Author: Renae L. Mitchell
Publisher: Rowman & Littlefield
ISBN: 1793605564
Category : Literary Criticism
Languages : en
Pages : 163
Book Description
Maternity in the Post-Apocalypse: Novelistic Revisions of Dystopian Motherhood deconstructs the ways in which women novelists have reconceived the post-apocalyptic genre in recent decades through narratives centered on heroic maternal characters. These writers have placed midwives, pregnant women, and mothers at the forefront of their novels, transforming them from the hapless victims of male oppressors to protagonists who are instrumental in transforming the post-apocalyptic social landscape from one that attempts to reconstruct a patriarchal past to one that safeguards, validates, and even lauds maternity as a form of empowerment. In a novelistic future devastated landscape in which human civilizations are shattered and waver at the brink of extinction, women who embody facets of maternity are taking the reins of rebuilding human societies by overturning patriarchal assumptions of femininity, reclaiming intersectional autonomy, and (re)visioning the possibilities for a declining anthropocene.
Maternity in the Post-Apocalypse
Author: Renae L. Mitchell
Publisher: Rowman & Littlefield
ISBN: 1793605564
Category : Literary Criticism
Languages : en
Pages : 163
Book Description
Maternity in the Post-Apocalypse: Novelistic Revisions of Dystopian Motherhood deconstructs the ways in which women novelists have reconceived the post-apocalyptic genre in recent decades through narratives centered on heroic maternal characters. These writers have placed midwives, pregnant women, and mothers at the forefront of their novels, transforming them from the hapless victims of male oppressors to protagonists who are instrumental in transforming the post-apocalyptic social landscape from one that attempts to reconstruct a patriarchal past to one that safeguards, validates, and even lauds maternity as a form of empowerment. In a novelistic future devastated landscape in which human civilizations are shattered and waver at the brink of extinction, women who embody facets of maternity are taking the reins of rebuilding human societies by overturning patriarchal assumptions of femininity, reclaiming intersectional autonomy, and (re)visioning the possibilities for a declining anthropocene.
Publisher: Rowman & Littlefield
ISBN: 1793605564
Category : Literary Criticism
Languages : en
Pages : 163
Book Description
Maternity in the Post-Apocalypse: Novelistic Revisions of Dystopian Motherhood deconstructs the ways in which women novelists have reconceived the post-apocalyptic genre in recent decades through narratives centered on heroic maternal characters. These writers have placed midwives, pregnant women, and mothers at the forefront of their novels, transforming them from the hapless victims of male oppressors to protagonists who are instrumental in transforming the post-apocalyptic social landscape from one that attempts to reconstruct a patriarchal past to one that safeguards, validates, and even lauds maternity as a form of empowerment. In a novelistic future devastated landscape in which human civilizations are shattered and waver at the brink of extinction, women who embody facets of maternity are taking the reins of rebuilding human societies by overturning patriarchal assumptions of femininity, reclaiming intersectional autonomy, and (re)visioning the possibilities for a declining anthropocene.
Screening Children in Post-apocalypse Film and Television
Author: Debbie Olson
Publisher: Lexington Books
ISBN: 1666918687
Category : Social Science
Languages : en
Pages : 233
Book Description
This collection examines the child’s role in contemporary post-apocalyptic films and television.. By exploring the function of child characters within a dystopian framework, this volume illustrates how traditional notions of childhood are tethered to sites of adult conflict and disaster, a connection that often works to reaffirm the “rightness” of past systems of social order.
Publisher: Lexington Books
ISBN: 1666918687
Category : Social Science
Languages : en
Pages : 233
Book Description
This collection examines the child’s role in contemporary post-apocalyptic films and television.. By exploring the function of child characters within a dystopian framework, this volume illustrates how traditional notions of childhood are tethered to sites of adult conflict and disaster, a connection that often works to reaffirm the “rightness” of past systems of social order.
Small Screen, Big Feels
Author: Melissa Ames
Publisher: University Press of Kentucky
ISBN: 0813180090
Category : Social Science
Languages : en
Pages : 185
Book Description
While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010–2020), ABC's reality franchises, The Bachelor (2002–present) and The Bachelorette (2003–present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.
Publisher: University Press of Kentucky
ISBN: 0813180090
Category : Social Science
Languages : en
Pages : 185
Book Description
While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010–2020), ABC's reality franchises, The Bachelor (2002–present) and The Bachelorette (2003–present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.
