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Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1781603049
Category : Art
Languages : en
Pages : 618
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Book Description
September 4, 476 A. D. marked the end of the Western Roman Empire. After several centuries of prosperity, Europe sank into chaos. With Charlemagne, a new dynamic begins that of a civilising reconstruction. The Romanesque period is part of the rediscovery of this Roman Empire, lost in memories, but living on in the architectural testimonies of the cities and the countryside. In art history, Romanesque art refers to the period between the beginning of the 11th and the end of the 12th century. This era was characterised by a great diversity of regional schools, each practising their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work endeavours to restore the importance of this art which is often overshadowed by the later Gothic style. Gothic art is defined by the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over 200 years. Abandoning curved Roman forms, the architects started using flying buttresses and pointed arches to open cathedrals to daylight. A period of great economic and social change, the Gothic era incorporated new iconography celebrating the Holy Mary — a drastic contrast to the dismal themes of Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and the International Gothic movement.
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1781603049
Category : Art
Languages : en
Pages : 618
Get Book Here
Book Description
September 4, 476 A. D. marked the end of the Western Roman Empire. After several centuries of prosperity, Europe sank into chaos. With Charlemagne, a new dynamic begins that of a civilising reconstruction. The Romanesque period is part of the rediscovery of this Roman Empire, lost in memories, but living on in the architectural testimonies of the cities and the countryside. In art history, Romanesque art refers to the period between the beginning of the 11th and the end of the 12th century. This era was characterised by a great diversity of regional schools, each practising their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work endeavours to restore the importance of this art which is often overshadowed by the later Gothic style. Gothic art is defined by the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over 200 years. Abandoning curved Roman forms, the architects started using flying buttresses and pointed arches to open cathedrals to daylight. A period of great economic and social change, the Gothic era incorporated new iconography celebrating the Holy Mary — a drastic contrast to the dismal themes of Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and the International Gothic movement.
Author:
Publisher: BRILL
ISBN: 9004473572
Category : History
Languages : en
Pages : 513
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Book Description
This illustrated book is a coherently conceived collection of interdisciplinary essays by distinguished authors on the city of Rome and its contacts with western Christendom in the early Middle Ages (c. 500-1000 AD). The first part integrates historical, archaeological, numismatic and art historical approaches to studying the transition of the city of Rome from Antiquity to the Middle Ages and offers groundbreaking new analyses of selected sites and problems. Attention is given to the economic, social, religious and cultural history of the city. In the second part of the volume historical, archaeological, liturgical and palaeographical approaches address Rome's contacts and influence in Latin Christendom in this period, with particular regard to Rome's place within Italian politics and its cultural influence in Carolingian Francia and Anglo-Saxon England.
Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
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Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Author: Michael Byron Norris
Publisher: Metropolitan Museum of Art
ISBN: 1588390837
Category : Art
Languages : en
Pages : 195
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Book Description
This educational resource packet covers more than 1200 years of medieval art from western Europe and Byzantium, as represented by objects in the collection of The Metropolitan Museum of Art. Among the contents of this resource are: an overview of medieval art and the period; a collection of aspects of medieval life, including knighthood, monasticism, pilgrimage, and pleasures and pastimes; information on materials and techniques medieval artists used; maps; a timeline; a bibliography; and a selection of useful resources, including a list of significant collections of medieval art in the U.S. and Canada and a guide to relevant Web sites. Tote box includes a binder book containing background information, lesson plans, timeline, glossary, bibliography, suggested additional resources, and 35 slides, as well as two posters and a 2 CD-ROMs.
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0143134590
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Makdisi George Makdisi
Publisher: Edinburgh University Press
ISBN: 1474470653
Category : Cristianismo
Languages : en
Pages : 208
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Book Description
Challenging beliefs about intellectual culture, Makdisi reaffirms the links between Western and Arabic thought and shows that although scholasticism and humanism have long been considered to be exclusive to the Western world, they have their roots in the medieval Islamic world.
Author: Cordelia Beattie
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 512
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Book Description
This volume asks whether there was a common structure, ideology, and image of the household in the medieval Christian West. In the period under examination, noble households often exercised great power in their own right, while even quite humble households were defined as agents of government in the administration of local communities. Many of the papers therefore address the public functions and perceptions of the household, and argue that the formulation of domestic (and family) values was of essential importance in the growth and development of the medieval Christian state. Contributors to this volume of collected essays write from a number of disciplinary perspectives (archaeological, art-historical, historical, and literary). They examine socially diverse households (from peasants to kings) and use case-studies from different regions across Europe in different periods from the medieval epoch from c.850 to c.1550. The volume both includes studies from archives and collections not often covered in English-language publications, and offers new approaches to more familiar material.It is divided into thematic sections exploring the role of households in the exercise of power, in controlling the body, in the distribution of wealth and within a wider economy of possessions. The majority of the papers were first given at the International Medieval Congress at the University of Leeds in 2001, in a strand on 'Domus and Familia' organised by the Urban Household Group of the Centre for Medieval Studies, University of York.
Author: James C. Russell
Publisher: Oxford University Press, USA
ISBN: 0195104668
Category : Christian sociology
Languages : en
Pages : 273
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Book Description
Discusses German influence on the development of early medieval Christianity.
Author: Herbert L. Kessler
Publisher: University of Pennsylvania Press
ISBN: 9780812235609
Category : Art
Languages : en
Pages : 300
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Book Description
How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?
Author: Joseph Shatzmiller
Publisher: Princeton University Press
ISBN: 0691176183
Category : History
Languages : en
Pages : 203
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Book Description
Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.
