Mao Tse-Tung and Operational Art During the Chinese Civil War - Covering the Red Army, Chiang Kai-Shek and the Nationalist Army, and Communists in Peking PDF Download
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Author: Department of Defense
Publisher:
ISBN: 9781980506317
Category :
Languages : en
Pages : 66
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Book Description
This monograph examines the nature of operational art during the third and final phase of the Chinese Civil War, 1945-1949. During this period Mao Tse-Tung and the Red Army fought Chiang Kai-shek and the Nationalist Army for the military and political control of China. The purpose of this monograph is to examine and analyze Mao Tse-Tung as an operational level commander during the third phase of the Chinese Civil War, 1945-1949. It investigates the development and practice of Mao's theory of revolutionary war within the context of operational art. This monograph focuses on the controlling research question: Was Mao Tse-Tung practicing operational art during the third phase of the Chinese Civil War, 1945-1949? To answer this question the monograph focuses on five areas. First, this paper examines the contemporary theory of operational art. This first section establishes the theoretical foundation for examining the controlling research question. This section introduces and examines the development of operational art. This includes a discussion of military strategy and the operational challenge of orchestrating the ends, ways, and means of national power into successful military operations. Finally, this section identifies and defines the principal components of operational design. The second section presents a brief introduction to the military history of the third phase of the Chinese Civil War. Between 1945 to 1949 the Nationalist and Communist Chinese fought a large scale struggle for control of mainland China. During this period Mao was able to fully implement his theory against his Nationalist opponents. The third section analyzes this period of the Chinese Civil War in terms of operational art. It answers the supporting research question; Was operational art used during this phase of the Chinese Civil War ? In addition, this section examines the Communist command and control structure to determine whether or not Mao was in a position from which he could directly plan the operations of the Communist field armies. The fifth section briefly examines this period of the Chinese Civil War using James Schneider's eight key attributes of operational art in an effort to solidify the answer to the supporting research question; Was operational art used during this phase of the Chinese Civil War? Finally, in the concluding section, this monograph uses the weight of evidence from the analysis contained in the previous sections to answer the controlling research question. The purpose is to determine whether or not Mao deserves the title of operational artist for the design and conduct of Communist operations against the Nationalist forces of Chaing Kai-shek during the third phase of the Chinese Civil War.
Author: Department of Defense
Publisher:
ISBN: 9781980506317
Category :
Languages : en
Pages : 66
Get Book Here
Book Description
This monograph examines the nature of operational art during the third and final phase of the Chinese Civil War, 1945-1949. During this period Mao Tse-Tung and the Red Army fought Chiang Kai-shek and the Nationalist Army for the military and political control of China. The purpose of this monograph is to examine and analyze Mao Tse-Tung as an operational level commander during the third phase of the Chinese Civil War, 1945-1949. It investigates the development and practice of Mao's theory of revolutionary war within the context of operational art. This monograph focuses on the controlling research question: Was Mao Tse-Tung practicing operational art during the third phase of the Chinese Civil War, 1945-1949? To answer this question the monograph focuses on five areas. First, this paper examines the contemporary theory of operational art. This first section establishes the theoretical foundation for examining the controlling research question. This section introduces and examines the development of operational art. This includes a discussion of military strategy and the operational challenge of orchestrating the ends, ways, and means of national power into successful military operations. Finally, this section identifies and defines the principal components of operational design. The second section presents a brief introduction to the military history of the third phase of the Chinese Civil War. Between 1945 to 1949 the Nationalist and Communist Chinese fought a large scale struggle for control of mainland China. During this period Mao was able to fully implement his theory against his Nationalist opponents. The third section analyzes this period of the Chinese Civil War in terms of operational art. It answers the supporting research question; Was operational art used during this phase of the Chinese Civil War ? In addition, this section examines the Communist command and control structure to determine whether or not Mao was in a position from which he could directly plan the operations of the Communist field armies. The fifth section briefly examines this period of the Chinese Civil War using James Schneider's eight key attributes of operational art in an effort to solidify the answer to the supporting research question; Was operational art used during this phase of the Chinese Civil War? Finally, in the concluding section, this monograph uses the weight of evidence from the analysis contained in the previous sections to answer the controlling research question. The purpose is to determine whether or not Mao deserves the title of operational artist for the design and conduct of Communist operations against the Nationalist forces of Chaing Kai-shek during the third phase of the Chinese Civil War.