Say No to Placenta Pics
Author: Jillian M. Parsons
Publisher: Simon and Schuster
ISBN: 1510733736
Category : Family & Relationships
Languages : en
Pages : 184
Book Description
Two Best Friends Make It through a Pregnancy, with All its Gut-Busting Hilarity and Gross Bits Maternity isn’t all sunshine and rainbows and natural glows. It’s also elastic waistbands, hot flashes, and throbbing breasts! When Jillian Parsons’s best friend forever, Allison Baerken, finds herself knocked up, both women are thrown into a nine-month roller coaster ride of emotions—even though only one of them is pregnant. Say No to Placenta Pics is the ultimate BFF’s uncensored, tell-all guide to the down and dirty of pregnancy for all badass moms-to-be (and their nonpregnant friends watching from the side lines) who desperately need a joke over the next nine months. Together, Allison and Jillian ride the learning curves from first trimester to after birth, rejecting standard pregnancy fluff in self-help books , exploring the issues about mother-to-be-hood no one else seems to have the guts to: The anti-sex appeal of maternity negligées Surviving the high school experience of online mommy groups Resisting the urge to overshare on Facebook Executing the right angles on a maternity photo shoot Listening to yet another birth story from a stranger Witty, tongue-in-cheek, and fearlessly relatable, Say No to Placenta Pics is the realest girl talk between two women who deliver a satirical breakdown of modern-day maternity and what it means to be, and not to be, a Mom
Publisher: Simon and Schuster
ISBN: 1510733736
Category : Family & Relationships
Languages : en
Pages : 184
Book Description
Two Best Friends Make It through a Pregnancy, with All its Gut-Busting Hilarity and Gross Bits Maternity isn’t all sunshine and rainbows and natural glows. It’s also elastic waistbands, hot flashes, and throbbing breasts! When Jillian Parsons’s best friend forever, Allison Baerken, finds herself knocked up, both women are thrown into a nine-month roller coaster ride of emotions—even though only one of them is pregnant. Say No to Placenta Pics is the ultimate BFF’s uncensored, tell-all guide to the down and dirty of pregnancy for all badass moms-to-be (and their nonpregnant friends watching from the side lines) who desperately need a joke over the next nine months. Together, Allison and Jillian ride the learning curves from first trimester to after birth, rejecting standard pregnancy fluff in self-help books , exploring the issues about mother-to-be-hood no one else seems to have the guts to: The anti-sex appeal of maternity negligées Surviving the high school experience of online mommy groups Resisting the urge to overshare on Facebook Executing the right angles on a maternity photo shoot Listening to yet another birth story from a stranger Witty, tongue-in-cheek, and fearlessly relatable, Say No to Placenta Pics is the realest girl talk between two women who deliver a satirical breakdown of modern-day maternity and what it means to be, and not to be, a Mom
Contemporary Women’s Post-Apocalyptic Fiction
Author: Susan Watkins
Publisher: Springer Nature
ISBN: 1137486503
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
This book examines how contemporary women novelists have successfully transformed and rewritten the conventions of post-apocalyptic fiction. Since the dawn of the new millennium, there has been an outpouring of writing that depicts the end of the world as we know it, and women writers are no exception to this trend. However, the book argues that their fiction is distinctive. Contemporary women’s work in this genre avoids conservatism, a nostalgic mourning for the past, and the focus on restoring what has been lost, aspects key to much male authored apocalyptic fiction. Instead, contemporary women writers show readers the ways in which patriarchy and neo-colonialism are intrinsically implicated in the disasters they envision, and offer qualified hope for a new beginning for society, culture and literature after an imagined apocalyptic event. Exploring science, nature and matter, the posthuman body, the maternal imaginary, time, narrative and history, literature and the word, and the post-secular, the book covers a wide variety of writers and addresses issues of nationality, race and ethnicity, as well as gender and sexuality.
Publisher: Springer Nature
ISBN: 1137486503
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
This book examines how contemporary women novelists have successfully transformed and rewritten the conventions of post-apocalyptic fiction. Since the dawn of the new millennium, there has been an outpouring of writing that depicts the end of the world as we know it, and women writers are no exception to this trend. However, the book argues that their fiction is distinctive. Contemporary women’s work in this genre avoids conservatism, a nostalgic mourning for the past, and the focus on restoring what has been lost, aspects key to much male authored apocalyptic fiction. Instead, contemporary women writers show readers the ways in which patriarchy and neo-colonialism are intrinsically implicated in the disasters they envision, and offer qualified hope for a new beginning for society, culture and literature after an imagined apocalyptic event. Exploring science, nature and matter, the posthuman body, the maternal imaginary, time, narrative and history, literature and the word, and the post-secular, the book covers a wide variety of writers and addresses issues of nationality, race and ethnicity, as well as gender and sexuality.
