of the connections between material objects and cultural meanings in Wharton's life and work. He presents 11 essays that explore these connections in a variety of ways. Topics include critical linkages of Wharton to materiality as a means to keep her outside the canonical, resistance to commodification in The House of Mirth, the creation of the disposable object and Wharton's characters' fears of their disposability, Wharton's ideas about the use of museum space in The Age of Innocence, and the effect of technology on domestic space in The Fruit of the Tree.
The Bloomsbury Handbook to Edith Wharton
Author: Emily Orlando
Publisher: Bloomsbury Publishing
ISBN: 1350182958
Category : Literary Criticism
Languages : en
Pages : 373
Book Description
Bringing together leading voices from across the globe, The Bloomsbury Handbook to Edith Wharton represents state-of-the-art scholarship on the American writer Edith Wharton, once primarily known as a New York novelist. Focusing on Wharton's extensive body of work and renaissance across 21st-century popular culture, chapters consider: - Wharton in the context of queer studies, race studies, whiteness studies, age studies, disability studies, anthropological studies, and economics; - Wharton's achievements in genres for which she deserves to be better known: poetry, drama, the short story, and non-fiction prose; - Comparative studies with Christina Rossetti, Henry James, and Willa Cather; -The places and cultures Wharton documented in her writing, including France, Greece, Italy, and Morocco; - Wharton's work as a reader and writer and her intersections with film and the digital humanities. Book-ended by Dale Bauer and Elaine Showalter, and with a foreword by the Director and senior staff at The Mount, Wharton's historic Massachusetts home, the Handbook underscores Wharton's lasting impact for our new Gilded Age. It is an indispensable resource for readers interested in Wharton and 19th- and 20th-century literature and culture.
Publisher: Bloomsbury Publishing
ISBN: 1350182958
Category : Literary Criticism
Languages : en
Pages : 373
Book Description
Bringing together leading voices from across the globe, The Bloomsbury Handbook to Edith Wharton represents state-of-the-art scholarship on the American writer Edith Wharton, once primarily known as a New York novelist. Focusing on Wharton's extensive body of work and renaissance across 21st-century popular culture, chapters consider: - Wharton in the context of queer studies, race studies, whiteness studies, age studies, disability studies, anthropological studies, and economics; - Wharton's achievements in genres for which she deserves to be better known: poetry, drama, the short story, and non-fiction prose; - Comparative studies with Christina Rossetti, Henry James, and Willa Cather; -The places and cultures Wharton documented in her writing, including France, Greece, Italy, and Morocco; - Wharton's work as a reader and writer and her intersections with film and the digital humanities. Book-ended by Dale Bauer and Elaine Showalter, and with a foreword by the Director and senior staff at The Mount, Wharton's historic Massachusetts home, the Handbook underscores Wharton's lasting impact for our new Gilded Age. It is an indispensable resource for readers interested in Wharton and 19th- and 20th-century literature and culture.
Edith Wharton and Cosmopolitanism
Author: Meredith L. Goldsmith
Publisher: University Press of Florida
ISBN: 081305592X
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
"These energizing, excellent essays address the international scope of Wharton's writing and contribute to the growing fields of transatlantic, hemispheric, and global studies."--Carol J. Singley, author of A Historical Guide to Edith Wharton "Readers will emerge with a new respect for Wharton's engagement with the world around her and for her ability to convey her particular vision in her literary works."--Julie Olin-Ammentorp, author of Edith Wharton's Writings from the Great War Hailed for her remarkable social and psychological insights into the Gilded Age lives of privileged Americans, Edith Wharton, the first woman to win a Pulitzer Prize, was a transnational author who attempted to understand and appreciate the culture, history, and artifacts of the regions she encountered in her extensive travels abroad. Edith Wharton and Cosmopolitanism explores the international scope of Wharton's life and writing, focusing on how her work connects with the idea of cosmopolitanism. This volume illustrates the many ways Wharton engaged with global issues of her time. Contributors examine both her canonical and lesser-known works, including her art historical discoveries, political work, travel writing, World War I texts, and first novel. They consider themes of anarchism, race, imperialism, regionalism, and orientalism; Wharton's treatment of contemporary marriage debates; her indebtedness to her literary predecessors; and her genre experimentation. Together, they demonstrate how Wharton's struggle to balance her powerful local and national identifications with cosmopolitan values, resulted in a diverse, complex, and sometimes problematic relationship to a cosmopolitan vision. Contributors: Ferdâ Asya | William Blazek | Rita Bode | Donna Campbell | Mary Carney | Clare Virginia Eby | June Howard | Meredith L. Goldsmith | Sharon Kim | D. Medina Lasansky | Maureen Montgomery | Emily J. Orlando | Margaret A. Toth | Gary Totten
