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Author:
Publisher: Alina Grigorovitch
ISBN:
Category :
Languages : en
Pages : 826
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Book Description
Author:
Publisher: Alina Grigorovitch
ISBN:
Category :
Languages : en
Pages : 826
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Book Description
Author: Alesya Grigorovitch
Publisher:
ISBN: 9780983764700
Category : Fiction
Languages : en
Pages : 0
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Book Description
On a planet where everyone has a superpower, bored college graduate John is stuck at a meaningless job, watching society run amok from his 30th-story window. He longs to find his place in life, but this task is made vastly difficult by living in a world that rejects sanity more each day.
Author: Norm Barnhart
Publisher: Capstone
ISBN: 1543505686
Category : Juvenile Nonfiction
Languages : en
Pages : 33
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Book Description
"Describes how to prepare and perform several magic tricks for beginner level magicians. Includes embedded links for added online instructional videos that can be accessed with the Capstone 4D app"--
Author: Thomas Nelson Downs
Publisher:
ISBN:
Category : Magic tricks
Languages : en
Pages : 368
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Book Description
Author: Nevil Maskelyne
Publisher: Createspace Independent Publishing Platform
ISBN: 9781724875426
Category :
Languages : en
Pages : 504
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Book Description
Books like this contain what may be called the raw material of the art, the processes which the magician can employ at will in building up his larger experiments in magic, each of which should be a complete play in itself. Then, when the student has found out how tricks can be done, he would do well to turn his attention to Our Magic, by Mr. Maskelyne and his associate, Mr. David Devant. And from this logical treatise he can learn how experiments in magic ought to be composed. It is from this admirable discussion of the basic principles of modern magic that more than one of the points made in this paper have been borrowed. Mr. Devant calls attention to the fact that new tricks are common, new manipulative devices, new examples of dexterity and new applications of science, whereas new plots, new ideas for effective presentation, are rare. He describes a series of experiments of his own, some of which utilize again but in a novel manner devices long familiar, while others are new both in idea and in many of the subsidiary methods of execution. One of the most hackneyed and yet one of the most effective illusions in the repertory of the conjurer is that known as the Rising Cards. The performer brings forward a pack of cards, several of which are drawn by members of the audience and returned to the pack, whereupon at the command of the magician they rise out of the pack one after the other in the order in which they were drawn. In the oldest form in which this illusion is described in the books on the art, the pack is placed in a case supported by a rod standing on a base, and the secret of the trick lies on this rod and its base. The rod is really a hollow tube and the base is really an empty box. The tube is filled with sand, on the top of which rests a leaden weight, to which is attached a thread so arranged over and under certain cards as to cause the chosen cards to rise when it descends down the tube; and in putting the cards into the case the conjurer released a valve at the bottom of the tube, so that the sand might escape into the box, whereby the weight was lowered, the thread then doing its allotted work, and the cards ascending into view, no matter how far distant the performer might then be standing. It seems likely that the invention of this primitive apparatus may have been due to the fact that some eighteenth century conjurer happened to observe the sand running out of an hour-glass and set about to find some means whereby this escape of sand could be utilized in his art. The hollow rod, the escaping sand, and the descending weight have long since been discarded; but the illusion of the Rising Cards survives and is now performed in an unending variety of ways. The pack may be held in the hand of the performer, without the use of any case, or it may be placed in a glass goblet, or it may be tied together with a ribbon and thus suspended from cords that swing to and from almost over the heads of the spectators; and however they may be isolated the chosen cards rise obediently when they are bidden. The original effect subsists, even though the devices differ.... The Bookman: A Review of Books and Life, Volume 40
Author: Taylor Ellwood
Publisher: Taylor Ellwood
ISBN: 1070313556
Category : Body, Mind & Spirit
Languages : en
Pages : 145
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Book Description
Learn how to combine sacred art with practical magic to get consistent results that transform your life. In The Magic of Art, Taylor Ellwood shares how art can become a potent magical tool in your spiritual practice. Best of all you don't need to be a talented artist to use art magic. All you need to do is pick up the paint brush, pencil, clay, etc., and start creating art that allows you to embody your magic and generate real results that change your life. In this book you'll learn the following: What mediums of art you can use to create art magic How to use art to create magical entities How to create offerings with your art for the spirits you work with How to create enchantments with art How to create art magic tools that allow you to work your magic effortlessly How to get results with your art magic that transforms your life. The Magic of Art will introduce a whole new set of techniques and tools to your magical practice that will enable you to get amazing results that change your life.
