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Author: Percy Fitzgerald
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 384
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Book Description
Author: Percy Fitzgerald
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 384
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Book Description
Author:
Publisher: BoD – Books on Demand
ISBN: 3385407397
Category :
Languages : en
Pages : 294
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Book Description
Author: David Christie-Murray
Publisher: BoD – Books on Demand
ISBN: 338530444X
Category : Fiction
Languages : en
Pages : 234
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Book Description
Reprint of the original, first published in 1883.
Author: Sidney Jerrold
Publisher: BoD – Books on Demand
ISBN: 3368860232
Category : Fiction
Languages : en
Pages : 162
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Book Description
Reprint of the original, first published in 1881.
Author: Paul K. Saint-Amour
Publisher: Cornell University Press
ISBN: 0801457963
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights—Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day. In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K. Saint-Amour asks: Would their art have survived the copyright laws of the new millennium? Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers from existing poems, Saint-Amour sees the period 1830–1930 as a time when imaginative literature became aware of its own status as intellectual property and began to register that awareness in its subjects, plots, and formal architecture. The authors of these self-reflexive literary texts were more conscious than their precursors of the role played by consumption in both the composition and the consecration of literature. The texts in question became, in turn, part of what Saint-Amour characterizes as a "counterdiscourse" to extensive monopoly copyright, a vocal minority that insisted on a broadly conceived public domain not only as indispensable to free expression and fresh creation but as a good in itself. Recent events such as the court battle over the Copyright Term Extension Act (CTEA), which extends copyright terms by 20 years, the patenting of the human genome and of genetically altered seed lines, and high-stakes controversies over literary parody have increased public awareness of intellectual property law. In The Copywrights, Saint-Amour challenges the notion that copyright's function ends with the provision of private incentives to creation and innovation. The cases he examines lead him to argue that copyright performs a range of political, emotional, and even sacred functions that are too often ignored and that what seems to have emerged as copyright's primary function—the creation of private property incentives—must not be an end in itself.
Author: Mike Aquilina
Publisher: Paraclete Press
ISBN: 1640604278
Category : Religion
Languages : en
Pages : 72
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Book Description
“Christians make the Mass, and the Mass makes Christians.” So said the Martyrs of Abitina, North Africa, in A.D. 304. The Mass was the reality most essential to the life of believers, and it deeply affected everything they did. In Work Play Love popular author Mike Aquilina shows how the Eucharist shaped three basic dimensions of life for the early Christians. Work. Christians brought the fruits of their labor to the altar—not only bread and wine, but also cheese, olives, honey, dried fish, and freshly pressed oil. As they worshiped, they consecrated the world itself to God. In turn, this affected the way they approached their work. It was not just toil. It was an act of love, undertaken for the Father. They labored in imitation of Jesus the laborer. Made one with Christians in the Eucharist, Jesus worked through them and in them. Play. The Mass was a leisurely, contemplative act, but it was celebrated on a normal workday in the Roman world. It was useless by the standards of the city. And yet it called forth—gently, gradually—the most creative responses. The Mass inspired new forms of music, poetry, architecture, and painting. At liturgy Christians stood back and reconsidered the cosmos from God’s perspective. They saw their lives as part of a profoundly new and different narrative. This made for new and different art. Love. Christian ritual demanded personal and communal acts of charity. The earliest descriptions of the Mass show the importance of the collection and its distribution to the poor, the imprisoned, and the home-bound sick. Deacons and deaconesses were dismissed to take Communion to the same people in need. The fruits of the Mass extended beyond the time of liturgy—and the bounds of Christian community. Christians took care even of their persecutors. This led to the establishment of institutions of universal charity, a first in human history. The story of the Mass is not simply a rehearsal of ancient texts. It’s a drama of personal and societal transformation. This book tells the story as much as possible in the lively words of the early Christians and draws from the most exciting discoveries of recent archaeology. It is a powerful imaginative encounter with the first generations of our Christian ancestry.
Author: James Payn
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
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Book Description
Author: Julian Hawthorne
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 408
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Book Description
Author: Elizabeth Lynn Linton
Publisher: BoD – Books on Demand
ISBN: 3385448832
Category : Fiction
Languages : en
Pages : 342
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Book Description
Reprint of the original, first published in 1881.
Author: Ouida
Publisher: BoD – Books on Demand
ISBN: 3385422086
Category : Fiction
Languages : en
Pages : 458
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Book Description
Reprint of the original, first published in 1881.
