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Author: The Editors of LIFE
Publisher: Time Inc. Books
ISBN: 1683302494
Category : Performing Arts
Languages : en
Pages : 96
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Book Description
By incorporating and transforming foreign influences, film noir became a uniquely American art form. Though it was overlooked at first, this powerful genre would give Humphrey Bogart and Robert Mitchum career-defining roles, fuel Joan Crawford's middle-age comeback, and set the stage for the work of Martin Scorsese and Quentin Tarantino. Noir illuminated the dark side of the American dream, but despite its characteristic bleakness, these films are somehow always fun. Film Noir: 75 Years of the Greatest Crime Films revisits 20 of the genre's best, from the first noir The Maltese Falcon to L.A. Confidential. We commence by delving into "Classic Noir," films released between 1941 and 1958 with their angular chiaroscuro and Teutonic angst combined with the influence of pup and hard-boiled crime fiction. Stunning photography walks us through Shadow of a Doubt, Double Indemnity, Laura, Mildred Pierce, Out of the Past, The Third Man, In a Lonely Place, Niagara, The Night of the Hunter, Touch of Evil and more. Next in our "Neo Noir" section, you will see the transformation of noir from 1967 onward with films like Bonnie and Clyde, Dirty Harry, Chinatown, Taxi Driver, Body Heat, Blood Simple, Blue Velvet, Pulp Fiction and more. Articles about how the genre was born, tabloids and film noir, offscreen noir, and what factors lead film back to black punctuate these spreads. Enter the cinematic world of "doom, fate, fear, and betrayal," as beloved film critic Roger Ebert said, with Film Noir: 75 Years of the Greatest Crime Films.
Author: The Editors of LIFE
Publisher: Time Inc. Books
ISBN: 1683302494
Category : Performing Arts
Languages : en
Pages : 96
Get Book
Book Description
By incorporating and transforming foreign influences, film noir became a uniquely American art form. Though it was overlooked at first, this powerful genre would give Humphrey Bogart and Robert Mitchum career-defining roles, fuel Joan Crawford's middle-age comeback, and set the stage for the work of Martin Scorsese and Quentin Tarantino. Noir illuminated the dark side of the American dream, but despite its characteristic bleakness, these films are somehow always fun. Film Noir: 75 Years of the Greatest Crime Films revisits 20 of the genre's best, from the first noir The Maltese Falcon to L.A. Confidential. We commence by delving into "Classic Noir," films released between 1941 and 1958 with their angular chiaroscuro and Teutonic angst combined with the influence of pup and hard-boiled crime fiction. Stunning photography walks us through Shadow of a Doubt, Double Indemnity, Laura, Mildred Pierce, Out of the Past, The Third Man, In a Lonely Place, Niagara, The Night of the Hunter, Touch of Evil and more. Next in our "Neo Noir" section, you will see the transformation of noir from 1967 onward with films like Bonnie and Clyde, Dirty Harry, Chinatown, Taxi Driver, Body Heat, Blood Simple, Blue Velvet, Pulp Fiction and more. Articles about how the genre was born, tabloids and film noir, offscreen noir, and what factors lead film back to black punctuate these spreads. Enter the cinematic world of "doom, fate, fear, and betrayal," as beloved film critic Roger Ebert said, with Film Noir: 75 Years of the Greatest Crime Films.
Author: Derek Sculthorpe
Publisher: McFarland
ISBN: 1476630690
Category : Biography & Autobiography
Languages : en
Pages : 198
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Book Description
Claire Trevor (1910–2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford’s classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman’s overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster’s broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.
Author: Eddie Muller
Publisher: Running Press Adult
ISBN: 076249896X
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Author: Alan K. Rode
Publisher: McFarland
ISBN: 147660035X
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
The iconic actor Charles McGraw appeared in over 140 roles on films and television, including the classic noir pictures The Killers (1946) and The Narrow Margin (1952). Whether portraying tough cops or sadistic killers, McGraw brought a unique authenticity to the screen. Emphasizing his impact on the film noir style, this comprehensive biography examines McGraw's lengthy career against the backdrop of a changing Hollywood. Through numerous personal interviews with his surviving intimates, close acquaintances and co-workers, his tumultuous personal life is detailed from his earliest days to his bizarre, accidental death. Also included are an extensive critical filmography of McGraw's feature film career, a complete list of television appearances and previously unpublished film stills and personal photos.
Author: Mark T. Conard
Publisher: University Press of Kentucky
ISBN: 9780813191812
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.
Author: Mark T. Conard
Publisher: University Press of Kentucky
ISBN: 0813123771
Category : Reference
Languages : en
Pages : 266
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Book Description
Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explores the philosophical underpinnings of classic films.
Author: Edward Dimendberg
Publisher: Harvard University Press
ISBN: 0674261577
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The originality of Dimendberg’s approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood’s dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture—and will captivate admirers of a vital period in American cinema.
Author:
Publisher: Penn State Press
ISBN: 0271046880
Category : African American motion picture producers and directors
Languages : en
Pages : 368
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Book Description
"Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies"--Provided by publisher.
Author: Bruce Crowther
Publisher: Burns & Oates
ISBN:
Category : Film noir
Languages : en
Pages : 200
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Book Description