Future Home of the Living God
Author: Louise Erdrich
Publisher: HarperCollins
ISBN: 0062694073
Category : Fiction
Languages : en
Pages : 264
Book Description
A New York Times Notable Book Louise Erdrich, the New York Times bestselling, National Book Award-winning author of LaRose and The Round House, paints a startling portrait of a young woman fighting for her life and her unborn child against oppressive forces that manifest in the wake of a cataclysmic event. The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backwards, as woman after woman gives birth to infants that appear to be primitive species of humans. Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant. Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe living on the reservation, to understand both her and her baby’s origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity. There are rumors of martial law, of Congress confining pregnant women. Of a registry, and rewards for those who turn these wanted women in. Flickering through the chaos are signs of increasing repression: a shaken Cedar witnesses a family wrenched apart when police violently drag a mother from her husband and child in a parking lot. The streets of her neighborhood have been renamed with Bible verses. A stranger answers the phone when she calls her adoptive parents, who have vanished without a trace. It will take all Cedar has to avoid the prying eyes of potential informants and keep her baby safe. A chilling dystopian novel both provocative and prescient, Future Home of the Living God is a startlingly original work from one of our most acclaimed writers: a moving meditation on female agency, self-determination, biology, and natural rights that speaks to the troubling changes of our time.
Publisher: HarperCollins
ISBN: 0062694073
Category : Fiction
Languages : en
Pages : 264
Book Description
A New York Times Notable Book Louise Erdrich, the New York Times bestselling, National Book Award-winning author of LaRose and The Round House, paints a startling portrait of a young woman fighting for her life and her unborn child against oppressive forces that manifest in the wake of a cataclysmic event. The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backwards, as woman after woman gives birth to infants that appear to be primitive species of humans. Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant. Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe living on the reservation, to understand both her and her baby’s origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity. There are rumors of martial law, of Congress confining pregnant women. Of a registry, and rewards for those who turn these wanted women in. Flickering through the chaos are signs of increasing repression: a shaken Cedar witnesses a family wrenched apart when police violently drag a mother from her husband and child in a parking lot. The streets of her neighborhood have been renamed with Bible verses. A stranger answers the phone when she calls her adoptive parents, who have vanished without a trace. It will take all Cedar has to avoid the prying eyes of potential informants and keep her baby safe. A chilling dystopian novel both provocative and prescient, Future Home of the Living God is a startlingly original work from one of our most acclaimed writers: a moving meditation on female agency, self-determination, biology, and natural rights that speaks to the troubling changes of our time.
Roses of Blood on Barbwire Vines
Author: D. L. Snell
Publisher: Permuted Press
ISBN: 0978970713
Category : Fiction
Languages : en
Pages : 258
Book Description
Zombies have devoured mankind. And the few survivors would be better off dead because a clan of vampires, bloodthirsty and vicious, have captured the remnants of humanity for livestock. In an apartment building barricaded with wrecked cars, concrete rubble, and snarls of barbwire, the vampires breed lobotomized amputees. Ann, the secret blood slave of the maternity doctor, has evaded this fate, yet her sister Ellie has not. Though she longs to escape, Ann cannot abandon her sibling and unborn niece. But she may have to if she wants to survive. The living dead have found a weak spot in the barricade and are quickly invading the building. Shade, the vampire monarch, defends her kingdom, while Frost, Shade's general, plans to migrate to an island where they can breed and hunt humans. In their path stands a legion of corpses, just now evolving into something far more lethal, something with tentacles--and that's just the beginning.
Publisher: Permuted Press
ISBN: 0978970713
Category : Fiction
Languages : en
Pages : 258
Book Description
Zombies have devoured mankind. And the few survivors would be better off dead because a clan of vampires, bloodthirsty and vicious, have captured the remnants of humanity for livestock. In an apartment building barricaded with wrecked cars, concrete rubble, and snarls of barbwire, the vampires breed lobotomized amputees. Ann, the secret blood slave of the maternity doctor, has evaded this fate, yet her sister Ellie has not. Though she longs to escape, Ann cannot abandon her sibling and unborn niece. But she may have to if she wants to survive. The living dead have found a weak spot in the barricade and are quickly invading the building. Shade, the vampire monarch, defends her kingdom, while Frost, Shade's general, plans to migrate to an island where they can breed and hunt humans. In their path stands a legion of corpses, just now evolving into something far more lethal, something with tentacles--and that's just the beginning.
