Bluegrass Unlimited

Bluegrass Unlimited PDF Author:
Publisher:
ISBN:
Category : Bluegrass music
Languages : en
Pages : 576

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Book Description

Learn to Play Bluegrass Bass

Learn to Play Bluegrass Bass PDF Author: Earl Gately
Publisher: Mel Bay Publications
ISBN: 1609741994
Category : Music
Languages : en
Pages : 45

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Book Description
At last, here is a method book for the upright string bass or "dog house bass" as it is affectionately known in bluegrass circles. Although bluegrass bass has a style of its own, the knowledge gained through this method is applicable to virtually any musical genre. This book addresses the elements of tuning, hand positions, essential chord theory, slap bass technique, and playing in positions 1-10. A handy chart is provided for transposing chord progressions from one key to another. Written in standard notation only.

Upright Bass Primer

Upright Bass Primer PDF Author: Andy Hohwald
Publisher: Watch & Learn
ISBN: 9781893907638
Category : Music
Languages : en
Pages : 58

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Book Description
"Includes audio CD with over 20 play along songs with a full band. Quickly & easily learn to play like the pros with this step by step method." --front cover.

Electric Bass

Electric Bass PDF Author: Joseph Alexander
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781911267904
Category : Music
Languages : en
Pages : 86

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Book Description
Electric Bass - Improve Your Groove is a complete course in rhythm and groove on bass.

Dirt Simple Upright Bass

Dirt Simple Upright Bass PDF Author: Nate Sabat
Publisher: Mel Bay Publications
ISBN: 1513459708
Category : Music
Languages : en
Pages : 48

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Book Description
Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, “Going Down the Road Feeling Bad,” author Nate Sabat reveals his creative process in crafting effective basslines from the song’s melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don’t this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nate’s warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You’ll not only want to back Nate up—but sing harmony with him too! The impulse to sing can’t help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you’ll soon be able to play along with the book’s 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you’ve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you’ll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.

The Real Bluegrass Book

The Real Bluegrass Book PDF Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1495033163
Category : Music
Languages : en
Pages : 877

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Book Description
(Fake Book). This collection gathers more than 300 bluegrass favorites presented in the straightforward Real Book format favored by musicians including lyrics where applicable: Alabama Jubilee * Ballad of Jed Clampett * Bill Cheatham * Blue Ridge Mountain Blues * Bury Me Beneath the Willow * Dixie Hoedown * Down to the River to Pray * Foggy Mountain Top * Highway 40 Blues * How Mountain Girls Can Love * I'm Goin' Back to Old Kentucky * John Henry * Keep on the Sunny Side * The Long Black Veil * My Rose of Old Kentucky * Old Train * Pretty Polly * Rocky Top * Sally Goodin * Shady Grove * Wabash Cannonball * Wayfaring Stranger * Wildwood Flower * The Wreck of the Old '97 * and hundreds more!

Walking Bassics

Walking Bassics PDF Author: Ed Fuqua
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101483
Category : Music
Languages : en
Pages : 103

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Book Description
This book gives you all the basic principles underlying solid walking bass lines. Comprehensive, easy to understand, with page after page of great transcriptions of the author's walking lines on the accompanying CD. The CD of NY professional jazz players can also be used as a swinging play-along CD. Endorsed by Eddie Gomez, Jimmy Haslip, John Goldsby, etc.

Bluegrass Unlimited

Bluegrass Unlimited PDF Author:
Publisher:
ISBN:
Category : Bluegrass music
Languages : en
Pages : 576

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Book Description


Bluegrass Guitar

Bluegrass Guitar PDF Author: Happy Traum
Publisher: Oak Publications
ISBN: 1783234970
Category : Music
Languages : en
Pages : 128

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Book Description
Learn from transcriptions in the styles of Clarence White, Dan Crary, Charlie Waller, Peter Rowan and others. Over 30 tunes in tablature and music notation, plus photos.

Pretty Good for a Girl

Pretty Good for a Girl PDF Author: Murphy Hicks Henry
Publisher: University of Illinois Press
ISBN: 025209588X
Category : Music
Languages : en
Pages : 530

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Book Description
The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.

Bluegrass Bluesman

Bluegrass Bluesman PDF Author: Josh Graves
Publisher: University of Illinois Press
ISBN: 0252094735
Category : Biography & Autobiography
Languages : en
Pages : 179

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Book Description
A pivotal member of the hugely successful bluegrass band Flatt and Scruggs and the Foggy Mountain Boys, Dobro pioneer Josh Graves (1927-2006) was a living link between bluegrass music and the blues. In Bluegrass Bluesman, this influential performer shares the story of his lifelong career in music. In lively anecdotes, Graves describes his upbringing in East Tennessee and the climate in which bluegrass music emerged during the 1940s. Deeply influenced by the blues, he adapted Earl Scruggs's revolutionary banjo style to the Dobro resonator slide guitar and gave the Foggy Mountain Boys their distinctive sound. Graves' accounts of daily life on the road through the 1950s and 1960s reveal the band's dedication to musical excellence, Scruggs' leadership, and an often grueling life on the road. He also comments on his later career when he played in Lester Flatt's Nashville Grass and the Earl Scruggs Revue and collaborated with the likes of Boz Scaggs, Charlie McCoy, Kenny Baker, Eddie Adcock, Jesse McReynolds, Marty Stuart, Jerry Douglas, Alison Krauss, and his three musical sons. A colorful storyteller, Graves brings to life the world of an American troubadour and the mountain culture that he never left behind. Born in Tellico Plains, Tennessee, Josh Graves (1927-2006) is universally acknowledged as the father of the bluegrass Dobro. In 1997 he was inducted into the Bluegrass Hall of Fame.