Publisher: University Press of Florida
ISBN: 081305592X
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
"These energizing, excellent essays address the international scope of Wharton's writing and contribute to the growing fields of transatlantic, hemispheric, and global studies."--Carol J. Singley, author of A Historical Guide to Edith Wharton "Readers will emerge with a new respect for Wharton's engagement with the world around her and for her ability to convey her particular vision in her literary works."--Julie Olin-Ammentorp, author of Edith Wharton's Writings from the Great War Hailed for her remarkable social and psychological insights into the Gilded Age lives of privileged Americans, Edith Wharton, the first woman to win a Pulitzer Prize, was a transnational author who attempted to understand and appreciate the culture, history, and artifacts of the regions she encountered in her extensive travels abroad. Edith Wharton and Cosmopolitanism explores the international scope of Wharton's life and writing, focusing on how her work connects with the idea of cosmopolitanism. This volume illustrates the many ways Wharton engaged with global issues of her time. Contributors examine both her canonical and lesser-known works, including her art historical discoveries, political work, travel writing, World War I texts, and first novel. They consider themes of anarchism, race, imperialism, regionalism, and orientalism; Wharton's treatment of contemporary marriage debates; her indebtedness to her literary predecessors; and her genre experimentation. Together, they demonstrate how Wharton's struggle to balance her powerful local and national identifications with cosmopolitan values, resulted in a diverse, complex, and sometimes problematic relationship to a cosmopolitan vision. Contributors: Ferdâ Asya | William Blazek | Rita Bode | Donna Campbell | Mary Carney | Clare Virginia Eby | June Howard | Meredith L. Goldsmith | Sharon Kim | D. Medina Lasansky | Maureen Montgomery | Emily J. Orlando | Margaret A. Toth | Gary Totten
Scientific Americans
Author: John Bruni
Publisher: University of Wales Press
ISBN: 1783160187
Category : Science
Languages : en
Pages : 258
Book Description
Demonstrating the timely relevance of Theodore Dreiser, Edith Wharton, Jack London and Henry Adams, this book shows how debates about evolution, identity, and a shifting world picture have uncanny parallels with the emerging global systems that shape our own lives. Tracing these systems' take-off point in the early twentieth century through the lens of popular science journalism, John Bruni makes a valuable contribution to the study of how biopolitical control over life created boundaries among races, classes, genders and species. Rather than accept that these writers get their scientific ideas about evolution second-hand, filtered through a social Darwinist ideology, this study argues that they actively determine what evolution means. Furthermore, the book, examines the ecological concerns that naturalist narratives reflect - such as land and water use, waste management, and environmental pollution - previously unaddressed in a book-length study.
Publisher: University of Wales Press
ISBN: 1783160187
Category : Science
Languages : en
Pages : 258
Book Description
Demonstrating the timely relevance of Theodore Dreiser, Edith Wharton, Jack London and Henry Adams, this book shows how debates about evolution, identity, and a shifting world picture have uncanny parallels with the emerging global systems that shape our own lives. Tracing these systems' take-off point in the early twentieth century through the lens of popular science journalism, John Bruni makes a valuable contribution to the study of how biopolitical control over life created boundaries among races, classes, genders and species. Rather than accept that these writers get their scientific ideas about evolution second-hand, filtered through a social Darwinist ideology, this study argues that they actively determine what evolution means. Furthermore, the book, examines the ecological concerns that naturalist narratives reflect - such as land and water use, waste management, and environmental pollution - previously unaddressed in a book-length study.
Teaching Edith Wharton’s Major Novels and Short Fiction
Author: Ferdâ Asya
Publisher: Springer Nature
ISBN: 3030527425
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This book translates recent scholarship into pedagogy for teaching Edith Wharton’s widely celebrated and less-known fiction to students in the twenty-first century. It comprises such themes as American and European cultures, material culture, identity, sexuality, class, gender, law, history, journalism, anarchism, war, addiction, disability, ecology, technology, and social media in historical, cultural, transcultural, international, and regional contexts. It includes Wharton’s works compared to those of other authors, taught online, read in foreign universities, and studied in film adaptations.
