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Author: Pratima Prasad
Publisher: University of Delaware Press
ISBN: 9780874139778
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Author: Pratima Prasad
Publisher: University of Delaware Press
ISBN: 9780874139778
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Author: Jérôme THARAUD (and THARAUD (Jean))
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
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Category : Great Britain
Languages : en
Pages : 550
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Book Description
Author: Patricia Mainardi
Publisher: Yale University Press
ISBN: 0300219067
Category : Design
Languages : en
Pages : 305
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Book Description
Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction: Another World -- 1 Drawing's Stepchild: Lithography and Caricature -- 2 Spreading the News: The Illustrated Press -- 3 The Invention of Comics: Stories in Pictures -- 4 Paths Forgotten, Calls Unheard: Pictures in Stories -- 5 The Curious History of Popular Imagery in France -- Conclusion: A Complete Panorama -- Notes -- Bibliography -- Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
Author: Abraham John Valpy
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 544
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Book Description
Author: CROIX.
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Robert Gildea
Publisher: Harvard University Press
ISBN: 0674286103
Category : History
Languages : en
Pages : 616
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Book Description
Robert Gildea’s penetrating history of France during World War II sweeps aside the French Resistance of a thousand clichés. Gaining a true understanding of the Resistance means recognizing how its image has been carefully curated through a combination of French politics and pride, ever since jubilant crowds celebrated Paris’s liberation in 1944.
Author:
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ISBN:
Category :
Languages : en
Pages : 728
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Book Description
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 698
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Book Description
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Author: Julia Thoma
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110497484
Category : Art
Languages : en
Pages : 368
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Book Description
The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war.
