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Author: Louise Lawler
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Louise Lawler subjects the concept of art to critical analysis by re-photographing her own drawings, paintings, and sculptures and incorporating aspects of their immediate surrounding into these "copies." Viewed with a certain detachment, her demystified reproductions also reveal the contextual and situational connotations of her artworks, which recede to a certain extent into the background. Lawler also applies these methods to the work of other artists, photographing their art pieces, particularly as they are mounted in private collections. These contextualizing photographs retain fragments of their surroundings, thus clarifying how the presentation and interpretation of artwork is never free of value judgment or environmental influence. This publication offers the first retrospective overview of the artistic accomplishments of Louise Lawler over the past 20 years. Included are a number of very recent works, some of them created especially for this book.
Author: Louise Lawler
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 168
Get Book Here
Book Description
Louise Lawler subjects the concept of art to critical analysis by re-photographing her own drawings, paintings, and sculptures and incorporating aspects of their immediate surrounding into these "copies." Viewed with a certain detachment, her demystified reproductions also reveal the contextual and situational connotations of her artworks, which recede to a certain extent into the background. Lawler also applies these methods to the work of other artists, photographing their art pieces, particularly as they are mounted in private collections. These contextualizing photographs retain fragments of their surroundings, thus clarifying how the presentation and interpretation of artwork is never free of value judgment or environmental influence. This publication offers the first retrospective overview of the artistic accomplishments of Louise Lawler over the past 20 years. Included are a number of very recent works, some of them created especially for this book.
Author: Roxana Marcoci
Publisher: Moma
ISBN: 9781633450233
Category : Appropriation (Art)
Languages : en
Pages : 255
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Book Description
Published in conjunction with a major survey of the artist Louise Lawler, this catalogue charts the creative practice of one of the most influential artists working in the fields of picture-making and institutional critique. Since the 1970s, Lawler has expanded from a feminist position upon the legacy of institutional critique initiated by an earlier generation of Conceptual artists, including Marcel Broodthaers, Daniel Buren and Michael Asher, and methods of appropriation in parallel with certain artists of her generation, such as Sherrie Levine, Cindy Sherman, Sarah Charlesworth and Richard Prince. Engaging a variety of art-world positions, including that of artist, curator, fact-checker, publicist and photo editor, Lawler has distinguished herself as one of the most creative artists of our age. Presenting Lawler's multifaceted practice across mediums - photography, sound work, film, objects and mural-scale installations - this book offers new critical perspectives through eight essays by renowned scholars that unpack her tight, witty, thought-provoking work. The rich selection of plates comprehensively records the artist's practice to date and underscores the radical inventiveness of Lawler's practice. The performative nature of Lawler's practice is mirrored in the design of the book's dust jacket; when turned inside out, it features a signature Lawler picture as an 'adjusted to fit' poster. The book is an indispensable resource for anyone interested in late-20th and early-21st-century art.
Author: Louise Lawler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 150
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Book Description
For the past 20 years, Louise Lawler has photographed art as it is "presented" in private homes, museums, galleries, auction houses, public buildings, and museum and gallery storage areas. From an exhibition of Degas' masterpieces to an Andy Warhol installation, this book invites you to discover Lawler's unique vision of modern and contemporary art. She is fascinated by what "happens" to the art object after it leaves the artist's studio -- where it goes, how it's displayed, how it's valued, and what it means. Lawler shows how the environment that surrounds a piece of art affects our perception of it and how that perception, in turn, affects all aspects of the environment.
Author: Douglas Crimp
Publisher: MIT Press
ISBN: 9780262531269
Category : Architecture
Languages : en
Pages : 374
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Book Description
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
Author: Dietmar Elger
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
Artwork by Louise Lawler. Contributions by Thomas Weski. Text by Dietmar Elger.
Author: Gregory Elgstrand
Publisher: Yyz Books
ISBN: 9780920397527
Category : Art and society
Languages : en
Pages : 0
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Book Description
Illustrated with over thirty-six colour reproductions, the essays and interviews in One For Me and Once To Share: Artists' Multiples and Editions addresses artists' multiples as a new means of reproduction, circulations, and reception.
