Le Guide de Ceux Qui Veulent Bâtir PDF Download
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Author: Nicolas Le Camus de Mézières
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
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Book Description
Author: Nicolas Le Camus de Mézières
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
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Book Description
Author: Franca Trubiano
Publisher: Taylor & Francis
ISBN: 131751033X
Category : Architecture
Languages : en
Pages : 681
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Book Description
Building Theories speaks to the value of words in architecture. It addresses the author’s fascination with the voices of architects, engineers, builders, and craftspeople whose ideas about building have been captured in text. It discusses the content of treatises, essays, articles, and letters by those who have been, throughout history, committed to the art of building. In this, Building Theories argues for the return of a practice of architectural theory that is set amongst building, buildings, and builders. This journey of close reading reinterprets the words of Vitruvius, Alberti, de L’Orme, Le Camus de Mézières, Boullée, Laugier, Rondelet, Semper, Viollet-le-Duc, Hübsch, Bötticher, Berlage, Muthesius, Wagner, Behrendt, Gropius, and Arup. With chapters dedicated to texts from antiquity, the Renaissance, and the nineteenth century, and with a critical eye on architectural theory popularized in the Anglo-Saxon world post-1968, readers are introduced to a wider, more inclusive definition of architectural ideas. Building Theories considers how contemporary scholarship has steered away from the topic of building in its reluctance to admit that both design and construction are central to its concerns. In response, it argues for a realignment of architecture with the concept of techné, with a dual commitment to fabrica e ratio, with a productive return to l’art de bien bastir, with the accurate translation of the term Baukunst, and with an appeal to the architect’s ‘composite mind.’ Students, practitioners, and educators will identify in Building Theories ways of thinking that strive for the integration of design with construction; reject the supposed primacy of the former over the latter; recognize how aesthetics are an insufficient scaffold for subtending the subject of architectural ethics; and accept, without reservation, that material transformations have always been at the origins of built form.
Author: John Fitchen
Publisher: MIT Press
ISBN: 9780262560474
Category : Architecture
Languages : en
Pages : 346
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Book Description
How were huge stones moved from quarries to the sites of Egyptian pyramids? How did the cathedral builders of the Middle Ages lift blocks to great heights by muscle power alone? In this intriguing book John Fitchen explains and illustrates the solutions to these and many other puzzles in preindustrial building construction. This is the first general survey of the practices and role of the builder (as opposed to the designer) in constructing an array of structures. Fitchen's approach gives a valuable hands-on feel for what it's like to work with ropes and ladders, wedges and slings; with crews engaged in well digging, bridge building, and the transporting of obelisks hundreds of miles by water and over land. The buildings discussed range from the tents, tepees, and igloos of nomadic tribes to the monumental pyramids of Egypt, the temples of Greece, the aqueducts of Rome, and the cathedrals of medieval Europe.
Author: Simon J. Barker
Publisher: Archaeopress Publishing Ltd
ISBN: 178969423X
Category : History
Languages : en
Pages : 445
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Book Description
21 papers focus on modelling the costs of construction over the course of 2,500 years, from Bronze Age Greece to the early Middle Ages. They discuss both broader issues of methodology and particular case studies, with particular attention to the exploitation of raw materials (e.g. quarries), transport, and construction processes on building sites.
