Memoirs of the Life of David Garrick Interspersed with Characters and Anecdotes of His Theatrical Contemporaries, 1 PDF Download
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Author: Thomas Davies
Publisher:
ISBN:
Category : Garrick, David, 1717-1779
Languages : en
Pages : 416
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Book Description
Author: Thomas Davies
Publisher:
ISBN:
Category : Garrick, David, 1717-1779
Languages : en
Pages : 416
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Book Description
Author: Thomas Davies
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Book Description
![Memoirs of the Life of David Garrick, Esq. Interspersed with Characters and Anecdotes of His Theatrical Contemporaries. The Whole Forming a History of the Stage, which Includes a Period of Thirty-six Years. By Thomas Davies Vol. 1. [-2.] PDF](https://books.google.com/books/content/images/frontcover/qNu2wOCqfx4C?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
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Book Description
Author: Thomas Davies
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 262
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Book Description
Author: Robert William Lowe
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 408
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Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 490
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Book Description
Author: Amanda Weldy Boyd
Publisher: Anthem Press
ISBN: 1783086688
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study specifically focuses on Thomas Davies’ 1780 memoir of David Garrick as the first moment of mastery in the genre’s history, the three-way war for the right to tell Charles Macklin’s story at the turn of the century and James Boaden’s theatrical biography spree in the 1820s and 1830s, including the lives of John Philip Kemble, Sarah Siddons, Dorothy Jordan and Elizabeth Inchbald. This project investigates the extent to which biographers envisioned themselves as artists, inheriting the anxiety of impermanence and correlating fear of competition that plagued their thespian subjects. It traces a suggestive, but not determinative, outline of generic development, noting the shifting generic features that emerge in context of a given work’s predecessors. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this text is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority. This turn to materiality also authorized readerly participation, allowing readers to “co-author” biographies through the use of material insertions, asserting their own presence in the texts about beloved thespians.
Author: Michael Hüttler
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990120735
Category : Music
Languages : en
Pages : 781
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Book Description
On 3 May 1810 George Gordon, Lord Byron, swam like the mythic Leander from Sestos on the European side of the Hellespont to Abydos on the Asian shore. The hero of his poem "Don Juan" has lived in “feminine disguise” in the sultan's harem for more than a century. To commemorate Byron's Don Juan, the third volume of the "Ottoman Empire and European Theatre" series focuses on the image of the harem in literature and theatre. Nineteen international contributors explore historical conceptions of the Ottoman harem and seraglio in British, French and South East European sources from the late seventeenth to the nineteenth centuries. Contributions by Jennifer L. Airey, Gönül Bakay, Michael Chappell, Anne Greenfield, Isobel Grundy, Bent Holm, Michael Hüttler, Hans Peter Kellner, Emily M. N. Kugler, Andreas Münzmay, Domenica Newell-Amato, Walter Puchner, Marian Gilbart Read, Käthe Springer, Stefanie Steiner, Laura Tunbridge, Himmet Umunc, Hans Ernst Weidinger, Mi Zhou.
Author: Thomas Davies
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 372
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Book Description
Author: Dongshin Chang
Publisher: Routledge
ISBN: 1135007519
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