Author: Essi Rönkkö
Publisher: Block Museum
ISBN: 9781732568426
Category :
Languages : en
Pages : 144
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Book Description
Who Says, Who Shows, What Counts invites readers to think critically about how artists, artworks, and museums engage with narratives of the past. Richly illustrated and written for a general audience, this book showcases the depth and breadth of more than fifty recent acquisitions to the Block Museum of Art's contemporary collection, including a wide-ranging selection of works by Dawoud Bey, Shan Goshorn, the Guerrilla Girls, Marisol, Kerry James Marshall, Catherine Opie, Man Ray, Cindy Sherman, Thomas Struth, Tseng Kwong Chi, and Kara Walker, among other artists. The book is a companion publication to the 2021 exhibition of the same name, presented to celebrate the museum's fortieth anniversary, and both draw inspiration from a work by conceptual artist Louise Lawler, Who Says, Who Shows, Who Counts (1990), and are organized around challenging questions of historical representation within artworks and institutions: How can art help us reflect upon, question, rewrite, or reimagine the past? Who has been represented in visual art, how, and by whom? How is history etched onto a landscape or erased from it? How do museums and dominant canons of art history shape our view of history and of the past? Who Says, Who Shows, What Counts demonstrates how an academic art museum's collection can facilitate multidisciplinary connections and tell stories about issues relevant to our lives.
Author: Trudy Wilner Stack
Publisher: Center for Creative Photography
ISBN:
Category : Art
Languages : en
Pages : 56
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Book Description
Artwork by Sophie Calle, Louise Lawler. Text by Trudy Wilner Stack.
Author: Mary Jane Jacob
Publisher: Mit Press
ISBN: 9780262071192
Category : Art
Languages : en
Pages : 176
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Book Description
A Forest of Signs documents a major exhibition of critical art in the last decade, one that marks a change in the art world, perhaps even in the broader culture. The thread of representation ties together the work of the 30 artists included in the book, encompassing such issues as allegory, appropriation, and commodification, the role of the artist, and the functions of authorship and originality in vesting meaning in art. Much of the work is provocative, challenging the way we look at art, the way we talk about it, where we see it, and how we buy it. The development of these issues and their role in shifting the focus of much recent art from insistence on the art as object, to a host of representations is addressed in four essays and a section of "artists' pages." In the first essay, exhibition co-organizer Ann Goldstein discusses the individual artists and points to key issues and methods in their art. The artists themselves are represented by a 60 page portfolio of their works. Designed by the artists, these pages include personal statements, the remarks of others, works made specifically for the book and works using the tools of mechanical reproduction. In the three essays that follow, Anne Rorimer, former Curator of 20th Century Painting and Sculpture at the Art Institute of Chicago, traces the roots of recent American art to the development of international conceptualism in the 1960s and early 1970s; Mary Jane Jacob, exhibition co-organizer and MOCA Chief Curator, places the artists within the current trends of European as well as American art; and editor and critic Howard Singerman examines the relationship of recent art to its circle of critics and to the emergence of critical theory. Copublished with the Museum of Contemporary Art, Los Angeles. The Artists Richard Baim, Thomas Lawson, Judith Barry, Sherrie Levine, Ericka Beckman, Robert Longo, Gretchen Bender, Allan McCollum, Dara Birnbaum, Matt Mullican, Barbara Bloom, Peter Nagy, Troy Brauntuch, Stephen Prina, Sarah Charlesworth, Richard Prince, Jack Goldstein, Cindy Sherman, Jenny Holzer, Laurie Simmons, Larry Johnson, Haim Steinbach, Ronald Jones, Mitchell Syrop, Mike Kelley, James Welling, Jeff Koons, Christopher Williams, Barbara Kruger, Louise Lawler
Author: Bruce W. Ferguson
Publisher: Routledge
ISBN: 113482002X
Category : Art
Languages : en
Pages : 365
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Book Description
An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays.