Author: Thomas Nelson Downs
Publisher: Classic Magic Books
ISBN: 9781647645960
Category : Crafts & Hobbies
Languages : en
Pages : 330
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Book Description
A book for the advanced amateur and the professional magician who seeks to climb the ladder of magical excellence.
Author: Wong Herbert Yee
Publisher: Houghton Mifflin Harcourt
ISBN: 0618759263
Category : High interest-low vocabulary books
Languages : en
Pages : 102
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Book Description
Mole is mad about magic until he takes his friend Mouse to a show that turns out to be all tricks, but then Mouse conjures up a special night program to show him the enchantment found in nature.
Author: T. Downs
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530133567
Category :
Languages : en
Pages : 354
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Book Description
An excerpt from the INTRODUCTORY. For the purpose of this book it will be convenient to divide magic into three branches: manual dexterity, mental subtleties and the surprising results produced by a judicious and artistic blending of the second and third branches. There are other branches, to be sure; but they are of little interest to modern students of the magic art. A century ago, and, indeed, as late as Robert-Houdin's day, a general knowledge of the physical sciences was considered necessary to the equipment of the conjurer or magician; and the old writers on magic filled their pages with clumsy experiments in chemistry, physics, mechanics and mathematics. In order to be an original conjurer of the first magnitude, said Robert-Houdin, it is necessary to have more than a speaking acquaintance with the sciences, so as to apply their principles to the invention of illusions and stage tricks. Houdin himself utilized chemistry, optics and physics, while many of his greatest and most successful illusions were based on the then little known science of electricity. Things have changed since Houdin's day, however, and the art he practiced has taken many forward strides toward the goal of perfection. The modern conjurer is little inclined to base his magical effects on the expedients of physical science, but rather places his reliance on neatness of manipulation, on ingenious and interesting patter, and on a dexterity which, in many cases, seems to have been raised to its Nth power. It was the "Father of Modem Conjuring" who laid down this admirable rule: "To succeed as a conjurer, three things are essential: first, dexterity; second, dexterity; and third, dexterity." Would not Robert-Houdin open his eyes in amazement could he return to earth and remark the advance made in dexterity and manipulation since his day? "I myself practiced palming long and perseveringly," he tells us in his monumental work on conjuring, "and acquired there at a very considerable degree of skill. I used to be able to palm two five-franc pieces at once, the hand nevertheless remaining as freely open as though it held nothing whatever." He is a very ordinary performer who, in this age, cannot conceal a dozen or fifteen coins in his hand, and pluck them singly from the palm to produce in a fan at the finger tips; and there are several specialists in coin manipulation who experience no difficulty in handling a larger number of coins, thinking nothing, for instance, of concealing from thirty-five to forty coins in the hand; and, what is even more remarkable, executing the pass with this unstable stack as easily and indectably as if they were handling three or four half-dollars. Magic has undergone many changes in the last quarter of a century. The devotees of the art have gone from one extreme to the other; from the simplicity of the school of Frickell to the cumbersome stage setting of Anderson, and from Anderson to Frickell again. The last decade was devoted to manipulation and specialization. Kings and emperors and dukes and panjamdrums of cards and coins, monarchs of eggs and handkerchiefs, czars of cabbages and billiard balls sprung up like mushrooms....
Author: T. Nelson Downs
Publisher: Forgotten Books
ISBN: 9780282338626
Category : Crafts & Hobbies
Languages : en
Pages : 360
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Book Description
Excerpt from The Art of Magic Magic has undergone many changes in the last quarter of a century. The devotees of the art have gone from one extreme to the other; from the simplicity of the school of Frickell to the cumbersome stage setting of Anderson, and from Anderson to Frickell again. The last decade was devoted to manipulation and specialization. Kings and emperors and dukes and panjam drums of cards and coins, monarchs of eggs and handkerchiefs, czars of cabbages and billiard balls sprung up like mushrooms. Magic degenerated into a. Mere juggling performance. Dexterity was paramount and the psychological side of the art neglected. Mind gave wav to matter. The conjurer aimed at novelty rather than entertainment. He worked in one. To employ the ver nacular of the stage. And in most instances gave a silent act. Of course, there were exceptions. A few - a very few - performers presented a really artistic act with cards and coins; but as each clever performer had a host of bungling imitators the profession became overcrowded and vaudeville managers were net in when. An engagement-seeking magician sent in his-card. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
