Author: Ernest NAVILLE
Publisher:
ISBN:
Category :
Languages : en
Pages : 274

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Book Description

Author: Yvonne Woon
Publisher: Little, Brown Books for Young Readers
ISBN: 1423169794
Category : Young Adult Fiction
Languages : en
Pages : 401

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Book Description
The dark, romantic sequel to Dead Beautiful from Yvonne Woon. Renée Winters has changed. When she looks in the mirror, a beautiful girl with an older, sadder face stares back. Her condition has doctors mystified, but Renée can never reveal the truth: she died last May, and was brought back to life by the kiss of her Undead soul mate, Dante Berlin. Now, her separation from Dante becomes almost unbearable. His second life is close to an end, and each passing day means one less that she will spend with the boy who shares her soul. Just when Renée has almost given up hope, she learns of the Nine Sisters—brilliant scholars who, according to legend, found a way to cheat death. She can’t shake the feeling that they are somehow connected to her dreams, strange visions that hint at a discovery so powerful, and so dangerous, that some will stop at nothing to protect it. Renée thought she knew the truth about life and death. But there is a secret woven through history that holds the only hope for Dante and Renée. Unless they find answers soon, their time together is doomed to be cut short....

Author: Ingram COBBIN
Publisher:
ISBN:
Category :
Languages : en
Pages : 630

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Author: Anatole France
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 308

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Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 288

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Book Description

Author: Ralph E. Giesey
Publisher: Librairie Droz
ISBN: 9782600029872
Category : Burial
Languages : en
Pages : 268

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Book Description

Author: Elizabeth Boyle O'Reilly
Publisher: DigiCat
ISBN:
Category : Architecture
Languages : en
Pages : 495

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Book Description
DigiCat Publishing presents to you this special edition of "How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries" by Elizabeth Boyle O'Reilly. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Author: Foreign Protestant pulpit
Publisher:
ISBN:
Category :
Languages : en
Pages : 530

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Author: Robert Turnbull
Publisher:
ISBN:
Category : Christian biography
Languages : en
Pages : 362

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Book Description

Author: Louis K. Epstein
Publisher: Boydell & Brewer
ISBN: 178327669X
Category : Music
Languages : en
Pages : 256

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Book Description
Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art.Patrons have long appeared as colorful, exceptional figures in music history, but this book recasts patrons and patronage as creative forces that shaped the sounds and meanings of new French music between the world wars. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Patrons developed new pathways to participate in music-making, going beyond commissions to establish ballet companies, manage performance venues, and establish state programs. The impressive variety of patronage activities led to an explosion of new music as well as new styles and -isms, indelibly marking the repertoire that this book examines, including a number of pieces frequently heard in concert halls today. In addition to offering new perspectives on well-known French repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons. as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.