Author: Carole P. Biggam
Publisher: Bloomsbury Publishing
ISBN: 1350193577
Category : History
Languages : en
Pages : 281
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Book Description
A Cultural History of Color in the Age of Enlightenment covers the period 1650 to 1800. From the Baroque to the Neo-classical, color transformed art, architecture, ceramics, jewelry, and glass. Newton, using a prism, demonstrated the seven separate hues, which encouraged the development of color wheels and tables, and the increased standardization of color names. Technological advances in color printing resulted in superb maps and anatomical and botanical images. Identity and wealth were signalled with color, in uniforms, flags, and fashion. And the growth of empires, trade, and slavery encouraged new ideas about color. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Carole P. Biggam is Honorary Senior Research Fellow in English Language and Linguistics at the University of Glasgow, UK. Kirsten Wolf is Professor of Old Norse and Scandinavian Linguistics at the University of Wisconsin-Madison, USA. Volume 4 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf
Author: João Mascarenhas-Mateus
Publisher: CRC Press
ISBN: 100046878X
Category : Technology & Engineering
Languages : en
Pages : 1535
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Book Description
History of Construction Cultures Volume 1 contains papers presented at the 7ICCH – Seventh International Congress on Construction History, held at the Lisbon School of Architecture, Portugal, from 12 to 16 July, 2021. The conference has been organized by the Lisbon School of Architecture (FAUL), NOVA School of Social Sciences and Humanities, the Portuguese Society for Construction History Studies and the University of the Azores. The contributions cover the wide interdisciplinary spectrum of Construction History and consist on the most recent advances in theory and practical case studies analysis, following themes such as: - epistemological issues; - building actors; - building materials; - building machines, tools and equipment; - construction processes; - building services and techniques ; -structural theory and analysis ; - political, social and economic aspects; - knowledge transfer and cultural translation of construction cultures. Furthermore, papers presented at thematic sessions aim at covering important problematics, historical periods and different regions of the globe, opening new directions for Construction History research. We are what we build and how we build; thus, the study of Construction History is now more than ever at the centre of current debates as to the shape of a sustainable future for humankind. Therefore, History of Construction Cultures is a critical and indispensable work to expand our understanding of the ways in which everyday building activities have been perceived and experienced in different cultures, from ancient times to our century and all over the world.
Author: Louise Pelletier
Publisher: Routledge
ISBN: 1134159285
Category : Architecture
Languages : en
Pages : 528
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Book Description
What if the house you are about to enter was built with the confessed purpose of seducing you, of creating various sensations destined to touch your soul and make you reflect on who you are? Could architecture have such power? This was the assumption of generations of architects at the beginning of modernity. Exploring the role of theatre and fiction in defining character in architecture, Louise Pelletier examines how architecture developed to express political and social intent. Applying this to the modern day, Pelletier considers how architects can learn from these eighteenth century attitudes in order to restore architecture's communicative dimension. Through an in-depth and interdisciplinary analysis of the beginning of modernity, Louise Pelletier encourages today's architects to consider the political and linguistic implications of their tools. Combining theory, historical studies and research, Architecture in Words will provoke thought and enrich the work of any architect.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1010
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Book Description
Author: Patrick Degryse
Publisher: Leuven University Press
ISBN: 9789058673169
Category : Science
Languages : en
Pages : 448
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Book Description
This issue of Aardkundige Mededelingen deals with industrial minerals, their resources, characteristics and applications. It is the result of an academic session on industrial minerals in honour of Em. Prof. Dr. R. Ottenburgs. The contributions are organized according to five topics. In a first part, 'The Industrial Mineral World', some considerations on our natural resources, their use and political impact are presented. In a second part of the study, 'Aggregates and Natural Building Stone', a number of case-studies on the use of industrial minerals as aggregate and ornamental or building stone are discussed. In a third part of the volume, 'Mortar, Cement and Concrete', the study of ancient mortars as well as exploratory research into new materials is illustrated. In a fourth session, 'Clays and Soils', environmental aspects of soils and the economical use of clay deposits are highlighted. In a fifth and final part of the book, 'Steel', the link between ores and industrial minerals is made. It is clear that the study of industrial minerals has many faces and covers many disciplines. The impact of industrial minerals on the world's economy, but also on the environment, cannot be emphasized enough. This book gives an overview of the wide and rich diversity of research currently performed in the realm of the industrial minerals.
Author: Jean-Nicolas-Louis Durand
Publisher: Getty Publications
ISBN: 0892365803
Category : Architecture
Languages : en
Pages : 363
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Book Description
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
