Author: Tim Benton
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 180
Book Description
Charles-Edouard Jeanneret set about the task of reinventing everything he had touched, from himself to architecture. Famously, he began with his own name. His resonant pseudonym, Le Corbusier, meant 'crow-like', and he spent most of his career observing the wide horizon of worldwide developments.
Le Corbusier & the Architecture of Reinvention
Author: Tim Benton
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 180
Book Description
Charles-Edouard Jeanneret set about the task of reinventing everything he had touched, from himself to architecture. Famously, he began with his own name. His resonant pseudonym, Le Corbusier, meant 'crow-like', and he spent most of his career observing the wide horizon of worldwide developments.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 180
Book Description
Charles-Edouard Jeanneret set about the task of reinventing everything he had touched, from himself to architecture. Famously, he began with his own name. His resonant pseudonym, Le Corbusier, meant 'crow-like', and he spent most of his career observing the wide horizon of worldwide developments.
Le Corbusier in Detail
Author: Flora Samuel
Publisher: Routledge
ISBN: 1136388907
Category : Architecture
Languages : en
Pages : 246
Book Description
This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.
Publisher: Routledge
ISBN: 1136388907
Category : Architecture
Languages : en
Pages : 246
Book Description
This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.
Le Corbusier, 1887-1965
Author: Jean-Louis Cohen
Publisher: Taschen
ISBN: 9783822835357
Category : Architecture
Languages : en
Pages : 104
Book Description
Le Corbusier came of age at the time when cars and planes were becoming a common means of transportation, thus he was one of the first professional architects to ply his trade on several continents at once. This book brings together his finest work.
Publisher: Taschen
ISBN: 9783822835357
Category : Architecture
Languages : en
Pages : 104
Book Description
Le Corbusier came of age at the time when cars and planes were becoming a common means of transportation, thus he was one of the first professional architects to ply his trade on several continents at once. This book brings together his finest work.
Le Corbusier in the Antipodes
Author: Antony Moulis
Publisher: Routledge
ISBN: 1317107160
Category : Architecture
Languages : en
Pages : 203
Book Description
This book considers the architect Le Corbusier’s encounters with Australia and New Zealand as a two-way exchange, showing the impact of his ideas and projects on architects of the region whilst also revealing counterinfluences on Le Corbusier in his post-war career that were activated by his contacts. Compiled from detailed archival research undertaken at the Fondation Le Corbusier, Paris, and nationally based archives, Le Corbusier in the Antipodes brings together a set of episodes placing them in context with the history of modern art, architecture and urbanism in 20th century Australia and New Zealand. Key exchanges between Le Corbusier and others never before described are presented and analyzed, including Le Corbusier’s contact with Australian architect Harry Seidler at Chandigarh, Le Corbusier’s drawing of the plan of Adelaide in 1950 and his creative collaboration with Jorn Utzon on art for the Sydney Opera House. This book also includes analysis of previously unseen Le Corbusier artworks, which formed part of the Utzon family collection. In reading these personal and contingent moments of encounter, the book puts forward new ways of understanding the dissemination and mediation of Le Corbusier’s ideas and their effects in post-war Australia and New Zealand. These antipodean contacts are set against the broader story of Le Corbusier’s career, questioning received interpretations of his design methods and current assumptions about the influence of his work in national contexts beyond Europe.
Publisher: Routledge
ISBN: 1317107160
Category : Architecture
Languages : en
Pages : 203
Book Description
This book considers the architect Le Corbusier’s encounters with Australia and New Zealand as a two-way exchange, showing the impact of his ideas and projects on architects of the region whilst also revealing counterinfluences on Le Corbusier in his post-war career that were activated by his contacts. Compiled from detailed archival research undertaken at the Fondation Le Corbusier, Paris, and nationally based archives, Le Corbusier in the Antipodes brings together a set of episodes placing them in context with the history of modern art, architecture and urbanism in 20th century Australia and New Zealand. Key exchanges between Le Corbusier and others never before described are presented and analyzed, including Le Corbusier’s contact with Australian architect Harry Seidler at Chandigarh, Le Corbusier’s drawing of the plan of Adelaide in 1950 and his creative collaboration with Jorn Utzon on art for the Sydney Opera House. This book also includes analysis of previously unseen Le Corbusier artworks, which formed part of the Utzon family collection. In reading these personal and contingent moments of encounter, the book puts forward new ways of understanding the dissemination and mediation of Le Corbusier’s ideas and their effects in post-war Australia and New Zealand. These antipodean contacts are set against the broader story of Le Corbusier’s career, questioning received interpretations of his design methods and current assumptions about the influence of his work in national contexts beyond Europe.