Publisher: Springer Nature
ISBN: 3030527425
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This book translates recent scholarship into pedagogy for teaching Edith Wharton’s widely celebrated and less-known fiction to students in the twenty-first century. It comprises such themes as American and European cultures, material culture, identity, sexuality, class, gender, law, history, journalism, anarchism, war, addiction, disability, ecology, technology, and social media in historical, cultural, transcultural, international, and regional contexts. It includes Wharton’s works compared to those of other authors, taught online, read in foreign universities, and studied in film adaptations.
Gothic Landscapes
Author: Sharon Rose Yang
Publisher: Springer
ISBN: 3319331655
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
This book is about the ways that Gothic literature has been transformed since the 18th century across cultures and across genres. In a series of essays written by scholars in the field, the book focuses on landscape in the Gothic and the ways landscape both reflects and reveals the dark elements of culture and humanity. It goes beyond traditional approaches to the Gothic by pushing the limits of the definition of the genre. From landscape painting to movies and video games, from memoir to fiction, and from works of different cultural origins and perspectives, this volume traverses the geography of the Gothic revealing the anxieties that still haunt humanity into the twenty-first century.
Publisher: Springer
ISBN: 3319331655
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
This book is about the ways that Gothic literature has been transformed since the 18th century across cultures and across genres. In a series of essays written by scholars in the field, the book focuses on landscape in the Gothic and the ways landscape both reflects and reveals the dark elements of culture and humanity. It goes beyond traditional approaches to the Gothic by pushing the limits of the definition of the genre. From landscape painting to movies and video games, from memoir to fiction, and from works of different cultural origins and perspectives, this volume traverses the geography of the Gothic revealing the anxieties that still haunt humanity into the twenty-first century.
The New Edith Wharton Studies
Author: Jennifer Haytock
Publisher: Cambridge University Press
ISBN: 1108422691
Category : Literary Collections
Languages : en
Pages : 277
Book Description
Uncovers new evidence and presents new ideas that invite us to reconsider our understanding Edith Wharton's life and career.
Publisher: Cambridge University Press
ISBN: 1108422691
Category : Literary Collections
Languages : en
Pages : 277
Book Description
Uncovers new evidence and presents new ideas that invite us to reconsider our understanding Edith Wharton's life and career.
Kitchen Economics
Author: Thomas Strychacz
Publisher: University Alabama Press
ISBN: 081732058X
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
An analysis of how nineteenth-century women regional writers represent political economic thought WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE Readers of late nineteenth-century female American authors are familiar with plots, characters, and households that make a virtue of economizing. Scholars often interpret these scenarios in terms of a mythos of parsimony, frequently accompanied by a sort of elegiac republicanism whereby self-sufficiency and autonomy are put to the service of the greater good—a counterworld to the actual economic conditions of the period. In Kitchen Economics: Women’s Regionalist Fiction and Political Economy, Thomas Strychacz takes a new approach to the question of how female regionalist fictions represent “the economic” by situating them within traditions of classical political economic thought. Offering case studies of key works by Sarah Orne Jewett, Mary Wilkins Freeman, Harriet Beecher Stowe, Rose Terry Cooke, and Alice Dunbar-Nelson, this study focuses on three complex cultural fables—the island commonwealth, stadialism (or stage theory), and feeding the body politic—which found formal expression in political economic thought, made their way into endless public debates about the economic turmoil of the late nineteenth century, and informed female authors. These works represent counterparts, not counterworlds, to modernity; and their characteristic stance is captured in the complex trope of feminaeconomica. This approach ultimately leads us to reconsider what we mean by the term “economic,” for the emphasis of contemporary neoclassical economics on economic agents given over to infinite wants and complete self-interest has caused the “sufficiency” and “common good” models of female regionalist authors to be misinterpreted and misvalued. These fictions are nowhere more pertinent to modernity than in their alliance with today’s important alternative economic discourses.
Publisher: University Alabama Press
ISBN: 081732058X
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
An analysis of how nineteenth-century women regional writers represent political economic thought WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE Readers of late nineteenth-century female American authors are familiar with plots, characters, and households that make a virtue of economizing. Scholars often interpret these scenarios in terms of a mythos of parsimony, frequently accompanied by a sort of elegiac republicanism whereby self-sufficiency and autonomy are put to the service of the greater good—a counterworld to the actual economic conditions of the period. In Kitchen Economics: Women’s Regionalist Fiction and Political Economy, Thomas Strychacz takes a new approach to the question of how female regionalist fictions represent “the economic” by situating them within traditions of classical political economic thought. Offering case studies of key works by Sarah Orne Jewett, Mary Wilkins Freeman, Harriet Beecher Stowe, Rose Terry Cooke, and Alice Dunbar-Nelson, this study focuses on three complex cultural fables—the island commonwealth, stadialism (or stage theory), and feeding the body politic—which found formal expression in political economic thought, made their way into endless public debates about the economic turmoil of the late nineteenth century, and informed female authors. These works represent counterparts, not counterworlds, to modernity; and their characteristic stance is captured in the complex trope of feminaeconomica. This approach ultimately leads us to reconsider what we mean by the term “economic,” for the emphasis of contemporary neoclassical economics on economic agents given over to infinite wants and complete self-interest has caused the “sufficiency” and “common good” models of female regionalist authors to be misinterpreted and misvalued. These fictions are nowhere more pertinent to modernity than in their alliance with today’s important alternative economic discourses.
