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Author: Andrew A. Anderson
Publisher: LSU Press
ISBN: 0807183253
Category : Drama
Languages : en
Pages : 299
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Book Description
"Critical and historical discussions of the life and work of Federico García Lorca often prioritize his stunning modernist poetry and popular dramas while obscuring the author's more avant-garde dramatic works. In Lorca's Experimental Theater: Breaking the Guardrails of Convention, Andrew A. Anderson focuses on four of Lorca's most challenging plays-Amor de don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título)-and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca's plays can be considered conventional, according to Anderson, some of them are nevertheless more approachable than others. The four considered here are the works that challenge theatrical conventions most forcefully, both thematically and technically. The introduction offers a brief overview of Lorca's entire dramatic output and the place within it of his four most experimental plays. The first chapter, "Staging the Unstageable," gives details concerning the chronology of the plays' composition, what Lorca had to say about them in newspaper interviews, and, most importantly, his numerous attempts to get what he called his "unperformable plays" actually performed. After a chapter on the pervasive role of undecidability in Amor de don Perlimplín, two further contextual chapters cover what Anderson considers the most significant factors that encouraged Lorca to continue experimenting in his dramatical works, namely his exposure to theater in New York over 1929-1930 and his increasing familiarity with expressionist drama that he both read and heard about from other theater professionals. From there, El público and Así que pasen cinco años each receive two chapters devoted to their themes and symbols, and the book ends with a final chapter on how audiences could experience a staging of El sueño de la vida. By synthesizing materials drawn from theatrical practice, artistic modernism, and the historical avant-garde, Lorca's Experimental Theater gives an integrated picture of this corpus by providing detailed readings of the plays, surveying their textual and performative history, and examining the most important contemporary influences on Lorca's creation of these expressive, innovative works"--
Author: Andrew A. Anderson
Publisher: LSU Press
ISBN: 0807183253
Category : Drama
Languages : en
Pages : 299
Get Book Here
Book Description
"Critical and historical discussions of the life and work of Federico García Lorca often prioritize his stunning modernist poetry and popular dramas while obscuring the author's more avant-garde dramatic works. In Lorca's Experimental Theater: Breaking the Guardrails of Convention, Andrew A. Anderson focuses on four of Lorca's most challenging plays-Amor de don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título)-and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca's plays can be considered conventional, according to Anderson, some of them are nevertheless more approachable than others. The four considered here are the works that challenge theatrical conventions most forcefully, both thematically and technically. The introduction offers a brief overview of Lorca's entire dramatic output and the place within it of his four most experimental plays. The first chapter, "Staging the Unstageable," gives details concerning the chronology of the plays' composition, what Lorca had to say about them in newspaper interviews, and, most importantly, his numerous attempts to get what he called his "unperformable plays" actually performed. After a chapter on the pervasive role of undecidability in Amor de don Perlimplín, two further contextual chapters cover what Anderson considers the most significant factors that encouraged Lorca to continue experimenting in his dramatical works, namely his exposure to theater in New York over 1929-1930 and his increasing familiarity with expressionist drama that he both read and heard about from other theater professionals. From there, El público and Así que pasen cinco años each receive two chapters devoted to their themes and symbols, and the book ends with a final chapter on how audiences could experience a staging of El sueño de la vida. By synthesizing materials drawn from theatrical practice, artistic modernism, and the historical avant-garde, Lorca's Experimental Theater gives an integrated picture of this corpus by providing detailed readings of the plays, surveying their textual and performative history, and examining the most important contemporary influences on Lorca's creation of these expressive, innovative works"--
Author: Paul Julian Smith
Publisher: Cambridge University Press
ISBN: 9780521622929
Category : Drama
Languages : en
Pages : 210
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Book Description
A study of the plays of García Lorca, the greatest Spanish dramatist of the twentieth century.
Author: Jonathan Mayhew
Publisher: Routledge
ISBN: 0429941544
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In Lorca’s Legacy, Jonathan Mayhew explores multiple aspects of the creative and critical afterlife of Federico García Lorca, the most internationally recognized Spanish poet and playwright of the twentieth century. Lorca is an iconic and charismatic figure who has evoked the admiration and fascination of musicians, poets, painters, and playwrights across the world since his tragic assassination by right-wing forces in 1936, at the onset of the Spanish Civil War. This volume ranges widely, discussing his influence on American theater, his much-debated lecture on the duende, his delayed encounter with queer theory, his influence on contemporary Spanish poetry, and other relevant topics. The critical literature on Lorca is vast, and original contributions are comparatively rare, but Mayhew has found a way to shed fresh light on his legacy by looking with a critical eye at the creative transformations of his life and work, both in Spain and abroad. Lorca’s Legacy celebrates the wealth of material inspired by Lorca, bringing to bear a sophisticated, theoretically informed critical perspective. This book will be of enormous interest to anyone interested in the international projection of Spanish literature, or anyone who has felt the fascination of Lorca’s duende.
