Author: Vincent van Gogh
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 226
Book Description
The Letters of a Post-impressionist
Author: Vincent van Gogh
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 226
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 226
Book Description
Van Gogh and the Post-Impressionists for Kids
Author: Carol Sabbeth
Publisher: Chicago Review Press
ISBN: 156976882X
Category : Juvenile Nonfiction
Languages : en
Pages : 162
Book Description
A collection of artwork for children by Vincent van Gogh and other French artists.
Publisher: Chicago Review Press
ISBN: 156976882X
Category : Juvenile Nonfiction
Languages : en
Pages : 162
Book Description
A collection of artwork for children by Vincent van Gogh and other French artists.
Studies in Impressionism
Author: John Rewald
Publisher: ABRAMS
ISBN: 9780810916173
Category : Art
Languages : en
Pages : 232
Book Description
Essays discuss the work and family life of Renoir, Degas, and Cezanne, the impressionist style of painting, and the role of Paul Durand-Ruel, an influential art dealer
Publisher: ABRAMS
ISBN: 9780810916173
Category : Art
Languages : en
Pages : 232
Book Description
Essays discuss the work and family life of Renoir, Degas, and Cezanne, the impressionist style of painting, and the role of Paul Durand-Ruel, an influential art dealer
The Post-impressionists
Author: Martha Kapos
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 382
Book Description
In 1910 the critic Roger Fry organized an exhibition at the Grafton Galleries, London, of avant-garde painting which included works by Cezanne, Van Gogh, Gauguin and Matisse. This exhibition became as important a landmark in the official histories of modern art as the subsequent Armory Show in America. These artists did not belong to a single unified movement defined or recognized at the time, and Fry, in a quandary as to what to call the exhibition, and losing patience at the last minute, said, "Oh, let's just call them Post-Impressionists; at any rate, they came after the Impressionists". In this way one of the important critical categories, one of the "isms" of modern art, was born. But "Post-Impressionism" was not a name which Van Gogh, Gauguin, Seurat or Cezanne or any artists of the period would have applied to themselves. The documents in this book, many of which appear in English for the first time, show how artists and critics in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. This was a period of reconsideration, of moving on from aspects of Impressionism, and of coming to grips with the isolation that avant-garde art had imposed on the individual artist. It was a period in which the emphasis within Impressionism on the construction of painting purely by means of color had left artists with the question of how the power of this basic form related to their own feelings and to nature. New ideas were coming from poetry as well as painting that laid the basis for modernism. These issues and the personal struggles of the artists themselves are revealed in their letters, and inthe writings of friends and critics, many of whom, such as Mallarme, Laforgue, Huysmans, and Proust were novelists and poets. This book also includes commentaries from Rainer Maria Rilke, Virginia Woolf, and W. H. Auden as well as modern critics, artists, philosophers and art historians: Georges Bataille, Paul Klee, and Meyer Schapiro on Van Gogh; John Berger on Bonnard; Maurice Merleau-Ponty, Clement Greenberg, Adrian Stokes and Lawrence Gowing on Cezanne. The text is illustrated with 119 colorplates and 125 black and white reproductions of contemporary photographs, cartoons, documents, prints and drawings.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 382
Book Description
In 1910 the critic Roger Fry organized an exhibition at the Grafton Galleries, London, of avant-garde painting which included works by Cezanne, Van Gogh, Gauguin and Matisse. This exhibition became as important a landmark in the official histories of modern art as the subsequent Armory Show in America. These artists did not belong to a single unified movement defined or recognized at the time, and Fry, in a quandary as to what to call the exhibition, and losing patience at the last minute, said, "Oh, let's just call them Post-Impressionists; at any rate, they came after the Impressionists". In this way one of the important critical categories, one of the "isms" of modern art, was born. But "Post-Impressionism" was not a name which Van Gogh, Gauguin, Seurat or Cezanne or any artists of the period would have applied to themselves. The documents in this book, many of which appear in English for the first time, show how artists and critics in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. This was a period of reconsideration, of moving on from aspects of Impressionism, and of coming to grips with the isolation that avant-garde art had imposed on the individual artist. It was a period in which the emphasis within Impressionism on the construction of painting purely by means of color had left artists with the question of how the power of this basic form related to their own feelings and to nature. New ideas were coming from poetry as well as painting that laid the basis for modernism. These issues and the personal struggles of the artists themselves are revealed in their letters, and inthe writings of friends and critics, many of whom, such as Mallarme, Laforgue, Huysmans, and Proust were novelists and poets. This book also includes commentaries from Rainer Maria Rilke, Virginia Woolf, and W. H. Auden as well as modern critics, artists, philosophers and art historians: Georges Bataille, Paul Klee, and Meyer Schapiro on Van Gogh; John Berger on Bonnard; Maurice Merleau-Ponty, Clement Greenberg, Adrian Stokes and Lawrence Gowing on Cezanne. The text is illustrated with 119 colorplates and 125 black and white reproductions of contemporary photographs, cartoons, documents, prints and drawings.
Cubists and Post-impressionism
Author: Arthur Jerome Eddy
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 388
Book Description
The Letters of a Post Impressionist
Author: Vincent Van Gogh
Publisher: CreateSpace
ISBN: 9781511727587
Category :
Languages : en
Pages : 116
Book Description
"The Letters of a Post Impressionist" from Vincent Van Gogh. Post-Impressionist painter of Dutch origin (1853-1890).
Publisher: CreateSpace
ISBN: 9781511727587
Category :
Languages : en
Pages : 116
Book Description
"The Letters of a Post Impressionist" from Vincent Van Gogh. Post-Impressionist painter of Dutch origin (1853-1890).
