Maria Lassnig: The Paris Years 1960–68 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Maria Lassnig: The Paris Years 1960–68 PDF full book. Access full book title Maria Lassnig: The Paris Years 1960–68 by Lena Mozer. Download full books in PDF and EPUB format.
Author: Lena Mozer
Publisher: Simon and Schuster
ISBN: 1734231114
Category : Art
Languages : en
Pages : 41
Get Book Here
Book Description
"Petzel is pleased to present Maria Lassnig: The Paris Years, 1960-68, an exhibition of paintings by the Austrian artist that have rarely been seen in the United States. On view at the gallery's Chelsea location from November 4 through December 17, the show, which includes over 20 important works developed in Lassnig's studio on rue de Begnolet, covers Lassnig's formative years in the City of Light. "Though Maria Lassnig only lived in Paris for eight years, it was in her studio on Rue de Bagnolet that she began to fully release herself from aesthetic constraints and developed a sense of freedom that became synonymous with her name. There, Lassnig took up the various isms she explored in her previous paintings--realism, expressionism, surrealism, tachism--and transformed them into something truly autonomous by simultaneously turning more fully to herself, to her sensations, lived experiences, and physical embodiment," writes Lauren O'Neill-Butler in her essay for the accompanying exhibition catalogue, published by Petzel. Around 1947, as O'Neil-Butler writes, Lassnig "commenced this with drawings called Introspektive Erlebnisse (Introspective Experiences), later developed into Körpergefühlsmalerei (body awareness painting), her term for depicting the parts of her being that she felt as she worked. In Paris, she more fully galvanized a phenomenological approach, developing an awareness that the body and mind are not separate, that whatever manifests on the skin is directly related to one's thoughts. Lassnig's turning inward to propel outward became something of a signature style, though her art could never be so neatly pinned down. A line from her 1951/1960 text Painting Formulas sums it up: "Discard the style! You exploit yourself soon enough." The varied and vital canvases that she made in Paris evince that she was coming into her own, finding her voice, and shedding expectations--you exploit yourself soon enough, so why not put everything on the line, right now? In doing just that Lassnig established her own tradition. Lassnig left Vienna for Paris at a time when she felt there was not space for her in the city's male-dominated art circles, she proceeded to hold court with contemporaries in France until leaving for her next significant stay, her 12-year residence in New York. There has yet to be much scholarship on this period of Lassnig's life and work in Paris, and Petzel is pleased to publish the exhibition catalogue, also titled Maria Lassnig: the Paris Years, 1960-1968, which illustrates a portion of this crucial mid-career moment alongside writings from Lassnig's diaries and letters throughout those years. Additionally, in the Spring of 2022, Petzel will release the English translation of art historian Natalie Lettner's biography on Lassnig, co-published with Hauser & Wirth." -- Petzel gallery website
Author: Lena Mozer
Publisher: Simon and Schuster
ISBN: 1734231114
Category : Art
Languages : en
Pages : 41
Get Book Here
Book Description
"Petzel is pleased to present Maria Lassnig: The Paris Years, 1960-68, an exhibition of paintings by the Austrian artist that have rarely been seen in the United States. On view at the gallery's Chelsea location from November 4 through December 17, the show, which includes over 20 important works developed in Lassnig's studio on rue de Begnolet, covers Lassnig's formative years in the City of Light. "Though Maria Lassnig only lived in Paris for eight years, it was in her studio on Rue de Bagnolet that she began to fully release herself from aesthetic constraints and developed a sense of freedom that became synonymous with her name. There, Lassnig took up the various isms she explored in her previous paintings--realism, expressionism, surrealism, tachism--and transformed them into something truly autonomous by simultaneously turning more fully to herself, to her sensations, lived experiences, and physical embodiment," writes Lauren O'Neill-Butler in her essay for the accompanying exhibition catalogue, published by Petzel. Around 1947, as O'Neil-Butler writes, Lassnig "commenced this with drawings called Introspektive Erlebnisse (Introspective Experiences), later developed into Körpergefühlsmalerei (body awareness painting), her term for depicting the parts of her being that she felt as she worked. In Paris, she more fully galvanized a phenomenological approach, developing an awareness that the body and mind are not separate, that whatever manifests on the skin is directly related to one's thoughts. Lassnig's turning inward to propel outward became something of a signature style, though her art could never be so neatly pinned down. A line from her 1951/1960 text Painting Formulas sums it up: "Discard the style! You exploit yourself soon enough." The varied and vital canvases that she made in Paris evince that she was coming into her own, finding her voice, and shedding expectations--you exploit yourself soon enough, so why not put everything on the line, right now? In doing just that Lassnig established her own tradition. Lassnig left Vienna for Paris at a time when she felt there was not space for her in the city's male-dominated art circles, she proceeded to hold court with contemporaries in France until leaving for her next significant stay, her 12-year residence in New York. There has yet to be much scholarship on this period of Lassnig's life and work in Paris, and Petzel is pleased to publish the exhibition catalogue, also titled Maria Lassnig: the Paris Years, 1960-1968, which illustrates a portion of this crucial mid-career moment alongside writings from Lassnig's diaries and letters throughout those years. Additionally, in the Spring of 2022, Petzel will release the English translation of art historian Natalie Lettner's biography on Lassnig, co-published with Hauser & Wirth." -- Petzel gallery website
Author: Maria Lassnig
Publisher: Hirmer Verlag GmbH
ISBN: 9783777432939
Category : Human figure in art
Languages : en
Pages : 0
Get Book Here
Book Description
This volume gathers together paintings, drawings, films, and sculptures by Maria Lassnig (1919-2014) from a creative career that spanned some seventy years. It explains how she thought of herself in relation to the art scene of her time. This multimedia approach makes possible new ways of looking at the artist's multfaceted work. Examples of Maria Lassnig's writings round out this presentation.
