Author: John Shearman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Mannerism
Author: John Shearman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Mannerism and Maniera
Author: Craig Hugh Smyth
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Mannerism, Spirituality and Cognition
Author: LYNETTE M. F. BOSCH
Publisher: Routledge
ISBN: 9781032569871
Category : Art
Languages : en
Pages : 0
Book Description
This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.
Publisher: Routledge
ISBN: 9781032569871
Category : Art
Languages : en
Pages : 0
Book Description
This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.
In Michelangelo's Mirror
Author: Morten Steen Hansen
Publisher: Penn State Press
ISBN: 0271056401
Category : Art
Languages : en
Pages : 238
Book Description
"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.
Publisher: Penn State Press
ISBN: 0271056401
Category : Art
Languages : en
Pages : 238
Book Description
"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.
Readings in Italian Mannerism
Author: Liana De Girolami Cheney
Publisher: Peter Lang Pub Incorporated
ISBN: 9780820470634
Category : Art
Languages : en
Pages : 348
Book Description
The aim of this book is to focus on the origin of the historiography of the terms <I>Mannerism and <I>Maniera in paintings and drawings of the sixteenth-century in Italy. The articles herewith presented fall into two categories. The first group explains the definition of the terms <I>Mannerism and <I>Maniera, their periodicity, and their sources as illustrated by Giorogio Vasari, John Shearman, Craig Hugh Smyth, and Sydney Freedberg. The second deals with the polemic associated with the usage of the term and historiography and its application as voiced by Walter Friedlaender, Max Dvorak, Ernst Gombrich, Henri Zerner, David Summers, Malcolm Campbell, and Iris Cheney.
Publisher: Peter Lang Pub Incorporated
ISBN: 9780820470634
Category : Art
Languages : en
Pages : 348
Book Description
The aim of this book is to focus on the origin of the historiography of the terms <I>Mannerism and <I>Maniera in paintings and drawings of the sixteenth-century in Italy. The articles herewith presented fall into two categories. The first group explains the definition of the terms <I>Mannerism and <I>Maniera, their periodicity, and their sources as illustrated by Giorogio Vasari, John Shearman, Craig Hugh Smyth, and Sydney Freedberg. The second deals with the polemic associated with the usage of the term and historiography and its application as voiced by Walter Friedlaender, Max Dvorak, Ernst Gombrich, Henri Zerner, David Summers, Malcolm Campbell, and Iris Cheney.
Maniera
Author: Bastian Eclercy
Publisher: Prestel Publishing
ISBN: 9783791355061
Category : Art, Italian
Languages : en
Pages : 0
Book Description
Brimming with numerous illustrations and essays, this lavish book brings together the best in Mannerist art from the city of Florence, where the movement was born. Emerging in the early 16th century on the heels of the Renaissance, the mannerist style arose out of the art world's attempts to further the incredible achievements of Michelangelo, Leonardo, and Raphael. Mannerist art comprises many facets: it is elegant, cultivated, and sophisticated but also artificial, extravagant, and sometimes even bizarre. Some called the art of Maniera "the stylish style." Spanning the period from the return of the Medici in 1512 and the first tentative steps of the new generation of artists to the definition of the Maniera in Giorgio Vasari's Lives of the Artists in 1568, more than 120 paintings, drawings, and sculptures from the world's leading museums are gathered in this book. It features works by Andrea del Sarto, Rosso Fiorentino, and Giorgio Vasari with a special focus on the work of Pontormo and Bronzino, the central figures of Florentine mannerism. The developments in art during the decades in question are closely related to the history of the city of Florence. Refined elegance and creative extravagance render the painters of the Maniera a particular phenomenon in the art of Italy. This beautifully produced and authoritative book presents the achievements and practitioners of one of the most intriguing and influential periods in the history of European art.
