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Author: Gaetano Donizetti
Publisher:
ISBN: 9781331064794
Category : History
Languages : en
Pages : 24
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Book Description
Excerpt from Lucia Di Lammermoor: A Grand Opera in Four Acts Fourth Act Raymond enters to interrupt the chorus of jubilation by telling the guests that, but now, called to the bridal chamber by terrible cries, he had entered to find Arthur lying dead, bathed in blood, pierced by his own sword, which the luckless Lucy waved aloft, laughing madly. The horror-stricken guests no sooner hear this revelation than Lucy enters. Here occurs the celebrated mad scene in which the hapless maiden sings of her woes, and calls upon Edgar to come to her. Henry realizes, at last, the dire result of all his machinations. Lucy pleads for pity that one so young must die. The second scene represents a gloomy glade without the gates. Edgar laments the falseness of Lucy. While joy is her portion, death shall be his. But they tell him the truth, that she loves him only, and for that love is dying. A bell is heard tinkling and Raymond comes in to tell Edgar that the gentle soul has passed away. After a despairing utterance Edgar plunges a dagger in his breast and dies. Personages Edgar, of Ravenswood. Henry Ashton, Brother of Lucy. Norman, his chief Retainer. Raymond, Tutor to Lucy. Arthur, wedded to Lucy. Lucy, of Lammermoor Alice, her Attendant. Friends, Relatives, and Retainers of Henry Ashton. Scene: Scotland. - Period, the 18th Century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Gaetano Donizetti
Publisher:
ISBN: 9781331064794
Category : History
Languages : en
Pages : 24
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Book Description
Excerpt from Lucia Di Lammermoor: A Grand Opera in Four Acts Fourth Act Raymond enters to interrupt the chorus of jubilation by telling the guests that, but now, called to the bridal chamber by terrible cries, he had entered to find Arthur lying dead, bathed in blood, pierced by his own sword, which the luckless Lucy waved aloft, laughing madly. The horror-stricken guests no sooner hear this revelation than Lucy enters. Here occurs the celebrated mad scene in which the hapless maiden sings of her woes, and calls upon Edgar to come to her. Henry realizes, at last, the dire result of all his machinations. Lucy pleads for pity that one so young must die. The second scene represents a gloomy glade without the gates. Edgar laments the falseness of Lucy. While joy is her portion, death shall be his. But they tell him the truth, that she loves him only, and for that love is dying. A bell is heard tinkling and Raymond comes in to tell Edgar that the gentle soul has passed away. After a despairing utterance Edgar plunges a dagger in his breast and dies. Personages Edgar, of Ravenswood. Henry Ashton, Brother of Lucy. Norman, his chief Retainer. Raymond, Tutor to Lucy. Arthur, wedded to Lucy. Lucy, of Lammermoor Alice, her Attendant. Friends, Relatives, and Retainers of Henry Ashton. Scene: Scotland. - Period, the 18th Century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
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Author: Gaetano Donizetti
Publisher: Forgotten Books
ISBN: 9780260612113
Category :
Languages : en
Pages : 238
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Excerpt from Lucia Di Lammermoor (the Bride of Lammermoor): Opera in Three Acts Act III. 11. Storm; Recit. And Duet Orrida é questa notte (edgar) 156 Qui del padre ancor respira (edgar, Henry) 159 12. Chorus D'immenso giubilo 173 13. Recit. And Chorus Cessi, ah cessi (bide-the-bent) 179 Dalle stanze, ove Luc1a 180 14. Recit. And Ana Alfin son tua (lucv) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
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Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Author: William Ashbrook
Publisher: Princeton University Press
ISBN: 1400866677
Category : Music
Languages : en
Pages : 204
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Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.
Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 426
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ISBN:
Category :
Languages : en
Pages : 960
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1826
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 432
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Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 970
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