Author: Francis of Assisi
Publisher: Createspace Independent Pub
ISBN: 9781489578112
Category : Religion
Languages : en
Pages : 166
Book Description
The Little Flowers of St. Francis (Italian Fioretti di San Francesco) is a florilegium (excerpts of his body of work), divided into 53 short chapters, on the life of Saint Francis of Assisi which was composed at the end of the 14th century. The anonymous Italian text, almost certainly by a Tuscan author, is a version of the Latin Actus beati Francisci et sociorum eius, of which the earliest extant manuscript is one of 1390 AD. Luke Wadding ascribes the text to Fra. Ugolino da Santa Maria, whose name occurs three times in the Actus.Written a century and a half after the death of Francis of Assisi, the text is not regarded as an important primary source for the saint's biography. However, it has been the most popular account of his life and relates many colourful anecdotes, miracles and pious examples from the lives of Francis and his followers (such as Saint Juniper). These poetic stories shed much light upon the genesis and development of the following of Saint Francis. Indeed, some stories contained in the Fioretti can be found in much earlier works; for example, Saint Francis preaching to the birds was described by Fra. Masseo, and written of by the Englishman Roger of Wendover, in 1236.The text was the inspiration for the Roberto Rossellini's 1950 film Francesco, giullare di Dio (“Francis, God's Jester”) which was co-written by Federico Fellini. It was also used as a source for the libretto of Olivier Messiaen's opera Saint-François d'Assise.
Little Flowers
Author: Francis of Assisi
Publisher: Createspace Independent Pub
ISBN: 9781489578112
Category : Religion
Languages : en
Pages : 166
Book Description
The Little Flowers of St. Francis (Italian Fioretti di San Francesco) is a florilegium (excerpts of his body of work), divided into 53 short chapters, on the life of Saint Francis of Assisi which was composed at the end of the 14th century. The anonymous Italian text, almost certainly by a Tuscan author, is a version of the Latin Actus beati Francisci et sociorum eius, of which the earliest extant manuscript is one of 1390 AD. Luke Wadding ascribes the text to Fra. Ugolino da Santa Maria, whose name occurs three times in the Actus.Written a century and a half after the death of Francis of Assisi, the text is not regarded as an important primary source for the saint's biography. However, it has been the most popular account of his life and relates many colourful anecdotes, miracles and pious examples from the lives of Francis and his followers (such as Saint Juniper). These poetic stories shed much light upon the genesis and development of the following of Saint Francis. Indeed, some stories contained in the Fioretti can be found in much earlier works; for example, Saint Francis preaching to the birds was described by Fra. Masseo, and written of by the Englishman Roger of Wendover, in 1236.The text was the inspiration for the Roberto Rossellini's 1950 film Francesco, giullare di Dio (“Francis, God's Jester”) which was co-written by Federico Fellini. It was also used as a source for the libretto of Olivier Messiaen's opera Saint-François d'Assise.
Publisher: Createspace Independent Pub
ISBN: 9781489578112
Category : Religion
Languages : en
Pages : 166
Book Description
The Little Flowers of St. Francis (Italian Fioretti di San Francesco) is a florilegium (excerpts of his body of work), divided into 53 short chapters, on the life of Saint Francis of Assisi which was composed at the end of the 14th century. The anonymous Italian text, almost certainly by a Tuscan author, is a version of the Latin Actus beati Francisci et sociorum eius, of which the earliest extant manuscript is one of 1390 AD. Luke Wadding ascribes the text to Fra. Ugolino da Santa Maria, whose name occurs three times in the Actus.Written a century and a half after the death of Francis of Assisi, the text is not regarded as an important primary source for the saint's biography. However, it has been the most popular account of his life and relates many colourful anecdotes, miracles and pious examples from the lives of Francis and his followers (such as Saint Juniper). These poetic stories shed much light upon the genesis and development of the following of Saint Francis. Indeed, some stories contained in the Fioretti can be found in much earlier works; for example, Saint Francis preaching to the birds was described by Fra. Masseo, and written of by the Englishman Roger of Wendover, in 1236.The text was the inspiration for the Roberto Rossellini's 1950 film Francesco, giullare di Dio (“Francis, God's Jester”) which was co-written by Federico Fellini. It was also used as a source for the libretto of Olivier Messiaen's opera Saint-François d'Assise.