Publisher: Prestel Publishing
ISBN: 9783791355061
Category : Art, Italian
Languages : en
Pages : 0
Book Description
Brimming with numerous illustrations and essays, this lavish book brings together the best in Mannerist art from the city of Florence, where the movement was born. Emerging in the early 16th century on the heels of the Renaissance, the mannerist style arose out of the art world's attempts to further the incredible achievements of Michelangelo, Leonardo, and Raphael. Mannerist art comprises many facets: it is elegant, cultivated, and sophisticated but also artificial, extravagant, and sometimes even bizarre. Some called the art of Maniera "the stylish style." Spanning the period from the return of the Medici in 1512 and the first tentative steps of the new generation of artists to the definition of the Maniera in Giorgio Vasari's Lives of the Artists in 1568, more than 120 paintings, drawings, and sculptures from the world's leading museums are gathered in this book. It features works by Andrea del Sarto, Rosso Fiorentino, and Giorgio Vasari with a special focus on the work of Pontormo and Bronzino, the central figures of Florentine mannerism. The developments in art during the decades in question are closely related to the history of the city of Florence. Refined elegance and creative extravagance render the painters of the Maniera a particular phenomenon in the art of Italy. This beautifully produced and authoritative book presents the achievements and practitioners of one of the most intriguing and influential periods in the history of European art.
Raphael and the Redefinition of Art in Renaissance Italy
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Painting in Renaissance Florence, 1500-1550
Author: David Franklin
Publisher: Yale University Press
ISBN: 0300083998
Category : Art
Languages : en
Pages : 292
Book Description
Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.
Publisher: Yale University Press
ISBN: 0300083998
Category : Art
Languages : en
Pages : 292
Book Description
Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.
The Future of Democracy
Author: Peter Levine
Publisher: Tufts University Press
ISBN: 1611687888
Category : Political Science
Languages : en
Pages : 434
Book Description
We need young people to be civically engaged in order to define and address public problems. Their participation is important for democracy, for institutions such as schools, and for young people themselves, who are more likely to succeed in life if they are engaged in their communities. In The Future of Democracy, Peter Levine, scholar and practitioner, sounds the alarm: in recent years, young Americans have become dangerously less engaged. They are tolerant, patriotic, and idealistic, and some have invented such novel and impressive forms of civic engagement, as blogs, "buycott" movements, and transnational youth networks. But most lack the skills and opportunities they need to participate in politics or address public problems. Levine's timely manifesto clearly explains the causes, symptoms, and repercussions of this damaging trend, and, most importantly, the means whereby America can confront and reverse it. Levine demonstrates how to change young people's civic attitudes, skills, and knowledge and, equally importantly, to reform our institutions so that civic engagement is rewarding and effective. We must both prepare citizens for politics and improve politics for citizens.
Publisher: Tufts University Press
ISBN: 1611687888
Category : Political Science
Languages : en
Pages : 434
Book Description
We need young people to be civically engaged in order to define and address public problems. Their participation is important for democracy, for institutions such as schools, and for young people themselves, who are more likely to succeed in life if they are engaged in their communities. In The Future of Democracy, Peter Levine, scholar and practitioner, sounds the alarm: in recent years, young Americans have become dangerously less engaged. They are tolerant, patriotic, and idealistic, and some have invented such novel and impressive forms of civic engagement, as blogs, "buycott" movements, and transnational youth networks. But most lack the skills and opportunities they need to participate in politics or address public problems. Levine's timely manifesto clearly explains the causes, symptoms, and repercussions of this damaging trend, and, most importantly, the means whereby America can confront and reverse it. Levine demonstrates how to change young people's civic attitudes, skills, and knowledge and, equally importantly, to reform our institutions so that civic engagement is rewarding and effective. We must both prepare citizens for politics and improve politics for citizens.
Mannerism, Spirituality and Cognition
Author: Lynette M. F. Bosch
Publisher: Routledge
ISBN: 1000025098
Category : Art
Languages : en
Pages : 247
Book Description
This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.
Publisher: Routledge
ISBN: 1000025098
Category : Art
Languages : en
Pages : 247
Book Description
This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.