Principles of the Harpsichord by Monsieur de Saint Lambert

Principles of the Harpsichord by Monsieur de Saint Lambert PDF Author: St Lambert
Publisher: Cambridge University Press
ISBN: 9780521252768
Category : Music
Languages : en
Pages : 164

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Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]

Principles of the Harpsichord by Monsieur de Saint Lambert

Principles of the Harpsichord by Monsieur de Saint Lambert PDF Author: St Lambert
Publisher: Cambridge University Press
ISBN: 9780521252768
Category : Music
Languages : en
Pages : 164

Get Book Here

Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]

Les principes du clavecin

Les principes du clavecin PDF Author: Michel de Saint Lambert
Publisher:
ISBN:
Category :
Languages : fr
Pages : 148

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Book Description


Les Principes Du Clavecin

Les Principes Du Clavecin PDF Author: Kimberly Penner
Publisher:
ISBN:
Category :
Languages : en
Pages : 364

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M. de Saint-Lambert's Les Principes Du Clavecin

M. de Saint-Lambert's Les Principes Du Clavecin PDF Author: Roxanne R. Rump
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 334

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Les principes du clavecin

Les principes du clavecin PDF Author: Michel de Saint-Lambert
Publisher:
ISBN:
Category : Continuo
Languages : fr
Pages : 132

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Readings in the History of Music in Performance

Readings in the History of Music in Performance PDF Author: Carol MacClintock
Publisher: Indiana University Press
ISBN: 9780253144959
Category : Business & Economics
Languages : en
Pages : 456

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Book Description
..". extremely useful... In MacClintock's selections, even when the source is primarily theoretical, she chooses passages that give a lively insight into actual music-making."A -- Continuo Readings on the performance of Western music from the late middle ages to the early nineteenth century describe the accepted conventions and actual practices of former times.

Principes Du Clavecin - Primary Source Edition

Principes Du Clavecin - Primary Source Edition PDF Author: Friedrich Wilhelm Marpurg
Publisher: Nabu Press
ISBN: 9781293817032
Category :
Languages : en
Pages : 156

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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Les principes du clavecin

Les principes du clavecin PDF Author: Michel de Saint-Lambert
Publisher:
ISBN:
Category : Harpsichord
Languages : de
Pages : 93

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Les principes du clavecin

Les principes du clavecin PDF Author: Michel de Saint-Lambert
Publisher:
ISBN:
Category : Harpsichord
Languages : fr
Pages : 128

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Performing French Classical Music

Performing French Classical Music PDF Author: Timothy Schultz
Publisher: Pendragon Press
ISBN: 9781576470374
Category : Juvenile Nonfiction
Languages : en
Pages : 152

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Book Description
This book discusses what both early and modern sources say about French performance practice and offers solutions to performance problems in Francois Chauvon's Premierre Suitte (taken from Tibiades, 1717). Part one discusses relevant issues of historical performance practice and establishes a conte