Les Fioretti de saint Francois
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 165
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 165
Book Description
Olivier Messiaen's Opera, Saint Francois d'Assise
Author: Vincent Perez Benitez
Publisher: Indiana University Press
ISBN: 0253042895
Category : Music
Languages : en
Pages : 328
Book Description
In this comprehensive study of Olivier Messiaen’s magnum opus, Saint François d’Assise, Vincent Perez Benitez examines the opera from both theological and musical-analytical perspectives to ask how Messiaen expresses his Catholic theology through his work. Benitez combines a close reading of the opera score with accounts from Messiaen’s associates, studies of Messiaen’s birdsong notebooks and other primary documents, and an examination of the religious, musical, poetic, and visual arts literature with which the composer was familiar to explore how the opera’s harmonic language and sound-color relationships motivate its musical meaning and expression. Through his analysis of these diverse sources and comparisons of Saint François d’Assise with other works such as Berg’s Wozzeck and Wagner’s Parsifal, Benitez places Messiaen’s compositional practice within larger musical perspectives and historical contexts.
Publisher: Indiana University Press
ISBN: 0253042895
Category : Music
Languages : en
Pages : 328
Book Description
In this comprehensive study of Olivier Messiaen’s magnum opus, Saint François d’Assise, Vincent Perez Benitez examines the opera from both theological and musical-analytical perspectives to ask how Messiaen expresses his Catholic theology through his work. Benitez combines a close reading of the opera score with accounts from Messiaen’s associates, studies of Messiaen’s birdsong notebooks and other primary documents, and an examination of the religious, musical, poetic, and visual arts literature with which the composer was familiar to explore how the opera’s harmonic language and sound-color relationships motivate its musical meaning and expression. Through his analysis of these diverse sources and comparisons of Saint François d’Assise with other works such as Berg’s Wozzeck and Wagner’s Parsifal, Benitez places Messiaen’s compositional practice within larger musical perspectives and historical contexts.
Les Fioretti de saint François d'Assise
Author: François d'Assise ((saint ;)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 420
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 420
Book Description
Olivier Messiaen's Opera, Saint François d'Assise
Author: Vincent Perez Benitez
Publisher: Indiana University Press
ISBN: 0253042909
Category : Music
Languages : en
Pages : 204
Book Description
In this comprehensive study of Olivier Messiaen's magnum opus, Saint François d'Assise, Vincent Perez Benitez examines the opera from both theological and musical-analytical perspectives to ask how Messiaen expresses his Catholic theology through his work. Benitez combines a close reading of the opera score with accounts from Messiaen's associates, studies of Messiaen's birdsong notebooks and other primary documents, and an examination of the religious, musical, poetic, and visual arts literature with which the composer was familiar to explore how the opera's harmonic language and sound-color relationships motivate its musical meaning and expression. Through his analysis of these diverse sources and comparisons of Saint François d'Assise with other works such as Berg's Wozzeck and Wagner's Parsifal, Benitez places Messiaen's compositional practice within larger musical perspectives and historical contexts.
Publisher: Indiana University Press
ISBN: 0253042909
Category : Music
Languages : en
Pages : 204
Book Description
In this comprehensive study of Olivier Messiaen's magnum opus, Saint François d'Assise, Vincent Perez Benitez examines the opera from both theological and musical-analytical perspectives to ask how Messiaen expresses his Catholic theology through his work. Benitez combines a close reading of the opera score with accounts from Messiaen's associates, studies of Messiaen's birdsong notebooks and other primary documents, and an examination of the religious, musical, poetic, and visual arts literature with which the composer was familiar to explore how the opera's harmonic language and sound-color relationships motivate its musical meaning and expression. Through his analysis of these diverse sources and comparisons of Saint François d'Assise with other works such as Berg's Wozzeck and Wagner's Parsifal, Benitez places Messiaen's compositional practice within larger musical perspectives and historical contexts.