Site and Composition
Author: Enis Aldallal
Publisher: Routledge
ISBN: 1317548795
Category : Architecture
Languages : en
Pages : 195
Book Description
Site and Composition examines design strategies and tactics in site making. It is concerned with the need for a renewed understanding of the site in the twenty-first century and the need for a critical position regarding the continued tendency to view the site as an isolated ‘fragment’ severed from its wider context. The book argues revisiting the traditional instruments or means of both siting and composition in Architecture to explore their true potential in achieving connections between site and context. Through the various examples studied here it is suggested that such instrumental means have the potential for achieving greater poetic outcomes. The book focuses on the works of twentieth century architects of wide-ranging persuasion – Peter Eisenman, Le Corbusier, Frank Lloyd Wright, Alvaro Siza, Herzog and de Meuron, and Charles Correa, for example – who have strived in quite different ways to achieve deeper engagement with the physical qualities of place and context. Departing from a reconsideration of the fragment, Site and Composition emphasises the role of the ‘positive fragment’ in achieving both historical continuity and renewed wholeness. The potential of both planimetric and sectional compositional methods are explored, emphasising the importance of reciprocity between ‘inside’ and ‘outside’ – between fragment and the whole, as well as materiality. Written in a clear and accessible manner, this book makes vital reading for both researchers and students of architecture and urbanism.
Publisher: Routledge
ISBN: 1317548795
Category : Architecture
Languages : en
Pages : 195
Book Description
Site and Composition examines design strategies and tactics in site making. It is concerned with the need for a renewed understanding of the site in the twenty-first century and the need for a critical position regarding the continued tendency to view the site as an isolated ‘fragment’ severed from its wider context. The book argues revisiting the traditional instruments or means of both siting and composition in Architecture to explore their true potential in achieving connections between site and context. Through the various examples studied here it is suggested that such instrumental means have the potential for achieving greater poetic outcomes. The book focuses on the works of twentieth century architects of wide-ranging persuasion – Peter Eisenman, Le Corbusier, Frank Lloyd Wright, Alvaro Siza, Herzog and de Meuron, and Charles Correa, for example – who have strived in quite different ways to achieve deeper engagement with the physical qualities of place and context. Departing from a reconsideration of the fragment, Site and Composition emphasises the role of the ‘positive fragment’ in achieving both historical continuity and renewed wholeness. The potential of both planimetric and sectional compositional methods are explored, emphasising the importance of reciprocity between ‘inside’ and ‘outside’ – between fragment and the whole, as well as materiality. Written in a clear and accessible manner, this book makes vital reading for both researchers and students of architecture and urbanism.
