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Author: Richard Daniel Altick
Publisher: Columbus : Ohio State University Press
ISBN:
Category : Art
Languages : en
Pages : 560
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Book Description
Author: Richard Daniel Altick
Publisher: Columbus : Ohio State University Press
ISBN:
Category : Art
Languages : en
Pages : 560
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Book Description
Author: Sigmund Freud
Publisher: Stanford University Press
ISBN: 9780804729734
Category : Art
Languages : en
Pages : 324
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Book Description
Despite Freud's enormous influence on twentieth-century interpretations of the humanities, there has never before been in English a complete collection of his writings on art and literature. These fourteen essays cover the entire range of his work on these subjects, in chronological order beginning with his first published analysis of a work of literature, the 1907 "Delusion and Dreams in Jensen's Gradiva" and concluding with the 1940 posthumous publication of "Medusa's Head." Many of the essays included in this collection have been crucial in contemporary literary and art criticism and theory. Among the subjects Freud engages are Shakespeare's Hamlet, The Merchant of Venice, King Lear, and Macbeth, Goethe's Dichtung und Wahrheit, Michelangelo's Moses, E. T. A. Hoffman's "The Sand Man," Dostoevsky's The Brothers Karamazov, fairy tales, the effect of and the meaning of beauty, mythology, and the games of aestheticization. All texts are drawn from The Standard Edition of the Complete Psychological Works of Sigmund Freud, edited by James Strachey. The volume includes the notes prepared for that edition by the editor. In addition to the writings on Jensen's Gradiva and Medusa, the essays are: "Psychopathic Characters on the Stage," "The Antithetical Meaning of Primal Words," "The Occurrence in Dreams of Material from Fairy Tales," "The Theme of the Three Caskets," "The Moses of Michelangelo," "Some Character Types Met with in Psycho-analytic Work," "On Transience," "A Mythological Parallel to a Visual Obsession," "A Childhood Recollection from Dichtung und Wahrheit," "The Uncanny," "Dostoevsky and Parricide," and "The Goethe Prize."
Author: Etta Arntzen
Publisher: Chicago : American Library Association
ISBN:
Category : Art
Languages : en
Pages : 644
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Author: Peter Mendelsund
Publisher: Ten Speed Press
ISBN: 0399581022
Category : Design
Languages : en
Pages : 258
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Book Description
Why do some book covers instantly grab your attention, while others never get a second glance? Fusing word and image, as well as design thinking and literary criticism, this captivating investigation goes behind the scenes of the cover design process to answer this question and more. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW As the outward face of the text, the book cover makes an all-important first impression. The Look of the Book examines art at the edges of literature through notable covers and the stories behind them, galleries of the many different jackets of bestselling books, an overview of book cover trends throughout history, and insights from dozens of literary and design luminaries. Co-authored by celebrated designer and creative director Peter Mendelsund and scholar David Alworth, this fascinating collaboration, featuring hundreds of covers, challenges our notions of what a book cover can and should be.
Author: Stefan Klima
Publisher:
ISBN: 9781887123181
Category : Artists' books
Languages : en
Pages : 0
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Book Description
"Artists Books: A Critical Survey of the Literature is the first and only published guide to writings on artists books. It contains five lucid essays and a carefully researched, thorough bibliography. An important reference tool for anyone interested in artists books."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Helmut Anthony Hatzfeld
Publisher: Forgotten Books
ISBN: 9780484479752
Category :
Languages : en
Pages : 0
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Excerpt from Literature Through Art: A New Approach to French Literature To the literary historian, a history of French literature in which art is used as the key to a better and deeper understanding of literature will be of primary concern. The art historian, on the other hand, will take the 0p posite view wishing to see art elucidated by other forms of expression. To us the paramount problem is the comparative analysis and appreciation of texts and pictures in their details. For this purpose the historian must also be a philologist and a critic, i.e. One who can analyze both texts and pictures with correctness and taste. Therefore philologist and critic must be under stood here in a double sense; first, factually, in regard to interpretation and iconography and second, formally, in regard to stylistics and formal de scription. From a methodological point of view, philology is involved in yet an other sense. It is gratifying to see that the text-bound analytical, and stylistic method in literary history as used here, and as Opposed to the traditionally vague, synthetic, and persuasive method, finds even on the non-compara tive level enthusiastic support from the analysts of literary style. It is they who have called for a change in the way of literary history. The method of explication de textes has been used for some years for historical purposes in the sense that the new literary history in the making is considered to be composed of single layers of interpreted texts as encountered in successive epochs. It is this method that is used here on a comparative basis, the ex plications de textes having been supplemented by the explications de tableaux. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Sigmund Freud
Publisher:
ISBN: 9780140138047
Category : Art
Languages : en
Pages : 496
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Author: Devin Fore
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.
Author: Lois Thomas Stover
Publisher: Scarecrow Press
ISBN: 0810892782
Category : Juvenile Nonfiction
Languages : en
Pages : 294
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Book Description
Young adults often struggle with confusion or guilt because they perceive themselves as different from others, especially their peers. For some of these individuals, the arts can help them cope with adolescent turmoil, allowing them to express their emotions in poems, stories, painting, songs, and other creative outlets. Sensitive teachers and parents know how important it is for young people to realize that they are not alone in their quest for self-knowledge and finding their way in the world. It can make a difference when readers find something in a book that helps them understand more about who they are and helps them understand others. In Portrait of the Artist as a Young Adult: The Arts in Young Adult Literature, Lois Thomas Stover and Connie S. Zitlow examine books in which the coming-of-age for young adults is influenced by the arts. Stover and Zitlow consider the connection between the arts and a young person’s developing sense of self, the use of art to cope with loss and grief, and how young adults can use art to foster catharsis and healing. The young people in these books either identify as artists or use the arts in intentional ways to explore their identities. They often have artistic gifts that make them stand outside the norms of teenage life, yet those gifts also help them find a sense of community. Artists considered in this book include painters, photographers, sculptors, actors, directors, choreographers, dancers, composers, musicians, graffiti artists, and others. The books discussed also explore the ways adults can nurture the artist’s development and understand the way young people sometimes use the arts to form their unique identity. Included is an annotated bibliography organized by art discipline, as well as an appendix about using the arts pedagogically, making Portrait of the Artist as a Young Adult a valuable resource for educators, parents, librarians, and young adults.
Author: Walter Pater
Publisher: J M Dent & Sons Limited
ISBN: 9780460870092
Category : Art
Languages : en
Pages : 175
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Book Description
