Author: Publisher: TheBookEdition
ISBN: 2953928634
Category :
Languages : en
Pages : 531
Book Description
Author: Publisher: TheBookEdition
ISBN: 2953928634
Category :
Languages : en
Pages : 531
Book Description
Encyclopedia of French Film Directors
Author: Philippe RègePublisher: Scarecrow Press
ISBN: 081086939X
Category : Performing Arts
Languages : en
Pages : 1486
Book Description
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Trame del Fantastico
Author: Alessandro CappabiancaPublisher: Luigi Pellegrini Editore
ISBN: 888101842X
Category : Photography
Languages : en
Pages : 91
Book Description
Trame d'ombra, specchi oscuri, intrecci misteriosi. La materia stessa del film, pellicola trasparente e diafana sulla quale si muovono figure d'ombra, induce a pensare che la vocazione privilegiata del cinema sia nel fantastico, come già riteneva Artaud. I fantasmi, silenziose o sonore apparizioni, ci vengono incontro dallo schermo, in bianco e nero o a colori, da Nosferatu a Shutter Island: materia dei corpi come materia di sogni, incubi e visioni, portatori di maschere, generatori privilegiati di archetipi. Metafisico. Fantastico. Film noir. Horror. Termini usuali, ma inadeguati, per certi film. In realtà qui non siamo tanto di fronte a un'inadeguatezza terminologica, che si tratterebbe di superare inventando un termine più adatto, quanto alla generale insufficienza che l'ottica dei "generi" (un'ottica di comodo) dimostra nei confronti di ogni film che investa universi di senso sufficientemente complessi, tali da mettere in gioco qualcosa che potremmo chiamare memoria filogenetica.
Vichy France and the Resistance
Author: Roderick KedwardPublisher: Routledge
ISBN: 1000460142
Category : History
Languages : en
Pages : 289
Book Description
This book, first published in 1985, examines various aspects of the intellectual achievements of writers and artists in the Vichy period; a strong emphasis on the ambiguity of much of their work emerges from the research. It goes a long way in answering the question of what it was like living under the fascist Vichy regime, and what the collaborators and resistance thought about their purpose and patriotism.
Republic of Images
Author: Alan WilliamsPublisher: Harvard University Press
ISBN: 9780674762688
Category : History
Languages : en
Pages : 478
Book Description
Chronicling one of the most popular national cinemas, this book traces the evolution of French filmmaking from 1895 - the year of the debut of the Cinematographe in Paris - to the present day. Williams offers a synthesis of history, biography, aesthetics and film theory.
D-Day
Author: Lance GoddardPublisher: Dundurn
ISBN: 1550028898
Category : History
Languages : en
Pages : 258
Book Description
Many have called it the most important event of the twentieth century - and Canada played a key role. When Canadian troops landed at Juno Beach, they faced some of the fiercest opposition of the attack, and yet they managed to advance further inland than all the other Allied forces. D-Day: Juno Beach, Canada’s 24 Hours of Destiny chronicles that momentous day hour-by-hour, through the words of the men themselves. With more than 300 illustrations, this is a vivid remembrance of one of Canada’s greatest military achievements.
The New Biographical Dictionary of Film
Author: David ThomsonPublisher: Knopf
ISBN: 0307271749
Category : Biography & Autobiography
Languages : en
Pages : 1090
Book Description
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
Theatre
Author: Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 504
Book Description
Soundtracks
Author: Stewart R. CraggsPublisher: Routledge
ISBN: 0429777434
Category : Music
Languages : en
Pages : 527
Book Description
First published in 1998, music scored for film has only relatively recently received the critical attention which it merits. Many composers in the twentieth century have written works for films or documentaries, a number feeling that this aspect of their output has been undervalued. This dictionary complements other studies which have appeared in recent years which look at the technical and theoretical issues concerned with film music composition. Arranged alphabetically by composer, the volume comprises over 500 entries covering all nationalities. Each entry includes very brief biographical information on the composer, followed by a list of the films (with dates) for which he or she has composed. Details of recordings are also given. The dictionary’s international coverage ensures that it will become a standard reference work for all those interested in the history of twentieth-century music and the development of film.
D-Day
Author: Peter LiddlePublisher: Casemate Publishers
ISBN: 1844150798
Category : History
Languages : en
Pages : 257
Book Description
Drawing upon a new international archive of the Second World War, the support of veterans world-wide and from archives overseas, the author uses previously unpublished letters, diaries, photographs and reminiscences to tell the story of D Day in a way which brings the reader closer to the actual experience. from an aerial, naval and land perspective the events of D Day are captured superbly in wartime contemporary and retrospective documentation. Each of the beaches is fully represented. American, Canadian and British testimony is supported by new, compelling, German material. Appropriately the RAF and Merchant Navy experience appear as do the contemporary and retrospective reactions of women 'in the know' and those whom knew from 'unofficial sources' of the immediate imminence of the assault. The reader will share in each stage of the day from the experience of paratroops and glider-borne troops to crossing the Channel by sea and at the landings on each beach. The book is profusely illustrated with previously unpublished photographs ad facsimile documentation and provides a treasure-trove of evidence on the 60th anniversary of 6th June 1944