The Little Flowers of Saint Francis of Assisi
Author: St. Francis of Assisi
Publisher: Wyatt North Publishing, LLC
ISBN: 1619796082
Category : Biography & Autobiography
Languages : en
Pages : 249
Book Description
The Little Flowers of St. Francis (Italian Fioretti di San Francesco) is a body of work divided into 53 short chapters, on the life of Saint Francis of Assisi which was composed at the end of the 14th century. The book has been the most popular account of Saint Francis' life and relates many colorful anecdotes, miracles and pious examples from the lives of Francis and his followers (such as Saint Juniper). The text was the inspiration for the Roberto Rossellini’s 1950 film Francesco, giullare di Dio (“Francis, God’s Jester”) which was co-written by Federico Fellini.
Publisher: Wyatt North Publishing, LLC
ISBN: 1619796082
Category : Biography & Autobiography
Languages : en
Pages : 249
Book Description
The Little Flowers of St. Francis (Italian Fioretti di San Francesco) is a body of work divided into 53 short chapters, on the life of Saint Francis of Assisi which was composed at the end of the 14th century. The book has been the most popular account of Saint Francis' life and relates many colorful anecdotes, miracles and pious examples from the lives of Francis and his followers (such as Saint Juniper). The text was the inspiration for the Roberto Rossellini’s 1950 film Francesco, giullare di Dio (“Francis, God’s Jester”) which was co-written by Federico Fellini.
The Legend of Saint Francis
Author: Three companions
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Fioretti de saint François d'Assise
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Art of Music
Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 588
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 588
Book Description
Messiaen's Interpretations of Holiness and Trinity
Author: Siglind Bruhn
Publisher: Siglind Bruhn
ISBN: 157647139X
Category : Biography & Autobiography
Languages : en
Pages : 231
Book Description
Three of Olivier Messiaen's later works, La Transfiguration de Notre-Seigneur Jésus-Christ, Méditations sur le mystère de la Sainte Trinité, and Saint François d'Assise, are linked by the fact that the composer refers to and quotes from Thomas Aquinas. The composer's reception of Thomistic texts is one of the principles guiding the interpretations in this study. On the one hand, Messiaen had been pondering Thomas's thoughts on the role of music in the life of a Christian and on music's possible spiritual content all through his professional life; on the other hand, the oratorio, the organ meditations, and the opera are the only works in which Messiaen quotes extensive Thomistic sentences addressing purely theological subject matter. The first aspect, Messiaen's appropriation of or felicitous congruence with the medieval theologian's views on music underlies all analyses as a kind of background fabric. The second aspect, Messiaen's quotations from the Summa theologica and their musical translation, determines segments of a larger discussion that, in the book's three main chapters, attempts to do justice to the compositions as a whole. While Thomas' theological aesthetics appears as a thread woven through a texture in a way that brings it only periodically to the foreground, the statements from Thomas's writings provide essential foundations determining the works' content and its musical rendering. This book is part of Siglind Bruhn's Messiaen Trilogy.
Publisher: Siglind Bruhn
ISBN: 157647139X
Category : Biography & Autobiography
Languages : en
Pages : 231
Book Description
Three of Olivier Messiaen's later works, La Transfiguration de Notre-Seigneur Jésus-Christ, Méditations sur le mystère de la Sainte Trinité, and Saint François d'Assise, are linked by the fact that the composer refers to and quotes from Thomas Aquinas. The composer's reception of Thomistic texts is one of the principles guiding the interpretations in this study. On the one hand, Messiaen had been pondering Thomas's thoughts on the role of music in the life of a Christian and on music's possible spiritual content all through his professional life; on the other hand, the oratorio, the organ meditations, and the opera are the only works in which Messiaen quotes extensive Thomistic sentences addressing purely theological subject matter. The first aspect, Messiaen's appropriation of or felicitous congruence with the medieval theologian's views on music underlies all analyses as a kind of background fabric. The second aspect, Messiaen's quotations from the Summa theologica and their musical translation, determines segments of a larger discussion that, in the book's three main chapters, attempts to do justice to the compositions as a whole. While Thomas' theological aesthetics appears as a thread woven through a texture in a way that brings it only periodically to the foreground, the statements from Thomas's writings provide essential foundations determining the works' content and its musical rendering. This book is part of Siglind Bruhn's Messiaen Trilogy.