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Author: James Mason Webster
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 74
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Author: James Mason Webster
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 74
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Book Description
Author: Wayland Farries Vaughan
Publisher:
ISBN:
Category : Behaviorism (Psychology)
Languages : en
Pages : 340
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Book Description
Author: Gladys Carmen Bellamy
Publisher: University of Oklahoma Press
ISBN: 080618762X
Category : Biography & Autobiography
Languages : en
Pages : 437
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Book Description
Mark Twain has been the subject of violent disagreement among critics. Most of them have believed that he was an “unconscious artist,” working by impulse. Mark Twain as a Literary Artist shows that Mark Twain was much more the conscious craftsman than is generally believed. Here is revealed Twain’s violent mental conflict, a logical dilemma, which forced much of his work into distorted patterns of thought and structure. Through years of practice he evolved methods to achieve detachment through techniques such as speaking through the lips of Huckleberry Finn or some other childlike person; placing satiric scenes far off in time or space; diminishing the human race to microscopic proportions so that its wrongs could be treated with detachment; and reducing life to a dream in which the greatest wrongs become tolerable because they seem unreal. Mark Twain as a Literary Artist is a mature, thorough, and revealing reassessment of the mind and methods of one of the most controversial figures in American literature.
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 418
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Author: Forrest Glen Robinson
Publisher: Harvard University Press
ISBN: 9780674445284
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Something is not right in the world of Tom Sawyer and Huckleberry Finn. The unease is less evident to Tom, the manipulator, than to the socially marginal Huck. The trouble is most dramatically revealed when Huck, whose "sivilized" Christian conscience is developing, faces the choice between betraying his black friend Jim--which he believes is his moral duty--and letting him escape, as his heart tells him to do. "Bad faith" is Forrest Robinson's name for the dissonance between what we profess to believe, how we act, and how we interpret our own behavior. There is bad faith in the small hypocrisies of daily living, but Robinson has a much graver issue in mind--namely slavery, which persisted for nearly a century in a Christian republic founded on ideals of freedom, equality, and justice. Huck, living on the fringes of small-town society, recognizes Jim's humanity and understands the desperateness of his plight. Yet Huck is white, a member of the dominant class; he is at once influenced and bewildered by the contradictions of bad faith in the minds of his fully acculturated contemporaries. Robinson stresses that "bad faith" is more than a theme with Mark Twain; his bleak view of man's social nature (however humorously expressed), his nostalgia, his ambivalence about the South, his complex relationship to his audience, can all be traced back to an awareness of the deceits at the core of his culture--and he is not himself immune. This deeply perceptive book will be of interest to students of American literature and history and to anyone concerned with moral issues.
Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
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Author: Mark Twain
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 378
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Book Description
![The Writings of Mark Twain [pseud.]: The man that corrupted Hadleyburg and other essays and stories PDF](https://books.google.com/books/content/images/frontcover/5bo8AAAAYAAJ?fife=w80-h100)
Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
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Book Description
Author: Shelley Fisher Fishkin
Publisher: Oxford University Press
ISBN: 0199728836
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Mark Twain has been called the American Cervantes, our Homer, our Tolstoy, our Shakespeare. Ernest Hemingway maintained that "all modern American literature comes from one book by Mark Twain called Huckleberry Finn." President Franklin Delano Roosevelt took the phrase "New Deal" from A Connecticut Yankee in King Arthur's Court. Twain's Gilded Age gave an entire era its name. Twain is everywhere--in ads for Bass Ale, in episodes of "Star Trek," as a greeter in Nevada's Silver Legacy casino. Clearly, the reports of his death have been greatly exaggerated. In Lighting Out for the Territory, Twain scholar Shelley Fisher Fishkin blends personal narrative with reflections on history, literature, and popular culture to provide a lively and provocative look at who Mark Twain really was, how he got to be that way, and what we do with his legacy today. Fishkin illuminates the many ways that America has embraced Mark Twain--from the scenes and plots of his novels, to his famous quips, to his bushy-haired, white-suited persona. She reveals that we have constructed a Twain often far removed from the actual writer. For instance, we travel to Hannibal, Missouri, Mark Twain's home town, a locale that in his work is both the embodiment of the innocence of childhood and also an emblem of hypocrisy, barbarity, and moral rot. The author spotlights the fact that Hannibal today attracts hundreds of thousands of tourists and takes in millions yearly, by focusing on Tom Sawyer's boyhood exploits--marble-shoots and white-washed fences--and ignoring Twain's portraits of the darker side of the slave South. The narrative moves back and forth from modern Hannibal to antebellum Hannibal and to Mark Twain's childhood experiences with brutality and slavery. Her exploration of those subjects in his work shows that Tom Sawyer's fence isn't the only thing being white-washed in Hannibal. Fishkin's research yields fresh insights into the remarkable story of how this child of slaveholders became the author of the most powerful anti-racist novel by an American. Whether lending his name to a pizza parlor in Louisiana, a diner in Jackson Heights, New York, or an asteroid in outer space, whether making cameo appearances on "Cheers" and "Bonanza," or turning up in novels as a detective or a love interest, Mark Twain's presence in contemporary culture is pervasive and intriguing. Fishkin's wide-ranging examination of that presence demonstrates how Twain and his work echo, ripple, and reverberate throughout our society. We learn that Walt Disney was a great fan of Twain's fiction (in fact, "Tom Sawyer's Island" in Disneyland is the only part of the park that Disney himself designed) as is Chuck Jones, who credits the genesis of cartoon character Wile E. Coyote to the comic description of a coyote in Roughing It. We learn of Mark Twain impersonators (Hal Holbrook, for instance, has played Twain in some 1,500 performances) and recent movie versions of Twain books, such as A Million to Juan. And we discover how Twain's image can be seen in claymation, in animatronics and robotics, in virtual reality, and on any number of home-pages on the Internet. Lighting Out for the Territory offers an engrossing look at how Mark Twain's life and work have been cherished, memorialized, exploited, and misunderstood. It offers a wealth of insight into Twain, into his work, and into our nation, both past and present.
Author: Lawrence Howe
Publisher: Cambridge University Press
ISBN: 9780521561686
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
This book provides a fresh look at Twain's major novels such as Life on the Mississippi, Huckleberry Finn and A Connecticut Yankee in King Arthur's Court.