Author: Hans Ulrich Obrist
Publisher: Walther Konig Verlag
ISBN: 9783960981244
Category : Mythology, Greek, in art
Languages : en
Pages : 131
Get Book Here
Book Description
The exhibition at Municipal Art Gallery of Athens, 2017 is the last exhibition project that Maria Lassnig was able to plan personally with the curator Hans Ulrich Obrist. Around 50 works are on show - paintings and works on paper, especially watercolours - which seize upon motifs from Greek mythology and their expansive and permanent exchange with all Mediterranean civilisations. Although these works by Maria Lassnig are not so well known, they manifest characteristics typical of her work: the awareness of the body, the painterly rendering of the inner and outer world, as well as animal portrayals and landscapes. In an unusual selection from Maria Lassnig's oeuvre the exhibition and the accompanying catalogue with contributions from leading scholars and artists spotlight her unique visual idiom, in which she combines science with a subjective emotional life, and Mediterranean landscapes with figures from ancient mythology. Accompanies the exhibition Maria Lassnig: The future is created from the fragments of the past, 31 Mar - 16 Jul 2017, Municipal Gallery, Athens, Greece.
Author: Eszter Kondor
Publisher: Austrian Film Museum
ISBN: 9783901644863
Category :
Languages : en
Pages : 176
Get Book Here
Book Description
Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the twentieth and twenty-first centuries. This publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own, previously unpublished notes.
Author: Cindy Sherman
Publisher: Rizzoli International Publications
ISBN:
Category : Photography
Languages : en
Pages : 72
Get Book Here
Book Description
Text written in German.
Author: Sophie Berrebi
Publisher:
ISBN: 9783906915111
Category : Cities and towns in art
Languages : en
Pages : 287
Get Book Here
Book Description
Dubuffet and the City. People, Place and Urban Space,? written and edited by renowned scholar Dr. Sophie Berrebi (University of Amsterdam), is the first in-depth study to address the work of Jean Dubuffet (1901-1984) in relation to the theme of the city. The book examines how the city plays a role in the formation and unfolding of Dubuffet?s practice and imagination as a material, a source, and a vehicle for ideas. It analyses works in which the artist depicts city dwellers, sites and urban spaces, and discusses his architectural projects from the 1960s and 1970s against the background of heated debates in the field of urbanism. The book accompanies and extends an exhibition at Hauser & Wirth Zurich (June?Sept 2018). Along with full color reproductions of art works the book reproduces little-known archival material from the archives of the Fondation Dubuffet. It also includes several texts by Dubuffet that are translated here in English for the first time.00Exhibition: Hauser & Wirth, Zürich, Switzerland (10.06.-01.09.2018).
Author: Achim Hochdoerfer
Publisher: National Geographic Books
ISBN: 3791354914
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting’s capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to human experience and perception, and includes three in-depth essays and additional texts by influential thinkers from the field. Comprehensive and lavishly illustrated, the book presents a wide range of works that reconsider the assumed opposition of the digital and the analog, the human and the technological, arguing that painting has served as a means to represent—and even enact—new media. This book affirms the ongoing vitality of the medium of painting in the midst of a digital world.
Author: Michaela Kreyenfeld
Publisher: Springer
ISBN: 3319446673
Category : Social Science
Languages : en
Pages : 367
Get Book Here
Book Description
This book is published open access under a CC BY 4.0 license. This open access book provides an overview of childlessness throughout Europe. It offers a collection of papers written by leading demographers and sociologists that examine contexts, causes, and consequences of childlessness in countries throughout the region.The book features data from all over Europe. It specifically highlights patterns of childlessness in Germany, France, the United Kingdom, Finland, Sweden, Austria and Switzerland. An additional chapter on childlessness in the United States puts the European experience in perspective. The book offers readers such insights as the determinants of lifelong childlessness, whether governments can and should counteract increasing childlessness, how the phenomenon differs across social strata and the role economic uncertainties play. In addition, the book also examines life course dynamics and biographical patterns, assisted reproduction as well as the consequences of childlessness. Childlessness has been increasing rapidly in most European countries in recent decades. This book offers readers expert analysis into this issue from leading experts in the field of family behavior. From causes to consequences, it explores the many facets of childlessness throughout Europe to present a comprehensive portrait of this important demographic and sociological trend.
Author: Werner Schroeter
Publisher: University of Chicago Press
ISBN: 022601911X
Category : Biography & Autobiography
Languages : en
Pages : 330
Get Book Here
Book Description
Werner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
Author: Anne Ganteführer-Trier
Publisher: Edition Cantz
ISBN: 9783947563852
Category :
Languages : de
Pages : 260
Get Book Here
Book Description
All of Candida Höfer's Editions in One Book Candida Höfer's (b. Eberswalde, 1944) shots of deserted libraries, opera houses, concert halls, churches, and museums have made her a member of the international photographic avant-garde. One strand in her acclaimed oeuvre are editions--photographic prints in small formats issued in larger numbers--that Höfer produces to support institutions and art publishers. Gathered for the first time in this book, with an introductory essay by Anne Ganteführer-Trier, the around one hundred such editions she created between 1987 and 2020 offer a representative cross-section of Candida Höfer's art. Candida Höfer studied in the first photography class of Bernd Becher at the Kunstakademie Düsseldorf. Her works have been exhibited at documenta 11 and in 2003 she represented Germany at the 50th Biennale di Venezia alongside Martin Kippenberger.
