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Author: Francesco Gasparini
Publisher: A-R Editions, Inc.
ISBN: 1987202813
Category : Music
Languages : en
Pages : 94
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Book Description
Francesco Gasparini composed his Mass for Five Treble Voices for the figlie di coro (a famous all-female ensemble) at the Ospedale della Pietà in Venice. Gasparini had become the Pietàs first full-time maestro di coro in 1701, and the mass was likely written early in his tenure. It is unusual in its lack of a bass part (scored for CCCAA with organ) and its inclusion of all five parts of the mass Ordinary (by 1700 most Venetian concerted masses fit the profile of the missa brevis, consisting solely of a Kyrie and Gloria). The work offers valuable insight into the ospedale repertoire, since a great deal of Venetian sacred music from this period has been lost. Based on an autograph manuscript, this edition makes Gasparinis mass available to scholars interested in sacred music of the late seventeenth and early eighteenth centuries and enriches the repertoire for treble and womens choruses.
Author: Francesco Gasparini
Publisher: A-R Editions, Inc.
ISBN: 1987202813
Category : Music
Languages : en
Pages : 94
Get Book Here
Book Description
Francesco Gasparini composed his Mass for Five Treble Voices for the figlie di coro (a famous all-female ensemble) at the Ospedale della Pietà in Venice. Gasparini had become the Pietàs first full-time maestro di coro in 1701, and the mass was likely written early in his tenure. It is unusual in its lack of a bass part (scored for CCCAA with organ) and its inclusion of all five parts of the mass Ordinary (by 1700 most Venetian concerted masses fit the profile of the missa brevis, consisting solely of a Kyrie and Gloria). The work offers valuable insight into the ospedale repertoire, since a great deal of Venetian sacred music from this period has been lost. Based on an autograph manuscript, this edition makes Gasparinis mass available to scholars interested in sacred music of the late seventeenth and early eighteenth centuries and enriches the repertoire for treble and womens choruses.
Author: Wendy J Porter
Publisher: Routledge
ISBN: 1000564088
Category : Music
Languages : en
Pages : 303
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Book Description
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd. Focusing on these composers’ settings of the Latin Credo, the author shows how musical and linguistic emphasis can be used to understand the composers’ theological interpretations of the text. By combining markedness theory with style analysis, this study demonstrates that the composers used their musical skills to not only create beautiful music but also raise certain elements of the text to the foreground of perception and relegate others to supporting roles, inviting listeners to experience the familiar words of the liturgy in unique ways. Providing new insights into the changing musical and religious world of the sixteenth century, this book is relevant to anyone researching music or religion in early modern England, while offering a flexible and widely adaptable tool for the analysis of musical-textual relationships.
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 656
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Book Description
Author: Hugh Benham
Publisher: Routledge
ISBN: 1351561510
Category : Music
Languages : en
Pages : 308
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Book Description
John Taverner was the leading composer of church music under Henry VIII. His contributions to the mass and votive antiphon are varied, distinguished and sometimes innovative; he has left more important settings for the office than any of his predecessors, and even a little secular music survives. Hugh Benham, editor of Taverner?s complete works for Early English Church Music, now provides the first full-length study of the composer for over twenty years. He places the music in context, with the help of biographical information, discussion of Taverner?s place in society, and explanation of how each piece was used in the pre-Reformation church services. He investigates the musical language of Taverner?s predecessors as background for a fresh examination and appraisal of the music in the course of which he traces similarities with the work of younger composers. Issues confronting the performer are considered, and the music is also approached from the listener?s point of view, initially through close analytical inspection of the celebrated votive antiphon Gaude plurimum.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
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Book Description
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457483721
Category : Music
Languages : en
Pages : 52
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Book Description
A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Johann Sebastian Bach.
Author: Anne Schnoebelen
Publisher: Routledge
ISBN: 1135600813
Category : Music
Languages : en
Pages : 350
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Book Description
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
Author: Jean-Paul C. Montagnier
Publisher: Cambridge University Press
ISBN: 1316833917
Category : Music
Languages : en
Pages : 359
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Book Description
This is the first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. Though the musical settings of the Ordinarium missæ and of the Missa pro defunctis have been the subject of countless studies, the stylistic evolution of the polyphonic masses composed in France during the seventeenth and eighteenth centuries has been neglected owing to the labor involved in creating scores from the surviving individual parts. Jean-Paul C. Montagnier has examined closely the printed, engraved and stenciled choirbooks containing this repertoire, and his book focuses mainly on the music as it stands in them. After tracing the choirbooks' publishing history, the author places these mass settings in their social, liturgical and musical context. He shows that their style did not all adhere strictly to the stile antico, but could also employ the most up-to-date musical language of the period.
Author: Anthony Charles Deane
Publisher:
ISBN:
Category :
Languages : en
Pages : 764
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Book Description
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457486272
Category : Music
Languages : en
Pages : 36
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Book Description
A Choral Worship Cantata in SATB with ATB Soli voicing, composed by Johann Sebastian Bach.
