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Author: William R. Rearick
Publisher:
ISBN:
Category : Art
Languages : cy
Pages : 240
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Author: William R. Rearick
Publisher:
ISBN:
Category : Art
Languages : cy
Pages : 240
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Author: Cynthia Saltzman
Publisher: Farrar, Straus and Giroux
ISBN: 0374710392
Category : History
Languages : en
Pages : 221
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Book Description
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
Author: John Garton
Publisher:
ISBN: 9781905375233
Category : Painting, Italian
Languages : en
Pages : 0
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Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the moderns who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters.
Author: Xavier F. Salomon
Publisher: National Gallery London
ISBN: 9781857095531
Category : Painting
Languages : en
Pages : 0
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Book Description
Catalog of the exhibition "Veronese: magnificence in Renaissance Venice" held March 19-June 15, 2014 at the National Gallery, London.
Author: Veronese
Publisher: Silvana Editoriale
ISBN:
Category : Art
Languages : en
Pages : 164
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Author: Frederick Ilchman
Publisher: Gower Publishing Company, Limited
ISBN:
Category : Art
Languages : en
Pages : 324
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"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that changed the course of art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In this environment, the three artists - brilliant, ambitious, and fiercely competitive - vied with each other for primacy, deploying the new combination of oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature touch. They also pioneered the use of easel painting, a newly portable format that allowed for unprecedented fame in their lifetimes. With more than 160 stunning examples by the three masters and their contemporaries, Titian, Tintoretto, Veronese elucidates the technical and aesthetic innovations that helped define the "Venetian style"--Characterized by loose technique. rich coloring, and often sensual subject matter - as well as the social, political, and economic context in which it flourished. Essays range from examinations of new approaches to studies of such crucial institutions as state commissions and the private patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, the volume presents a vibrant human portrait - one brimming with intense competition, one-upmanship, humor, and passion."--Jacket.
Author: Zeff Veronese
Publisher:
ISBN: 9780994147103
Category : Hunters
Languages : en
Pages : 259
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Book Description
"'Zeff Veronese is one of this country's longest and most respected chamois and tahr hunters ... His prowess with a rifle and camera have been long known and achieved national recognition within the New Zealand Deerstalkers' Association. The collection of absorbing tales and photographs this back country author has provided, strongly conveys honest passion for our wild places and a sincere respect for the game animals hunted'--Kevin J. Whitelaw, New Zealand's Hunting Legends. Why do I hunt? That is a very hard question to answer. Both my grandparents were hunters and so was my father, my brothers and some of my uncles. I grew up in Italy during the war and the years after, in very tough times. However, the hunting instinct was never far away ... When we arrived in New Zealand, we found it to be a goldmine for a hunter and made the most of it. The first ten years we hunted mainly for meat and always had a freezer full of game meat ... Perhaps the last 40 years I have mainly hunted for trophies. Sometimes when in a good spot for a few days, I might see 30 or 40 animals and as they have no trophy value I don't fire a shot but happily film the events. Hunting is still good for me because I enjoy being in the wild. Camaraderie is an important ingredient on a hunt; there is nothing better than being in a tent or a hut with friends who have the same interests and are happy to share their funny stories after a hard day in the mountains"--page [4] of cover.
Author: Xavier J. Seubert
Publisher: Giles
ISBN: 9781904832829
Category : Art
Languages : en
Pages : 0
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A beautifully illustrated volume which explores one of the central themes of Christian Art: Christ as the Man of Sorrows,Passion in Venice: Crivelli to Tintoretto and Veronese draws on works by some of the of the greatest names in Venetian painting including Veronese, Tintoretto, Crivelli, Giambono and the Bassano family. It creates a new and illuminating context for these great masters by considering their work alongside contemporary works in other media, and from other parts of Western Europe, including Tuscany, France, Spain, Germany and the Netherlands. An essay by Catherine Puglisi and William Barcham explores the origins of the image of Christ as Man of Sorrows and its emergence as a distinct and central devotional image in the religious life of Venice from about 1300. The authors address the questions of who was the Man of Sorrows and why the figure grew significantly in Venice during the late Middle Ages and the early Renaissance. Xavier Seubert's essay focuses on the appeal of the Man of Sorrows as an image expressing anguish, which encourages the viewer to identify with suffering, and offers hope for deliverance and redemption. The main catalogue section presents illuminated manuscripts, paintings, sculptures, prints, drawings and liturgical objects from major American and European collections, including the Metropolitan Museum of Art, New York, the National Gallery of Canada, the J Paul Getty Center and the National Gallery, London, almost none of which have been linked before through the study of a common artistic theme.
Author: Giorgio Vasari
Publisher:
ISBN: 9781843680970
Category : Artists
Languages : en
Pages : 0
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The painter Veronese's life is here displayed in several early biographies, each showcasing a different side of the artist "Never was a painter more nobly joyous, never did an artist take a greater delight in life, seeing it all as a kind of breezy festival and feeling it through the medium of perpetual success. . . He was the happiest of painters." --Henry James on Veronese, 1909 Collected here for the first time, these fascinating early biographies (one of which has never been translated before) describe and celebrate the astonishingly fertile art of Paolo Veronese. Most of what we know about Veronese comes from these three essays. "I have known this Paolino and I have seen his beautiful works. He deserves to have a great volume written in praise of him, for his pictures prove that he is second to no other painter," wrote Veronese's contemporary Annibale Carracci in the margins to his copy of Vasari's writings, continuing "and this fool passes over him in four lines. And just because he was not Florentine." It was indeed a measure of his fame that Vasari, whose Life of Veronese is reprinted here, should have overcome his pro-Tuscan prejudices to write about his great Venetian contemporary; and he was followed in this by another Florentine, the theorist Raffaele Borghini. But the most striking record of the impact of Veronese's art on his countrymen is the extensive biography by his fellow Venetian, Carlo Ridolfi. Entirely original in the seriousness and passion with which he approached his subject, Ridolfi permanently changed the course of writing about art. This is the first translation of his work into English, translated and introduced by Xavier F. Salomon, curator of "Veronese: Renaissance Magnificence" at the National Gallery, London. 50 pages of color illustrations cover the span of Veronese's breathtaking career.
Author: Giorgio Vasari
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 254
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