Author: C. Dente
Publisher: Springer
ISBN: 1137311347
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
What has been the role played by principles, patterns and situations of conflict in the construction of Shakespeare's myth, and in its European and then global spread? The fascinatingly complex picture that emerges from this collection provides new insight into Shakespeare's unique position in world literature and culture.
Author: Leslie Stainton
Publisher: Bloomsbury Publishing
ISBN: 1448213444
Category : Biography & Autobiography
Languages : en
Pages : 847
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Book Description
With a rare blend of grace, warmth, and scholarship, Leslie Stainton raises the stakes of our appreciation for the greatest of Spain's modern poets, Federico Garca Lorca. Drawing on fourteen years of research; more than a hundred letters unknown to prior biographers; exclusive interviews with Lorca's friends, family, and acquaintances; and dozens of newly discovered archival material, Stainton has brought her subject to life as few writers can. She describes his carefree childhood in rural Andalusia; his residencies in Madrid and Granada, then in New York, Havana, and Buenos Aires; his potent interaction with other Spanish artists, such as Salvador Dal, Luis Buuel, and the composer Manuel de Falla; and, finally, Stainton shows how Lorca's marginal political activity during the Spanish Civil War still cost him his life. Throughout, Stainton meticulously but unobtrusively relates the oeuvre to the life. Her biography is quickly becoming the standard one-volume work on the poet.
Author: Beth Ann Bernstein
Publisher: Rowman & Littlefield
ISBN: 1793620555
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Exploring Race, Ethnicity, Gender, and Sexuality in Four Spanish Plays explores society’s influence on identity in Spanish theatrical works and discusses parallels to these works in contemporary popular culture. The Spanish plays El retablo de las maravillas (The Marvelous Puppet Show) by Miguel de Cervantes Saavedra (1615); Virtudes vencen señales (Virtues Overcome Signs) by Vélez de Guevara (1620); El público (The Audience) by Federico García Lorca (1929); and La llamada de Lauren (Lauren’s Call) by Paloma Pedrero (1985) all deal with characters in the midst of a crisis of identity. Using an eclectic approach, supported by contemporary theories of race, ethnicity, gender, and sexuality, Beth Bernstein analyzes the four plays in terms of identity and shows how society imposes the construction of identity. As the characters reach to define themselves, internal and external pressures guide them in interpreting acceptable behavior. This book offers a close reading of the psychological struggle of the characters, driven by society to cover their differences with a symbolic mask which, if donned, will eventually devour their true identity.
Author: Federico García Lorca
Publisher: Oxford University Press, USA
ISBN: 9780192839381
Category : Drama
Languages : en
Pages : 306
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Book Description
In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garc ́ia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
Author: Paul McDermid
Publisher: Boydell & Brewer
ISBN: 1855661462
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Physical desire and metaphysical love in the theatre of Federico García Lorca. A dialectical tension between physical desire and metaphysical love lies at the heart of the theatre works of Federico García Lorca, and the deployment of queer theory's critique of gender and identity is surprisingly effective inthis discussion of love versus desire. Seldom is enough attention paid to the poet's early works, and so this book offers a timely review of the 'religious tragedy' Cristo, as well as Mariana Pineda, uncoveringin these early offerings an explicit proposal of the supremacy of love over desire. A meditation on the fragmentary and challenging El público yields a vivid panorama of identity in crisis, and a paradigmatic Lorcan sacrifice of self for love. The ostensibly more conventional tragedies of Amor de Don Perlimplín con Belisa en su jardín and Yerma are also reassessed in terms of self-sacrifice and self-love. The study concludes with an argument for a practical re-reading of La casa de Bernarda Alba, which emphasises how the play might be saved from po-faced realism with music, humour and drag performance. PAUL McDERMID lectures in Spanish at Queen's University Belfast.
Author: J. Minett
Publisher: Liverpool University Press
ISBN: 1800345844
Category : Literary Collections
Languages : en
Pages : 145
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Book Description
One of Lorca's best known plays tells the story of a young peasant wife in rural Spain whose sole conscious desire is to embody what she regards as the natural, moral and social laws governing her life as a woman in motherhood.
Author: Andrew Samuel Walsh
Publisher: Routledge
ISBN: 1000098257
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Lorca in English examines the evolution of translations of Federico García Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico García Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.
