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Author: Melvin Edwards
Publisher: Masp
ISBN: 9788531000515
Category : African American sculptors
Languages : en
Pages : 256
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Book Description
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African-American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California. The exhibition is the artistœs first solo exhibition in Brazil. It brings together 38 works from the iconic sculpture series by one of the most important American artists of his generation. The exhibited works span more than five decades of his production -from 1963 to 2016- and its starting point coincides with a crucial period of the civil rights movement in the United States.ʺ Page [7]. Edwards uses welds scraps of found metal to create new forms, and the sculpturesœ implicit threat of violence derives in part from the chains, nails, and other tools of which they are constructed. He made this work during and immediately following a residency in Zimbabwe.
Author: Melvin Edwards
Publisher: Masp
ISBN: 9788531000515
Category : African American sculptors
Languages : en
Pages : 256
Get Book Here
Book Description
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African-American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California. The exhibition is the artistœs first solo exhibition in Brazil. It brings together 38 works from the iconic sculpture series by one of the most important American artists of his generation. The exhibited works span more than five decades of his production -from 1963 to 2016- and its starting point coincides with a crucial period of the civil rights movement in the United States.ʺ Page [7]. Edwards uses welds scraps of found metal to create new forms, and the sculpturesœ implicit threat of violence derives in part from the chains, nails, and other tools of which they are constructed. He made this work during and immediately following a residency in Zimbabwe.
Author: Catherine Craft
Publisher:
ISBN: 9780991233830
Category : Sculpture, American
Languages : en
Pages : 0
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Book Description
Catalog of an exhibition held at the Nasher Sculpture Center, Dallas, Texas, January 31-May 10, 2015; the Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, September 1, 2015 - January 3, 2016; and the Columbus Museum of Art, Columbus, Ohio, February 12-May 8, 2016.
Author: Lucinda H. Gedeon
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Okwui Enwezor
Publisher: Phaidon Press
ISBN: 9781838661298
Category : Art
Languages : en
Pages : 0
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Book Description
A timely and urgent exploration into the ways artists have grappled with race and grief in modern America, conceived by the great curator Okwui Enwezor Featuring works by more than 30 artists and writings by leading scholars and art historians, this book - and its accompanying exhibition, both conceived by the late, legendary curator Okwui Enwezor - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Claudia Rankine, and Christina Sharpe.
Author: Sampada Aranke
Publisher: Princeton University Press
ISBN: 0691209278
Category : Art
Languages : en
Pages : 137
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Book Description
Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.
Author: Mark Benjamin Godfrey
Publisher: Thames & Hudson
ISBN: 9781942884170
Category : Art
Languages : en
Pages : 256
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Book Description
Published on the occasion of an exhibition of the same name held at Tate Modern, London, July 12-October 22, 2017; Crystal Bridges Museum of American Art, Bentonville, Arkansas, February 3-April 23, 2018; and Brooklyn Museum, New York, September 7, 2018-February 3, 2019.
Author: Steve Cannon
Publisher:
ISBN: 9781427613745
Category : Art
Languages : en
Pages : 0
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Book Description
An exploration of the work of David Hammons and his peers, assemblage artists working on the West Coast in the 1960s and 1970s.
Author: Kellie Jones
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 362
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Book Description
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
Author: Elia Alba
Publisher: Rm
ISBN: 9788417975692
Category :
Languages : en
Pages : 336
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Book Description
Documenting the Barrio's first national survey of Latinx art, featuring more than 40 artists from the US and Puerto Rico This publication features the work of the 42 participating artists and collectives included in the highly anticipated titular exhibition organized by El Museo del Barrio in New York. The result of two years of research, this project is the museum's first nationwide exhibition and publication exploring the diverse landscape of contemporary Latinx artists working in the United States and Puerto Rico. The volume includes an essay by the curators, a conversation between some of the artists conducted by artist Elia Alba as part of her Supper Club series and illustrated, individual short interviews with the participants. A closing anthology brings together poems and excerpts of essays by Lourdes Alberto, Ariana Brown, Karla Cornejo Villavicencio, Deborah Cullen, Carolina Ponce de León, Esteban Jefferson, Ed Morales, Alan Pelaez Lopez, Dixa Ramírez d'Oleo, Rose Salseda and Adriana Zavala.
Author: David Hammons
Publisher: Drawing Center
ISBN: 9780942324419
Category : Art
Languages : en
Pages : 136
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Book Description
On Hammons' seminal series that ingeniously merged print and performance, celebration and critique The first book dedicated to these pivotal early works on paper, David Hammons: Body Prints, 1968-1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. Hammons created the body prints by greasing his own body--or that of another person--with substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin, and hair that exist somewhere between spectral portraits and physical traces. Hammons' body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States. More than a half century after they were made, these early works on paper exemplify Hammons' celebration of the sacredness of objects touched or made by the Black body, and his biting critique of racial oppression. The 32 body prints highlighted in this volume introduce the major themes of a 50-year career that has become central to the history of postwar American art. The book features a conversation between curator and activist Linda Goode Bryant and artist Senga Nengudi, as well as a photo essay by photographer Bruce W. Talamon, who documented Hammons at work in his Los Angeles studio in 1974. Born in 1943 in Springfield, Illinois, David Hammons moved to Los Angeles in 1963 at the age of 20 and began making his body prints several years later. He studied at Otis Art Institute with Charles White and became part of a younger generation of Black avant-garde artists loosely associated with the Black Arts Movement. He moved to New York in 1978.
