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Author: Jen Harrison
Publisher: Routledge
ISBN: 131710465X
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
What are we to make of the Victorians’ fascination with collecting? What effect did their encounters with the curious, exotic and downright odd have on Victorian writers and their works? The essays in this collection take up these questions by examining the phenomenon of bric-à-brac in Victorian literature. The contributors to Literary Bric-à-Brac and the Victorians: From Commodities to Oddities explore sites of unusual concurrence (including museums, the home, art galleries, private collections) and the way in which bric-à-brac brought the alien into everyday settings, the past into the present and the wild into the domestic. Focusing on the representation of material culture in Victorian literature, the essays in this volume seek out miscellaneous and incongruous objects that take readers beyond the commonplace paradigms associated with commodity culture. Individual chapters analyse the work of writers as different as Edward Lear and John Henry Newman, Robert Browning and George Eliot, Charles Dickens and Lewis Carroll. In so doing they shed light on a dizzying array of topics and objects that include class and capitalism, the occult and the sacraments, Darwinism and dandyism, umbrellas, textiles, the Philosopher’s Stone and even the household nail.
Author: Jen Harrison
Publisher: Routledge
ISBN: 131710465X
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
What are we to make of the Victorians’ fascination with collecting? What effect did their encounters with the curious, exotic and downright odd have on Victorian writers and their works? The essays in this collection take up these questions by examining the phenomenon of bric-à-brac in Victorian literature. The contributors to Literary Bric-à-Brac and the Victorians: From Commodities to Oddities explore sites of unusual concurrence (including museums, the home, art galleries, private collections) and the way in which bric-à-brac brought the alien into everyday settings, the past into the present and the wild into the domestic. Focusing on the representation of material culture in Victorian literature, the essays in this volume seek out miscellaneous and incongruous objects that take readers beyond the commonplace paradigms associated with commodity culture. Individual chapters analyse the work of writers as different as Edward Lear and John Henry Newman, Robert Browning and George Eliot, Charles Dickens and Lewis Carroll. In so doing they shed light on a dizzying array of topics and objects that include class and capitalism, the occult and the sacraments, Darwinism and dandyism, umbrellas, textiles, the Philosopher’s Stone and even the household nail.
Author: Jonathon Shears
Publisher: Routledge
ISBN: 9781409439905
Category : Art objects in literature
Languages : en
Pages : 0
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Book Description
This collection of essays is concerned with the phenomenon of bric-a-brac in Victorian literature. Focusing on the representation of material culture in Victorian literature, the essays seek out miscellaneous and incongruous objects that take readers beyond the traditions of commodity culture.
Author: Adelene Buckland
Publisher: Routledge
ISBN: 131540012X
Category : Business & Economics
Languages : en
Pages : 423
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Book Description
From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. The fourth volume will look at raw materials that were handled and used by Victorians including blubber and coal.
Author: Priyanka Anne Jacob
Publisher: Oxford University Press
ISBN: 0198917953
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
The Victorian Novel On File argues that the nineteenth-century information explosion shapes the novel form. In a world teeming with data, the novel is a storage medium, cluttered with detail and accumulating more than it can use. The fictional things that have been read as insignificant should be seen instead as vessels of information, embedding the text with potential. This study weaves together a formal account of the novel with media and information studies as well as new materialist approaches to objects. Information took material form in the nineteenth century: in Victorian literature, data can be located in bric-a-brac, folded-up papers, semi-precious stones, and rubbish heaps. Yet this information may never be transmitted as knowledge. Instead, the novel offers indefinite storage, gesturing toward the future while holding action and accountability in abeyance. Fallen by the wayside of plot are documents left on file, containers left unopened, stock left on the shelf, and secrets left untold-enacting, this study argues, the Victorian novel's aesthetics of deferral. In readings of works by Charles Dickens, George Eliot, Mary Elizabeth Braddon, Wilkie Collins, and Rudyard Kipling, this study illustrates the formal effects of cultural questions about value and meaning, longevity and history, abundance and overwhelm, and keeping and discarding. It closes by showing how these same questions animate the twenty-first century's information culture as well.
Author: Stefanie Markovits
Publisher: Oxford University Press
ISBN: 0191028932
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
The Victorian Verse-Novel: Aspiring to Life considers the rise of a hybrid generic form, the verse-novel, in the second half of the nineteenth century. Such poems combined epic length with novelistic plots in the attempt to capture not a heroic past but the quotidian present. Victorian verse-novels also tended to be rough-mixed, their narrative sections interspersed with shorter, lyrical verses in varied measures. In flouting the rules of contemporary genre theory, which saw poetry as the purview of the eternal and ideal and relegated the everyday to the domain of novelistic prose, verse-novels proved well suited to upsetting other hierarchies, as well, including those of gender and class. The genre's radical energies often emerge from the competition between lyric and narrative drives, between the desire for transcendence and the quest to find meaning in what happens next; the unusual marriage plots that structure such poems prove crucibles of these rival forces. Generic tensions also yield complex attitudes towards time and space: the book's first half considers the temporality of love, while its second looks at generic geography through the engagement of novels in verse with Europe and the form's transatlantic travels. Both well-known verse-novels (Elizabeth Barrett Browning's Aurora Leigh, Arthur Hugh Clough's Amours de Voyage, Coventry Patmore's The Angel in the House) and lesser-known examples are read closely alongside a few nearly related works (Tennyson's Idylls of the King, Robert Browning's The Ring and the Book). An Afterword traces the verse-novel's substantial influence on the modernist novel.
