Maiolica in Italy and Beyond Hb

Maiolica in Italy and Beyond Hb PDF Author: MALLETT
Publisher:
ISBN: 9781910807477
Category : Glazed pottery
Languages : en
Pages : 232

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Book Description
* Timothy Wilson is the international authority on Italian Maiolica. He has written extensively on the subject, covering major holdings from around the worldThis book is an edited record of the papers given at the two-day symposium 'Italian Maiolica and Europe' held in Oxford on 22 and 23 September 2017. It is, in effect, a celebration of his long service in the Ashmolean Museum as the Keeper of Western Art. Museum collections develop their great strengths in one of two ways: through gifts of private collections and through the knowledge and enthusiasm of curators. The Ashmolean's renowned and important collection of Italian Maiolica owes its foundation to the former and the bequest of C.D.E. Fortnum. But it has grown and developed in remarkable ways over the last three decades thanks to the energy and expertise of Professor Timothy Wilson. During his 27 years as Keeper of Western Art, Tim was responsible for a truly extraordinary range and number of important acquisitions across the fine and decorative arts. As one of the world's leading scholars of Italian Maiolica, it was only natural that he would continue to build on Fortnum's legacy.

Maiolica in Italy and Beyond Hb

Maiolica in Italy and Beyond Hb PDF Author: MALLETT
Publisher:
ISBN: 9781910807477
Category : Glazed pottery
Languages : en
Pages : 232

Get Book

Book Description
* Timothy Wilson is the international authority on Italian Maiolica. He has written extensively on the subject, covering major holdings from around the worldThis book is an edited record of the papers given at the two-day symposium 'Italian Maiolica and Europe' held in Oxford on 22 and 23 September 2017. It is, in effect, a celebration of his long service in the Ashmolean Museum as the Keeper of Western Art. Museum collections develop their great strengths in one of two ways: through gifts of private collections and through the knowledge and enthusiasm of curators. The Ashmolean's renowned and important collection of Italian Maiolica owes its foundation to the former and the bequest of C.D.E. Fortnum. But it has grown and developed in remarkable ways over the last three decades thanks to the energy and expertise of Professor Timothy Wilson. During his 27 years as Keeper of Western Art, Tim was responsible for a truly extraordinary range and number of important acquisitions across the fine and decorative arts. As one of the world's leading scholars of Italian Maiolica, it was only natural that he would continue to build on Fortnum's legacy.

Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art

Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art PDF Author: Timothy Wilson
Publisher: Metropolitan Museum of Art
ISBN: 1588395618
Category : Design
Languages : en
Pages : 394

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Book Description
The form of tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Engagingly decorative, often spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects, which were generally made for use rather than simple ornamentation, present a fascinating glimpse into the realities of daily life. Though not as well known as Renaissance painting and sculpture, maiolica is also prized by collectors and amateurs of the decorative arts the world over. This volume offers highlights of the world-class collection of maiolica at the Metropolitan Museum. It presents 135 masterpieces that reflect more than four hundred years of exquisite artistry, ranging from early pieces from Pesaro—including an eight-figure group of the Lamentation, the largest, most ambitious piece of sculpture produced in a Renaissance maiolica workshop—to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Each piece has been newly photographed for this volume, and each is presented with a full discussion, provenance, exhibition history, publication history, notes on form and glaze, and condition report. Two essays by Timothy Wilson, widely considered the foremost scholar in the field, provide overviews of the history and technique of maiolica as well as an account of the formation of The Met's collection. Also featured is a wide-ranging introduction by Luke Syson that examines how the function of an object governed the visual and compositional choices made by the pottery painter. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject.

Italian Maiolica and Other Early Modern Ceramics in the Courtauld Gallery

Italian Maiolica and Other Early Modern Ceramics in the Courtauld Gallery PDF Author: Elisa Sani
Publisher:
ISBN: 9781913645168
Category : Art
Languages : en
Pages : 304

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Book Description
A lavish showcase of the works of the skilled potters and pottery painters of the early modern period. Maiolica, the pottery of the Italian Renaissance, is one of the most revealing artistic expressions of the era, known for extraordinary colors that remain vivid centuries later. Italian potters absorbed techniques and shapes from the Islamic world and incorporated ornament and subject matter from the arts of ancient Rome. This new approach to pottery making, combined with the invention of printing, woodcut, and engraving, resulted in extraordinary painted ceramics, praised by Giorgio Vasari for "surpassing the ancient with its brilliance of glaze and variety of painting." The Courtauld Gallery's collection boasts a magnificent group of vessels made during the high Renaissance, the golden age of Italian maiolica. An introductory essay on the Victorian collector Thomas Gambier Parry sheds new light on the collection's development, illuminating links between Gambier Parry's artistic practice and revealing new insights into his taste as a collector. Each detailed entry uncovers a wealth of new information on the provenance of the pieces.

Italian Maiolica

Italian Maiolica PDF Author: John Scott-Taggart
Publisher:
ISBN:
Category : Majolica, Italian
Languages : en
Pages : 63

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Book Description


European Drawings 2

European Drawings 2 PDF Author: George R. Goldner
Publisher: Getty Publications
ISBN: 0892362197
Category : Drawing
Languages : en
Pages : 374

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Book Description
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.

The Pleasures of Collecting

The Pleasures of Collecting PDF Author: Gardner Callahan Teall
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 382

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Book Description


Realistic Textures

Realistic Textures PDF Author: Diane Cardaci
Publisher: Quarto Publishing Group USA
ISBN: 1610598598
Category : Art
Languages : en
Pages : 67

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Book Description
With step-by-step projects that are designed to help sharpen artists' skills and heighten their confidence, this book demonstrates simple techniques for rendering the textures of everyday objects, such as metal, wood, plastic, hair, fur, feathers, and more. This 64-page book simplifies the process with easy-to-understand instructions and comprehensive illustrations.

European Glass in the J. Paul Getty Museum

European Glass in the J. Paul Getty Museum PDF Author: Catherine Hess
Publisher: Getty Publications
ISBN: 0892362553
Category : Art
Languages : en
Pages : 274

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Book Description
The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.

The Little Book of Self-Care

The Little Book of Self-Care PDF Author: Adams Media
Publisher: Simon and Schuster
ISBN: 1507204914
Category : Health & Fitness
Languages : en
Pages : 208

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Book Description
This beautiful, inspiring book features 100 accessible activities that help you reconnect with your body, mind, spirit, and surroundings, and leave you feeling refreshed and ready to face the world again. Self-care is an essential part of wellness. From self-massage to meditations to decluttering, The Little Book of Self-Care provides relaxation exercises to help you focus on your own personal needs in an enjoyable way. By caring for yourself, you’ll learn how to care for the world around you.

In Defiance of Painting

In Defiance of Painting PDF Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318

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Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.