Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries

Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries PDF Author: Peter le Huray
Publisher: CUP Archive
ISBN: 9780521359016
Category : Music
Languages : en
Pages : 420

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Book Description
This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.

Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries

Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries PDF Author: Peter le Huray
Publisher: CUP Archive
ISBN: 9780521359016
Category : Music
Languages : en
Pages : 420

Get Book Here

Book Description
This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.

Les Beaux arts reduits a un même principe

Les Beaux arts reduits a un même principe PDF Author: Charles Batteux
Publisher:
ISBN:
Category : Aesthetics
Languages : fr
Pages : 344

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Book Description


Les beaux-arts réduits à un même principe

Les beaux-arts réduits à un même principe PDF Author: Charles Batteux
Publisher:
ISBN: 9781412146029
Category :
Languages : fr
Pages :

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Book Description


Les beaux arts réduits à un même principe

Les beaux arts réduits à un même principe PDF Author: Charles Batteux
Publisher:
ISBN:
Category :
Languages : fr
Pages : 360

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Book Description


Les beaux arts réduits à un même principe

Les beaux arts réduits à un même principe PDF Author: Charles Batteux
Publisher:
ISBN:
Category : Aesthetics
Languages : fr
Pages : 383

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Book Description


The Fine Arts Reduced to a Single Principle

The Fine Arts Reduced to a Single Principle PDF Author: Charles Batteux
Publisher: Oxford University Press, USA
ISBN: 019874711X
Category : Art
Languages : en
Pages : 232

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Book Description
The Fine Arts Reduced to a Single Principle (1746) by Charles Batteux was arguably the most influential work on aesthetics published in the 18th century. James O. Young presents the first complete English translation of the work, with full annotations and a comprehensive introduction, which illuminate Batteux's continuing philosophical interest.

 PDF Author:
Publisher: Odile Jacob
ISBN: 2738182003
Category :
Languages : en
Pages : 241

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Book Description


Borderlands and Liminal Subjects

Borderlands and Liminal Subjects PDF Author: Jessica Elbert Decker
Publisher: Springer
ISBN: 3319678132
Category : Philosophy
Languages : en
Pages : 282

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Book Description
Borders are essentially imaginary structures, but their effects are very real. This volume explores both geopolitical and conceptual borders through an interdisciplinary lens, bridging the disciplines of philosophy and literature. With contributions from scholars around the world, this collection closely examines the concepts of race, nationality, gender, and sexuality in order to reveal the paradoxical ambiguities inherent in these seemingly solid binary oppositions, while critiquing structures of power that produce and police these borders. As a political paradigm, liminality may be embraced by marginal subjects and communities, further blurring the boundaries between oppressive distinctions and categories.

Representing the Passions

Representing the Passions PDF Author: Richard Evan Meyer
Publisher: Getty Publications
ISBN: 9780892366767
Category : Art
Languages : en
Pages : 316

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Book Description
Through an interlocking series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different moments in Western culture. Moving across multiple fields of creative endeavour and intellectual inquiry - from classical artefacts to Chicano art, political protest to operatic performance, Rene Descartes's writings on the soul to the Internet's digitised flesh - it reveals how the passions have elicited, eluded and transformed the act of representation.

Opera as Art

Opera as Art PDF Author: Paul Thom
Publisher: Rowman & Littlefield
ISBN: 166691424X
Category : Music
Languages : en
Pages : 219

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Book Description
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This argument can be extended to modern operatic productions. At their best, these stagings are works of art in themselves, whether they give faithful renditions of the operas they stage and whether their aims go beyond interpretation to commentary and critique. This book is a philosophical introduction to the key practices that comprise the world of opera: the making of the work; its interpretation by directors, critics, and spectators; and the making of an operatic production. Opera has always existed in a context of philosophical ideas, and this book is written for opera-lovers who would like to learn something about that philosophical context.