Author: Sarah E. Maier
Publisher: Springer Nature
ISBN: 3031062019
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
Author: Martin Middeke
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110376717
Category : Literary Criticism
Languages : en
Pages : 686
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Book Description
Part I of this authoritative handbook offers systematic essays, which deal with major historical, social, philosophical, political, cultural and aesthetic contexts of the English novel between 1830 and 1900. The essays offer a wide scope of aspects such as the Industrial Revolution, religion and secularisation, science, technology, medicine, evolution or the increasing mediatisation of the lifeworld. Part II, then, leads through the work of more than 25 eminent Victorian novelists. Each of these chapters provides both historical and biographical contextualisation, overview, close reading and analysis. They also encourage further research as they look upon the work of the respective authors at issue from the perspectives of cultural and literary theory.
Author: Deborah Lutz
Publisher: Oxford University Press
ISBN: 0192602438
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This book shows how authors in nineteenth-century Britain used the materials of writing (and of reading, drawing, and handicraft) for inspiration and creative composition. In doing so, it reshapes the sensory history of working on and with paper. These activities were many and varied: Charlotte Brontë composed poems and doodled in the margins of school books, George Eliot recorded writing ideas on her blotter, Elizabeth Barrett Browning sewed paper to paper to edit her poems, and Jane Austen employed straight pins to "cut and paste." Albums provided a playful space to collect and to produce text-and-collage gifts for friends, circumventing print culture for a more intimate book making, as Elizabeth Gaskell and Anna Atkins knew. Notebooks and commonplace books were vital to Eliot, Michael Field, and Emily Brontë as part of a writing process. Writers experimented with crafts and needlework to compose text without paper and ink, most notably in the case of samplers. What writing and drawing happened on—including bibles, sewing patterns, and walls—mattered, as related to, and generative of, the themes of the work. This expansive field of meanings that creativity with textual (and material) things could have was common to the Victorians, but the writers explored here were extravagant even among their self-reflexive contemporaries in their undoing, remaking, miniaturizing, encrypting, reusing, and transforming. The edge of the page, the width of the margin, the covers of the book, were limiting factors, but also provocations to push on further, be radical.
Author: Alice Stevenson
Publisher: UCL Press
ISBN: 1787351408
Category : Social Science
Languages : en
Pages : 320
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Book Description
Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery of hundreds of thousands of ancient objects that were subsequently sent to some 350 institutions worldwide. These finds included unique discoveries at iconic sites such as the tombs of ancient Egypt's first rulers at Abydos, Akhenaten and Nefertiti’s city of Tell el-Amarna and rich Roman Era burials in the Fayum. Scattered Finds explores the politics, personalities and social histories that linked fieldwork in Egypt with the varied organizations around the world that received finds. Case studies range from Victorian municipal museums and women’s suffrage campaigns in the UK, to the development of some of the USA’s largest institutions, and from university museums in Japan to new institutions in post-independence Ghana. By juxtaposing a diversity of sites for the reception of Egyptian cultural heritage over the period of a century, Alice Stevenson presents new ideas about the development of archaeology, museums and the construction of Egyptian heritage. She also addresses the legacy of these practices, raises questions about the nature of the authority over such heritage today, and argues for a stronger ethical commitment to its stewardship. Praise for Scattered Finds 'Scattered Finds is a remarkable achievement. In charting how British excavations in Egypt dispersed artefacts around the globe, at an unprecedented scale, Alice Stevenson shows us how ancient objects created knowledge about the past while firmly anchored in the present. No one who reads this timely book will be able to look at an Egyptian antiquity in the same way again.' Professor Christina Riggs, UEA
Author: Amanda Ford
Publisher: Taylor & Francis
ISBN: 100081629X
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Elizabeth Gaskell’s writings abound in references to a cultural materiality encompassing different types of fabric, stuffs, calicoes, chintzes and fine-point lace. These are not merely the motifs of the Realist genre but reveal a complex polysemy. Utilizing a metonymic examination of these tropes, this volume exposes the dramatic structural and socio-economic upheaval generated by industrialization, urbanization and the widening sphere of empire. The material evidence testifies to the technological and production innovations evolving diachronically for the period, and the evolution of Manchester as the industrial ‘Cottonpolis’ that clothed the world by the 1840s. This volume analyses Gaskell’s manipulation of the materiality, arguing its firm roots lie in the quotidian of women’s domestic and provincial life within the growing ranks of the middle classes. Exploring Gaskell’s tactile imagination, an embodied relationship with fabrics and sewing, a function of her daily life from an early age, this volume provides insight into the sensory aspects of cloth and its ability to stir affective responses, emotions and memories, whereby worn fabrics and even the absence of previous textile treasures, is poignant, recreating layers of recollection. This book aims to restore the pulsating, dynamic context of ordinary women’s dressed lives and presents innovative interpretations of Gaskell’s texts.