Author: Major Thomas P. Reilly
Publisher: Pickle Partners Publishing
ISBN: 1786253933
Category : History
Languages : en
Pages : 87
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Book Description
This monograph examines the nature of operational art during the third and final phase of the Chinese Civil War, 1945-1949. During this period Mao Tse-Tung and the Red Army fought Chiang Kai-shek and the Nationalist Army for the military and political control of China. The initial portion of the monograph discusses the areas of military strategy and the development of operational art. This area was developed using contemporary monographs, research projects, and professional journal articles. Professional military journals such as Parameters and Military Review publish relevant articles covering these subjects on a recurring basis. The majority of the information covering Mao’s thoughts and writings were drawn from The Selected Works of Mao Tse-Tung published in Beijing, China by the Foreign Languages Press. The section dealing with the essence of operational art was developed primarily from James Schneider’s theoretical paper; Vulcan’s Anvil: The American Civil War and the Emergence of Operational Art. In this paper Schneider identifies, defines, and argues that eight key attributes must exist for the fullest expression of operational art to be manifested. These eight attributes are; the distributed operation, the distributed campaign, a system of continuous logistics, instantaneous command and control, the operationally durable formation, operational vision, the distributed enemy, and distributed deployment. This monograph uses Schneider’s eight key attributes of operational art as a measure of effectiveness for evaluating the use of operational art during the Chinese Civil War. This monograph concludes that while Mao Tse-Tung was one-step removed from the operational level of war, the commanders of the Red Army, guided by his theory of protracted war and his controlling strategy, successfully applied operational art to decisively defeat a larger, better equipped, and trained military force in a sequential series of battles and engagements.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 65
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Book Description
This monograph examines the nature of operational art during the third and final phase of the Chinese Civil War, 1945-1949. During this period Mao Tse-Tung and the Red Army fought Chiang Kai-shek and the Nationalist Army for the military and political control of China. The initial portion of the monograph discusses the areas of military strategy and the development of operational art. This area was developed using contemporary monographs, research projects, and professional journal articles. Professional military journals such as Parameters and Military Review publish relevant articles covering these subjects on a recurring basis. The majority of the information covering Mao's thoughts and writings were drawn from The Selected Works of Mao Tse-Tung published in Beijing, China by the Foreign Languages Press. The section dealing with the essence of operational art was developed primarily from James Schneider's theoretical paper; Vulcan's Anvil: The American Civil War and the Emergence of Operational Art. In this paper Schneider identifies, defines, and argues that eight key attributes must exist for the fullest expression of operational art to be manifested. These eight attributes are; the distributed operation, the distributed campaign, a system of continuous logistics, instantaneous command and control, the operationally durable formation, operational vision, the distributed enemy, and distributed deployment. This monograph uses Schneider's eight key attributes of operational art as a measure of effectiveness for evaluating the use of operational art during the Chinese Civil War. This monograph concludes that while Mao Tse-Tung was one-step removed from the operational level of war, the commanders of the Red Army, guided by his theory of protracted war and his controlling strategy, successfully applied operational art to decisively defeat a larger, better equipped, and trained military force in a sequential series of battles and engagements.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 65
Get Book Here
Book Description
This monograph examines the nature of operational art during the third and final phase of the Chinese Civil War, 1945-1949. During this period Mao Tse-Tung and the Red Army fought Chiang Kai-shek and the Nationalist Army for the military and political control of China. The initial portion of the monograph discusses the areas of military strategy and the development of operational art. This area was developed using contemporary monographs, research projects, and professional journal articles. Professional military journals such as Parameters and Military Review publish relevant articles covering these subjects on a recurring basis. The majority of the information covering Mao's thoughts and writings were drawn from The Selected Works of Mao Tse-Tung published in Beijing, China by the Foreign Languages Press. The section dealing with the essence of operational art was developed primarily from James Schneider's theoretical paper; Vulcan's Anvil: The American Civil War and the Emergence of Operational Art. In this paper Schneider identifies, defines, and argues that eight key attributes must exist for the fullest expression of operational art to be manifested. These eight attributes are; the distributed operation, the distributed campaign, a system of continuous logistics, instantaneous command and control, the operationally durable formation, operational vision, the distributed enemy, and distributed deployment. This monograph uses Schneider's eight key attributes of operational art as a measure of effectiveness for evaluating the use of operational art during the Chinese Civil War. This monograph concludes that while Mao Tse-Tung was one-step removed from the operational level of war, the commanders of the Red Army, guided by his theory of protracted war and his controlling strategy, successfully applied operational art to decisively defeat a larger, better equipped, and trained military force in a sequential series of battles and engagements.