Transformation Space
Author: Marianne de Pierres
Publisher: Orbit
ISBN: 0748127771
Category : Fiction
Languages : en
Pages : 257
Book Description
Mira Fedor and her friends stand in the eye of the hurricane. Everything is in flux and nothing is as it appears to be. Mira's pregnancy seems to be proceeding at an inhuman pace and the sedate acceptance of this state of affairs by her biozoon, Insigna, is as much an irritation as it is comfort. It seems clear that the extropists' procedures have had an unforeseen effect - but will her child be more than human? Or less? Meanwhile, the galaxy-wide conspiracy that has plagued the Orion League for so long is blown wide open. The conspirators stand unmasked, but is there time to prevent their carefully laid plans coming to fruition? And even if there is, how many of the Orion Worlds will pay the price for their leaders' blindness? The pieces are all in play; all that remains is for each side to commit to its end game. But there's one question nobody has thought to ask: will god play by the rules . . .?
Publisher: Orbit
ISBN: 0748127771
Category : Fiction
Languages : en
Pages : 257
Book Description
Mira Fedor and her friends stand in the eye of the hurricane. Everything is in flux and nothing is as it appears to be. Mira's pregnancy seems to be proceeding at an inhuman pace and the sedate acceptance of this state of affairs by her biozoon, Insigna, is as much an irritation as it is comfort. It seems clear that the extropists' procedures have had an unforeseen effect - but will her child be more than human? Or less? Meanwhile, the galaxy-wide conspiracy that has plagued the Orion League for so long is blown wide open. The conspirators stand unmasked, but is there time to prevent their carefully laid plans coming to fruition? And even if there is, how many of the Orion Worlds will pay the price for their leaders' blindness? The pieces are all in play; all that remains is for each side to commit to its end game. But there's one question nobody has thought to ask: will god play by the rules . . .?
Full Surrogacy Now
Author: Sophie Lewis
Publisher: Verso Books
ISBN: 1786637308
Category : Social Science
Languages : en
Pages : 225
Book Description
Where pregnancy is concerned, let every pregnancy be for everyone. Let us overthrow, in short, the “family” The surrogacy industry is estimated to be worth over $1 billion a year, and many of its surrogates around the world work in terrible conditions—deception, wage-stealing and money skimming are rife; adequate medical care is horrifyingly absent; and informed consent is depressingly rare. In Full Surrogacy Now, Sophie Lewis brings a fresh and unique perspective to the topic. Often, we think of surrogacy as the problem, but, Full Surrogacy Now argues, we need more surrogacy, not less! Rather than looking at surrogacy through a legal lens, Lewis argues that the needs and protection of surrogates should be put front and center. Their relationship to the babies they gestate must be rethought, as part of a move to recognize that reproduction is productive work. Only then can we begin to break down our assumptions that children “belong” to those whose genetics they share. Taking collective responsibility for children would radically transform our notions of kinship, helping us to see that it always takes a village to make a baby.
Publisher: Verso Books
ISBN: 1786637308
Category : Social Science
Languages : en
Pages : 225
Book Description
Where pregnancy is concerned, let every pregnancy be for everyone. Let us overthrow, in short, the “family” The surrogacy industry is estimated to be worth over $1 billion a year, and many of its surrogates around the world work in terrible conditions—deception, wage-stealing and money skimming are rife; adequate medical care is horrifyingly absent; and informed consent is depressingly rare. In Full Surrogacy Now, Sophie Lewis brings a fresh and unique perspective to the topic. Often, we think of surrogacy as the problem, but, Full Surrogacy Now argues, we need more surrogacy, not less! Rather than looking at surrogacy through a legal lens, Lewis argues that the needs and protection of surrogates should be put front and center. Their relationship to the babies they gestate must be rethought, as part of a move to recognize that reproduction is productive work. Only then can we begin to break down our assumptions that children “belong” to those whose genetics they share. Taking collective responsibility for children would radically transform our notions of kinship, helping us to see that it always takes a village to make a baby.
Female Agencies and Subjectivities in Film and Television
Author: Diğdem Sezen
Publisher: Springer Nature
ISBN: 3030561003
Category : Performing Arts
Languages : en
Pages : 298
Book Description
This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television.
Publisher: Springer Nature
ISBN: 3030561003
Category : Performing Arts
Languages : en
Pages : 298
Book Description
This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television.