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Author: Ian F. Verstegen
Publisher: Routledge
ISBN: 1134027826
Category : Social Science
Languages : en
Pages : 399
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Book Description
Many have wondered about the similarity in name of American critical realism and the movement of the same name begun by Roy Bhaskar. The figure of Maurice Mandelbaum complicates the relationship, not only due to his career bridging the two movements but also Mandelbaum’s concern not only with traditional concerns of American critical realism (epistemology and philosophy of science) but the nature of society, the nature of social explanation, and naturalism. This volume reflects both on Mandelbaum’s own career and the relation of his thought to Bhaskar’s critical realism. By examining Mandelbaum’s commitments to phenomenology within critical realism, as well as his goal to enlighten social scientific and above all historiographical categories, it is possible to see how Mandelbaum went beyond the scientific realism of his predecessors. At the same time, a fruitful comparison with Bhaskar’s and others’ thought is undertaken by examining mandelbaum’s solutions to the problems of the ontology of sociology and social laws, the dynamics of cultural change and the overriding master narratives that govern late capitalism. By explaining Mandelbaum’s scrupulous attempt to address the horrors of the twentieth century, it is possible to appreciate his significance for the twenty-first. A timely and important book, Maurice Mandelbaum and American Critical Realism is essential reading for all serious students of critical realism and twentieth century philosophy.
Author: Ian F. Verstegen
Publisher: Routledge
ISBN: 1134027826
Category : Social Science
Languages : en
Pages : 399
Get Book Here
Book Description
Many have wondered about the similarity in name of American critical realism and the movement of the same name begun by Roy Bhaskar. The figure of Maurice Mandelbaum complicates the relationship, not only due to his career bridging the two movements but also Mandelbaum’s concern not only with traditional concerns of American critical realism (epistemology and philosophy of science) but the nature of society, the nature of social explanation, and naturalism. This volume reflects both on Mandelbaum’s own career and the relation of his thought to Bhaskar’s critical realism. By examining Mandelbaum’s commitments to phenomenology within critical realism, as well as his goal to enlighten social scientific and above all historiographical categories, it is possible to see how Mandelbaum went beyond the scientific realism of his predecessors. At the same time, a fruitful comparison with Bhaskar’s and others’ thought is undertaken by examining mandelbaum’s solutions to the problems of the ontology of sociology and social laws, the dynamics of cultural change and the overriding master narratives that govern late capitalism. By explaining Mandelbaum’s scrupulous attempt to address the horrors of the twentieth century, it is possible to appreciate his significance for the twenty-first. A timely and important book, Maurice Mandelbaum and American Critical Realism is essential reading for all serious students of critical realism and twentieth century philosophy.
Author: Maurice Mandelbaum
Publisher: JHU Press
ISBN: 142143170X
Category : Philosophy
Languages : en
Pages : 258
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Book Description
Originally published in 1964. In four essays, Professor Mandelbaum challenges some of the most common assumptions of contemporary epistemology. Through historical analyses and critical argument, he attempts to show that one cannot successfully sever the connections between philosophic and scientific accounts of sense perception. While each essay is independent of the others, and the argument of each must therefore be judged on its own merits, one theme is common to all: that critical realism, as Mandelbaum calls it, is a viable epistemological position, even though some schools of thought hold it in low esteem.
Author: Ian Verstegen
Publisher: Routledge
ISBN: 1135099626
Category : Social Science
Languages : en
Pages : 194
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Book Description
As the theoretical alignments within academia shift, this book introduces a surprising variety of realism to abolish the old positivist-theory dichotomy that has haunted Art History. Demanding frankly the referential detachment of the objects under study, the book proposes a stratified, multi-causal account of art history that addresses postmodern concerns while saving it from its errors of self-refutation. Building from the very basic distinction between intransitive being and transitive knowing, objects can be affirmed as real while our knowledge of them is held to be fallible. Several focused chapters address basic problems while introducing philosophical reflection into art history. These include basic ontological distinctions between society and culture, general and “special” history, the discontinuity of cultural objects, the importance of definition for special history, scales, facets and fiat objects as forms of historical structure, the nature of evidence and proof, historical truth and controversies. Stressing Critical Realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology, and historiography in art history.
Author: Herman Paul
Publisher: Bloomsbury Publishing
ISBN: 1350121967
Category : History
Languages : en
Pages : 288
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Book Description
Throughout the twentieth century, scholars, artists and politicians have accused each other of “historicism.” But what exactly did this mean? Judging by existing scholarship, the answers varied enormously. Like many other “isms,” historicism could mean nearly everything, to the point of becoming meaningless. Yet the questions remain: What made generations of scholars throughout the humanities and social sciences worry about historicism? Why did even musicians and members of parliament warn against historicism? And what explains this remarkable career of the term across generations, fields, regions, and languages? Focusing on the “travels” that historicism made, this volume uses historicism as a prism for exploring connections between disciplines and intellectual traditions usually studied in isolation from each other. It shows how generations of sociologists, theologians, and historians tried to avoid pitfalls associated with historicism and explains why the term was heavily charged with emotions like anxiety, anger, and worry. While offering fresh interpretations of classic authors such as Friedrich Meinecke, Karl Löwith, and Leo Strauss, this volume highlights how historicism took on new meanings, connotations, and emotional baggage in the course of its travels through time and place.