The Oxford Handbook of American Literary Realism
Author: Keith Newlin
Publisher: Oxford University Press
ISBN: 0190056940
Category : Literary Criticism
Languages : en
Pages : 733
Book Description
The scholarship devoted to American literary realism has long wrestled with problems of definition: is realism a genre, with a particular form, content, and technique? Is it a style, with a distinctive artistic arrangement of words, characters, and description? Or is it a period, usually placed as occurring after the Civil War and concluding somewhere around the onset of World War I? This volume aims to widen the scope of study beyond mere definition, however, by expanding the boundaries of the subject through essays that reconsider and enlarge upon such questions. The Oxford Handbook of American Literary Realism aims to take stock of the scholarly work in the area and map out paths for future directions of study. The Handbook offers 35 vibrant and original essays of new interpretations of the artistic and political challenges of representing life. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. Contributors here tease out the workings of a particular concept through a variety of authors and their cultural contexts. A set of essays explores realism's genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts--poetry, drama, illustration, photography, painting, and film--and to pedagogic issues in the teaching of realism. As a whole, this volume forges exciting new paths in the study of realism and writers' unending labor to represent life accurately.
Publisher: Oxford University Press
ISBN: 0190056940
Category : Literary Criticism
Languages : en
Pages : 733
Book Description
The scholarship devoted to American literary realism has long wrestled with problems of definition: is realism a genre, with a particular form, content, and technique? Is it a style, with a distinctive artistic arrangement of words, characters, and description? Or is it a period, usually placed as occurring after the Civil War and concluding somewhere around the onset of World War I? This volume aims to widen the scope of study beyond mere definition, however, by expanding the boundaries of the subject through essays that reconsider and enlarge upon such questions. The Oxford Handbook of American Literary Realism aims to take stock of the scholarly work in the area and map out paths for future directions of study. The Handbook offers 35 vibrant and original essays of new interpretations of the artistic and political challenges of representing life. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. Contributors here tease out the workings of a particular concept through a variety of authors and their cultural contexts. A set of essays explores realism's genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts--poetry, drama, illustration, photography, painting, and film--and to pedagogic issues in the teaching of realism. As a whole, this volume forges exciting new paths in the study of realism and writers' unending labor to represent life accurately.
Transatlantic Footholds
Author: Stephanie Palmer
Publisher: Routledge
ISBN: 0429537018
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers analyses British reviews of American women fiction writers, essayists and poets between the periods of literary domesticity and modernism. The book demonstrates that a variety of American women writers were intelligently read in Britain during this era. British reviewers read American women as literary artists, as women and as Americans. While their notion of who counted as "women" was too limited by race and class, they eagerly read these writers for insight about how women around the world were entering debates on women’s place, the class struggle, religion, Indian policy, childrearing, and high society. In the process, by reading American women in varied ways, reviewers became hybrid and dissenting readers. The taste among British reviewers for American women’s books helped change the predominant direction that high culture flowed across the Atlantic from east-to-west to west-to-east. Britons working in London or far afield were deeply invested in the idea of "America." "America," their responses prove, is a transnational construct.
Publisher: Routledge
ISBN: 0429537018
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers analyses British reviews of American women fiction writers, essayists and poets between the periods of literary domesticity and modernism. The book demonstrates that a variety of American women writers were intelligently read in Britain during this era. British reviewers read American women as literary artists, as women and as Americans. While their notion of who counted as "women" was too limited by race and class, they eagerly read these writers for insight about how women around the world were entering debates on women’s place, the class struggle, religion, Indian policy, childrearing, and high society. In the process, by reading American women in varied ways, reviewers became hybrid and dissenting readers. The taste among British reviewers for American women’s books helped change the predominant direction that high culture flowed across the Atlantic from east-to-west to west-to-east. Britons working in London or far afield were deeply invested in the idea of "America." "America," their responses prove, is a transnational construct.