Author: Philip Jowett
Publisher: Grub Street Publishers
ISBN: 1473874866
Category : History
Languages : en
Pages : 309
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Book Description
A vivid portrait of the final years of the civil war between the Chinese Nationalists and Communists, including many previously unpublished photos. This volume in the Images of War series is the first photographic history of the Chinese Civil War, fought between Chiang Kai-shek’s Nationalists and the Communists of Mao Tse-tung, which decided the future of modern China. A selection of over two hundred archive photographs, many of which have not been published before, depict the battle for power that took place across the breadth of the country. The armies, air forces, and navies of the opposing sides are shown in a sequence of graphic images, as is the ordeal of the long-suffering Chinese civilians who were caught up in a conflict that cost millions of lives. Detailed accompanying text describes the make-up of the Nationalist and Communist forces, and their contrasting strategies, tactics, and leadership. This is a visceral and concise introduction to a pivotal conflict that has left an indelible mark on the China of today—and on the rest of the world.
Author: Thomas P. Reilly
Publisher:
ISBN:
Category : China
Languages : en
Pages : 60
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Book Description
This monograph examines the nature of operational art during the third and final phase of the Chinese Civil War, 1945-1949. During this period Mao Tse-Tung and the Red Army fought Chiang Kai-shek and the Nationalist Army for the military and political control of China. The initial portion of the monograph discusses the areas of military strategy and the development of operational art. This area was developed using contemporary monographs, research projects, and professional journal articles. Professional military journals such as Parameters and Military Review publish relevant articles covering these subjects on a recurring basis. The majority of the information covering Mao's thoughts and writings were drawn from The Selected Works of Mao Tse-Tung published in Beijing, China by the Foreign Languages Press. The section dealing with the essence of operational art was developed primarily from James Schneider's theoretical paper; Vulcan's Anvil: The American Civil War and the Emergence of Operational Art. In this paper Schneider identifies, defines, and argues that eight key attributes must exist for the fullest expression of operational art to be manifested. These eight attributes are; the distributed operation, the distributed campaign, a system of continuous logistics, instantaneous command and control, the operationally durable formation, operational vision, the distributed enemy, and distributed deployment. This monograph uses Schneider's eight key attributes of operational art as a measure of effectiveness for evaluating the use of operational art during the Chinese Civil War. This monograph concludes that while Mao Tse-Tung was one-step removed from the operational level of war, the commanders of the Red Army, guided by his theory of protracted war and his controlling strategy, successfully applied operational art to decisively defeat a larger, better equipped, and trained military force in a sequential series of battles and engagements.
Author: Zedong Mao
Publisher:
ISBN:
Category : China
Languages : en
Pages : 372
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Book Description
Author: Mao Tse-Tung
Publisher: Elsevier
ISBN: 1483154343
Category : History
Languages : en
Pages : 461
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Book Description
Selected Works of Mao Tse-Tung, Volume IV focuses on the views of Mao Tse-Tung on communism, revolution, civil war, and patriotism. The volume first ponders on China's policy following victory in the war of resistance against Japan and the response of Mao Tse-Tung on Chiang Kai-shek's meddling with the surrender of Japanese forces and his plans for a counter-revolutionary civil war. The publication also takes a look at the role of rent reduction and production on the defense of liberated areas and the policy for work in the liberated areas. The book examines Mao Tse-Tung's call for his comrades to rise in arms against the leadership of Chiang Kai-shek, particularly taking note of the support that Chiang Kai-shek is getting from the United States. The text also elaborates on the concept of operations for the Liaohsi-Shenyang and Huai-hai campaigns; strengthening the party committee system; and the demand to include punishment for Japanese and Kuomintang war criminals. The volume is a dependable source of data for readers interested in the views of Mao Tse-Tung on communism, revolution, civil war, and patriotism.
Author: Mao Tse-tung
Publisher: Courier Corporation
ISBN: 0486119572
Category : History
Languages : en
Pages : 130
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Book Description
The first documented, systematic study of a truly revolutionary subject, this 1937 text remains the definitive guide to guerrilla warfare. It concisely explains unorthodox strategies that transform disadvantages into benefits.
Author: Mao Tse-Tung
Publisher: Elsevier
ISBN: 1483154386
Category : History
Languages : en
Pages : 293
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Book Description
Selected Works of Mao Tse-Tung, Volume III focuses on the views of Mao Tse-Tung on communism, revolution, fascism, national unity, and patriotism. The volume first ponders on the proposition of Mao Tse-Tung to reform the method and system of study within the Communist Party of China; the compromise between Japan and the United States at the expense of China; and the establishment of an Eastern Munich against communism and against the Soviet Union. The publication also takes a look at Mao Tse-Tung's position against fascism, including the war against Japan and driving the Japanese imperialists out of China. The book examines questions regarding methods of leadership, economic and financial problems in the anti-Japanese war, reduction of rent, and the need for comrades to do economic work. The text also elaborates on the coalition government. Topics include the fundamental demands of the Chinese people, international and domestic situation, and policy of the Chinese Communist Party. The volume is a dependable source of data for readers interested in the philosophy of Mao Tse-Tung on communism, fascism, revolution, and patriotism.