Author: Mervyn Hartwig
Publisher: Routledge
ISBN: 1317420705
Category : Social Science
Languages : en
Pages : 686
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Book Description
Dictionary of Critical Realism fulfils a vital gap in the literature, Critical Realism is often criticised for being too opaque and deploying too much jargon, thereby making the concepts inaccessible for a wider audience. However, as Hartwig puts it 'Just as the tools of the various skilled trades need to be precision-engineered for specific, interrelated functions, so meta-theory requires concepts honed for specific interrelated tasks: it is impossible to think creatively at that level without them.' This Dictionary seeks to redress this problem; to throw open the important contribution of Critical Realism to a wider audience for the first time, by thoroughly explaining all the key concepts and key developments. It includes 500 entries on these themes, and has contributions from major players in field. However this text does not stop there, it goes further than simply elucidating the concepts and includes a number of essays which use the notions in important areas, thereby demonstrating the appropriate use of the concepts in action to encourage their wider use. This book will become a requisite reference tool for Critical Realist scholars and Philosophers and Social scientists alike will enjoy this vital introduction and explanatory text of the indispensable ideas contained within the dynamic and vibrant school of Critical Realism.
Author: Amanda Boetzkes
Publisher: Edinburgh University Press
ISBN: 1399524135
Category :
Languages : en
Pages : 353
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Book Description
Arguing for the necessity of taking art's contribution to contemporary realism seriously, this edited collection intervenes on contemporary debates about realism by demonstrating that the arts do not simply illustrate philosophical theories. The significance of art's realism in times characterised by the normalisation of fake, manipulated and distorted representations of reality can only be fully understood by attending to the ways that the arts mediate, visualise and even shape reality. Each chapter features a different approach to realism and its aesthetic dimensions not only in the visual arts, but also in sound art, film, scientific imaging and literature.
Author: Ian Verstegen
Publisher: Springer
ISBN: 3030029700
Category : Philosophy
Languages : en
Pages : 144
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Book Description
This monograph presents a synthesis and reconstruction of Rudolf Arnheim’s theory of media. Combining both Arnheim’s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seek to address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design.
Author: Michael Beaney
Publisher: OUP Oxford
ISBN: 0191662666
Category : Philosophy
Languages : en
Pages : 1182
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Book Description
During the course of the twentieth century, analytic philosophy developed into the dominant philosophical tradition in the English-speaking world. In the last two decades, it has become increasingly influential in the rest of the world, from continental Europe to Latin America and Asia. At the same time there has been deepening interest in the origins and history of analytic philosophy, as analytic philosophers examine the foundations of their tradition and question many of the assumptions of their predecessors. This has led to greater historical self-consciousness among analytic philosophers and more scholarly work on the historical contexts in which analytic philosophy developed. This historical turn in analytic philosophy has been gathering pace since the 1990s, and the present volume is the most comprehensive collection of essays to date on the history of analytic philosophy. It contains state-of-the-art contributions from many of the leading scholars in the field, all of the contributions specially commissioned. The introductory essays discuss the nature and historiography of analytic philosophy, accompanied by a detailed chronology and bibliography. Part One elucidates the origins of analytic philosophy, with special emphasis on the work of Frege, Russell, Moore, and Wittgenstein. Part Two explains the development of analytic philosophy, from Oxford realism and logical positivism to the most recent work in analytic philosophy, and includes essays on ethics, aesthetics, and political philosophy as well as on the areas usually seen as central to analytic philosophy, such as philosophy of language and mind. Part Three explores certain key themes in the history of analytic philosophy.
Author: Martin Lipscomb
Publisher: Routledge
ISBN: 1134637160
Category : Social Science
Languages : en
Pages : 241
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Book Description
A Hospice in Change: Applied Social Realist Theory reports upon a study into aspects of the ways in which structural and organisational developments, professional cultures and ‘bedside’ or patient focused clinical practice interact within a single UK institution. While the findings of this study are time and context specific, the events and social processes being described may nonetheless resonate closely with the experience of healthcare practitioners at other hospices both within and without the UK. The work examines themes and ideas that hospice and palliative care practitioners, as well as those involved or interested more broadly in ‘end of life issues’, may find relevant. It is argued that differential morphogenesis can be identified between structures (social and cultural) and agents (individual and group) at an independent healthcare charity in southern England. A Hospice in Change connects theory and philosophy with concrete research practice to provide a worked example of Margaret Archer’s realist social theory.
Author: MitchellB. Frank
Publisher: Routledge
ISBN: 1351565710
Category : Art
Languages : en
Pages : 303
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Book Description
A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich W?lfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.