The Annenberg Collection
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393410
Category : Art
Languages : en
Pages : 354
Book Description
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Publisher: Metropolitan Museum of Art
ISBN: 1588393410
Category : Art
Languages : en
Pages : 354
Book Description
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Impressionism and Post-impressionism
Author: Philadelphia Museum of Art
Publisher: Highlights from the Philadelph
ISBN: 9780876332894
Category : Art
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.
Publisher: Highlights from the Philadelph
ISBN: 9780876332894
Category : Art
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.
The Letters of Paul Cézanne
Author: Alex Danchev
Publisher: Getty Publications
ISBN: 160606472X
Category : Art
Languages : en
Pages : 359
Book Description
Revered and misunderstood by his peers and lauded by later generations as the father of modern art, Paul Cézanne (1839-1906) has long been a subject of fascination for artists and art lovers, writers, poets, and philosophers. His life was a ceaseless artistic quest, and he channeled much of his wide-ranging intellect and ferocious wit into his letters. Punctuated by exasperated theorizing and philosophical reflection, outbursts of creative ecstasy and melancholic confession, the artist’s correspondence reveals both the heroic and all-toohuman qualities of a man who is indisputably among the pantheon of all-time greats. This new translation of Cézanne’s letters includes more than twenty that were previously unpublished and reproduces the sketches and caricatures with which Cézanne occasionally illustrated his words. The letters shed light on some of the key artistic relationships of the modern period—about one third of Cézanne’s more than 250 letters are to his boyhood companion Émile Zola, and he communicated extensively with Camille Pissarro and the dealer Ambroise Vollard. The translation is richly annotated with explanatory notes, and, for the first time, the letters are cross-referenced to the current catalogue raisonné. Numerous inaccuracies and archaisms in the previous English edition of the letters are corrected, and many intriguing passages that were unaccountably omitted have been restored. The result is a publishing landmark that ably conveys Cézanne’s intricacy of expression.
Publisher: Getty Publications
ISBN: 160606472X
Category : Art
Languages : en
Pages : 359
Book Description
Revered and misunderstood by his peers and lauded by later generations as the father of modern art, Paul Cézanne (1839-1906) has long been a subject of fascination for artists and art lovers, writers, poets, and philosophers. His life was a ceaseless artistic quest, and he channeled much of his wide-ranging intellect and ferocious wit into his letters. Punctuated by exasperated theorizing and philosophical reflection, outbursts of creative ecstasy and melancholic confession, the artist’s correspondence reveals both the heroic and all-toohuman qualities of a man who is indisputably among the pantheon of all-time greats. This new translation of Cézanne’s letters includes more than twenty that were previously unpublished and reproduces the sketches and caricatures with which Cézanne occasionally illustrated his words. The letters shed light on some of the key artistic relationships of the modern period—about one third of Cézanne’s more than 250 letters are to his boyhood companion Émile Zola, and he communicated extensively with Camille Pissarro and the dealer Ambroise Vollard. The translation is richly annotated with explanatory notes, and, for the first time, the letters are cross-referenced to the current catalogue raisonné. Numerous inaccuracies and archaisms in the previous English edition of the letters are corrected, and many intriguing passages that were unaccountably omitted have been restored. The result is a publishing landmark that ably conveys Cézanne’s intricacy of expression.
Fantastic Forgeries: Paint Like Van Gogh
Author: Van Gogh Museum
Publisher:
ISBN: 1631061461
Category : Art
Languages : en
Pages : 179
Book Description
"Hugely prolific, Vincent Van Gogh produced over 2000 works (nearly 900 paintings and more than 1,100 drawings and sketches) in a ten-year period. His story and (largely) self-taught skills are an inspiration to budding artists everywhere. Fantastic Forgeries is a simple course in the artist's legendary skills, so readers can learn his innovative techniques and then adapt and apply those techniques to their own renditions and drawings. You'll begin just as Van Gogh did, first mastering black and white drawings, including figures and landscapes Then move on to color works, including watercolor, and then finally move on to oil painting. Within each chapter, the reader will come across a specific technique employed by Van Gogh in an artwork or artworks, and then--accompanied by step-by-step lessons--he or she can learn how to use that technique in their own drawings or paintings. Featuring a dazzling collection of Van Gogh's works, step-by-step lessons for learning his techniques in 10 key pieces, as well as fascinating sidebars about Van Gogh's life, critical reception to his work, and his own thoughts about his art, this is an ideal course for any artist looking to be inspired by one of the great masters"--
Publisher:
ISBN: 1631061461
Category : Art
Languages : en
Pages : 179
Book Description
"Hugely prolific, Vincent Van Gogh produced over 2000 works (nearly 900 paintings and more than 1,100 drawings and sketches) in a ten-year period. His story and (largely) self-taught skills are an inspiration to budding artists everywhere. Fantastic Forgeries is a simple course in the artist's legendary skills, so readers can learn his innovative techniques and then adapt and apply those techniques to their own renditions and drawings. You'll begin just as Van Gogh did, first mastering black and white drawings, including figures and landscapes Then move on to color works, including watercolor, and then finally move on to oil painting. Within each chapter, the reader will come across a specific technique employed by Van Gogh in an artwork or artworks, and then--accompanied by step-by-step lessons--he or she can learn how to use that technique in their own drawings or paintings. Featuring a dazzling collection of Van Gogh's works, step-by-step lessons for learning his techniques in 10 key pieces, as well as fascinating sidebars about Van Gogh's life, critical reception to his work, and his own thoughts about his art, this is an ideal course for any artist looking to be inspired by one of the great masters"--