Author: Stephen W. Melville
Publisher: Clark Art Institute
ISBN: 9780300103373
Category : Art
Languages : en
Pages : 218
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Book Description
This volume examines the force of art history's attraction to particular objects and the corresponding rhythms of attachment and detachment that animate the discipline.
Author: Christopher Sten
Publisher: Kent State University Press
ISBN: 9780873384445
Category : Art
Languages : en
Pages : 372
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Book Description
He explains when and where in Melville's wanderings throughout America, Europe, and the Near East he saw these works, then describes how Melville made use of the life and work of these artists in his own fiction and poetry. The collection includes new essays on Moby Dick and J.M.W. Turner; Melville's fascination with Dutch genre painting; his appropriation of work by Cole and Vanderlyn for his magazine fiction; his use of early representations of the plague in Israel Potter; the relationship between the satirical cartoons of Daumier and the figures of The Confidence-Man; Timoleon's many artistic subjects; and the power of classical icons to shape the moral and aesthetic conflicts in Billy Budd. Also found here are theoretical essays on Melville and the picturesque; the modernism of Melville's aesthetic vision; his "anti-architectural" theory of literature; and his extensive reading in art history and art theory, from the classical to his own period.
Author: Margaret Iversen
Publisher: University of Chicago Press
ISBN: 0226388263
Category : Art
Languages : en
Pages : 256
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Book Description
Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
Author: Stephen W. Melville
Publisher: Duke University Press
ISBN: 9780822316442
Category : Art
Languages : en
Pages : 418
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Book Description
The influence of contemporary literary theory on art history is increasingly evident, but there is little or no agreement about the nature and consequence of this new intersection of the visual and the textual. Vision and Textuality brings together essays by many of the most influential scholars in the field--both young and more established writers from the United States, England, and France--to address the emergent terms and practices of contemporary art history. With essays by Rosalind Krauss, Hal Foster, Norman Bryson, Victor Burgin, Martin Jay, Louis Marin, Thomas Crow, Griselda Pollock, and others, the volume is organized into sections devoted to the discipline of art history, the implications of semiotics, the new cultural history of art, and the impact of psychoanalysis. The works discussed in these essays range from Rembrandt's Danae to Jorge Immendorf's Café Deutschland, from Vauxhall Gardens to Max Ernst, and from the Imagines of Philostratus to William Godwin's novel Caleb Williams. Each section is preceded by a short introduction that offers further contexts for considering the essays that follow, while the editors' general introduction presents an overall exploration of the relation between vision and textuality in a variety of both institutional and theoretical contexts. Among other issues, it examines the relevance of aesthetics, the current concern with modernism and postmodernism, and the possible development of new disciplinary formations in the humanities. Contributors. Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Holly, Martin Jay, Rosalind Krauss, Françoise Lucbert, Louis Martin, Stephen Melville, Griselda Pollock, Bill Readings, Irit Rogoff, Bennet Schaber, John Tagg
Author: Stephen Melville
Publisher: Routledge
ISBN: 1134392583
Category : Art
Languages : en
Pages : 252
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Book Description
Jeremy Gilbert-Rolfe brings to Melville's work the insight not only of an art critic and theorist, but of a practicing artist as well. Navigating through the complexity of contemporary thought and philosophy, Gilbert-Rolfe unravels the Gordian knot of the diverse discourses that circumscribe Melville's views, revealing the practicality and clarity of Melville's speculative narratives. Stephen Melville is one of the most thoughtful critics to emerge in recent years. He has applied the tools developed by Jacques Derrida and Jacques Lacan to the problems of contemporary art. With his roots in Kant, Hegel, and Heidegger, he reopens questions of art's reception, interpretation, and commentary. Not only does he articulate the limitations of these categories, and how they are set into motion-stasis and balance are not the goal. He demonstrates how the territory of each of these discourses is maintained by their relationship to one another. Melville's texts not only represent the complexity of his subjec
Author: Herman Melville
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 348
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Book Description
"Following the commercial and critical success of his first book, Typee, Herman Melville continued his series of South Seas adventure-romances with Omoo. Melville's second book chronicles the narrator's involvement in a mutiny aboard a South Seas whaling vessel, his incarceration in a Tahitian jail, and then his wanderings as an omoo, or rover, on the island of Eimeo (Moorea). Based on Melville's personal experience as a sailor on a South Pacific whaleship, Omoo is a first-person account of life as a sailor during the nineteenth century, filled with colorful characters and detailed descriptions of the far-flung locales of Polynesia."--BOOK JACKET.
Author: Elena Arevalo Melville
Publisher: Scallywag Press
ISBN: 1915252393
Category : Juvenile Fiction
Languages : en
Pages : 35
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Book Description
Clara finds an umbrella on the ground at the park and does a good deed by putting it on a bench. The umbrella says "thank you" and invites Clara to make a wish. So unfolds a magical chain of events featuring a new friend, an elephant, musical butterflies, and a naughty fox who learns his lesson. The artwork in this quirky piece of magical realism is packed with humor and character, and the surprising ending is both heart-warming and uplifting.
Author: Donald Preziosi
Publisher: Oxford University Press, USA
ISBN: 0199229848
Category : Art
Languages : en
Pages : 600
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Book Description
This anthology is a guide to understanding art history through critical reading of the field's most innovative and influential texts, focusing on the past two centuries.
Author: Douglas Robillard
Publisher: Kent State University Press
ISBN: 9780873385756
Category : Art
Languages : en
Pages : 244
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Book Description
Melville's allusions to works of art embellish his poems and novels. In this study, his use of the art analogy as a literary technique is traced, along with the influence of his predecessors and comtemporaries and how his sense of form was instructed by design in works of art.
Author: Jay Parini
Publisher: Anchor
ISBN: 0385533683
Category : Fiction
Languages : en
Pages : 466
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Book Description
From the author of the international bestseller The Last Station, a stirring novel about the adventurous life and tragic literary career of Herman Melville. As The Passages of H. M. opens, we see, through the eyes of his long-suffering wife Lizzie, an aging, angry, and drunken Herman Melville wreaking domestic havoc in his unhappy New York home. He is decades past his flourishing career as a writer of bestselling tales of seagoing adventures like Typee and Omoo. His epic but ungainly novel Moby-Dick was meant to make him immortal, but critics scoffed and readers fled. His days are spent trudging the docks of New York as a customs inspector and contemplating his malign literary fate. But within him is stirring, perhaps, one great work yet—the tale of a handsome sailor in the Napoleonic Wars, undone by one moment of uncontrollable rage . . . Lizzie’s chapters alternate with third-person accounts of Melville’s crowded life: his shipping off to sea on a merchant vessel as an impoverished young aristocrat; his fateful voyage on a whaling ship; his desertion in the Marquesas Islands and sojourn with cannibals—a great adventure and polymorphous sexual idyll—and his instant fame as a novelist; his fateful encounter and soul-deep friendship with Nathaniel Hawthorne; and the long years of physical decline and literary obscurity. Jay Parini creates a Melville who is at once sympathetic and maddening, in sync with the vast forces of the universe and hopelessly impractical and abstracted. And one who, in thought and deed, is unambiguously attracted to men—a surmise well supported by the known biographical facts but still sure to create controversy. Parini penetrates the mind and soul of a literary titan, using the resources of fiction to humanize a giant while illuminating the sources of his matchless creativity.