Visions of the City
Author: David Pinder
Publisher: Routledge
ISBN: 1317972864
Category : Social Science
Languages : en
Pages : 369
Book Description
Visions of the City is a dramatic history of utopian urbanism in the twentieth century. It explores radical demands for new spaces and ways of living, and considers their effects on planning, architecture and struggles to shape urban landscapes. The author critically examines influential utopian approaches to urbanism in western Europe associated with such figures as Ebenezer Howard and Le Corbusier, uncovering the political interests, desires and anxieties that lay behind their ideal cities. He also investigates avant-garde perspectives from the time that challenged these conceptions of cities, especially from within surrealism. At the heart of this richly illustrated book is an encounter with the explosive ideas of the situationists. Tracing the subversive practices of this avant-garde group and its associates from their explorations of Paris during the 1950s to their alternative visions based on nomadic life and play, David Pinder convincingly explains the significance of their revolutionary attempts to transform urban spaces and everyday life. He addresses in particular Constant's New Babylon, finding within his proposals a still powerful provocation to imagine cities otherwise. The book not only recovers vital moments from past hopes and dreams of modern urbanism. It also contests current claims about the 'end of utopia', arguing that reconsidering earlier projects can play a critical role in developing utopian perspectives today. Through the study of utopian visions, it aims to rekindle elements of utopianism itself. A superb critical exploration of the underside of utopian thought over the last hundred years and its continuing relevance in the here and now for thinking about possible urban worlds. The treatment of the Situationists and their milieu is a revelation. David Harvey, Distinguished Professor of Anthropology, City University of New York Graduate School
Publisher: Routledge
ISBN: 1317972864
Category : Social Science
Languages : en
Pages : 369
Book Description
Visions of the City is a dramatic history of utopian urbanism in the twentieth century. It explores radical demands for new spaces and ways of living, and considers their effects on planning, architecture and struggles to shape urban landscapes. The author critically examines influential utopian approaches to urbanism in western Europe associated with such figures as Ebenezer Howard and Le Corbusier, uncovering the political interests, desires and anxieties that lay behind their ideal cities. He also investigates avant-garde perspectives from the time that challenged these conceptions of cities, especially from within surrealism. At the heart of this richly illustrated book is an encounter with the explosive ideas of the situationists. Tracing the subversive practices of this avant-garde group and its associates from their explorations of Paris during the 1950s to their alternative visions based on nomadic life and play, David Pinder convincingly explains the significance of their revolutionary attempts to transform urban spaces and everyday life. He addresses in particular Constant's New Babylon, finding within his proposals a still powerful provocation to imagine cities otherwise. The book not only recovers vital moments from past hopes and dreams of modern urbanism. It also contests current claims about the 'end of utopia', arguing that reconsidering earlier projects can play a critical role in developing utopian perspectives today. Through the study of utopian visions, it aims to rekindle elements of utopianism itself. A superb critical exploration of the underside of utopian thought over the last hundred years and its continuing relevance in the here and now for thinking about possible urban worlds. The treatment of the Situationists and their milieu is a revelation. David Harvey, Distinguished Professor of Anthropology, City University of New York Graduate School
The Painter Le Corbusier
Author: Tim Benton
Publisher: Birkhäuser
ISBN: 303562657X
Category : Architecture
Languages : en
Pages : 136
Book Description
In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar- tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the “Maison en Bord de Mer”. Inspired by the genius of the place and the light on the Côte d'Azur, he created a total of eight large-format wall paintings there in 1938 and 1939 onwards, some of which complement the building congenially, while others set counterpoints. In 1952, he built his Cabanon nearby and decorated it with murals as well. The book by the well-known architectural historian Tim Benton documents Le Corbusier's artwork at this special place, explores its controversies, and places it in his overall oeuvre. The fascinating photographs by Manuel Bougot capture the special atmosphere of the villa Le Corbusier's painting is lesser known but was formative for his lifelong preoccupation with polychromy After extensive renovation work until 2021, E 1027, as well as the Cabanon, is open to the public again
Publisher: Birkhäuser
ISBN: 303562657X
Category : Architecture
Languages : en
Pages : 136
Book Description
In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar- tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the “Maison en Bord de Mer”. Inspired by the genius of the place and the light on the Côte d'Azur, he created a total of eight large-format wall paintings there in 1938 and 1939 onwards, some of which complement the building congenially, while others set counterpoints. In 1952, he built his Cabanon nearby and decorated it with murals as well. The book by the well-known architectural historian Tim Benton documents Le Corbusier's artwork at this special place, explores its controversies, and places it in his overall oeuvre. The fascinating photographs by Manuel Bougot capture the special atmosphere of the villa Le Corbusier's painting is lesser known but was formative for his lifelong preoccupation with polychromy After extensive renovation work until 2021, E 1027, as well as the Cabanon, is open to the public again
Architecture Competitions and the Production of Culture, Quality and Knowledge
Author: Jean-Pierre Chupin
Publisher: Potential Architecture Books
ISBN: 0992131707
Category : Architecture
Languages : en
Pages : 406
Book Description
[Winner of the 2016 Bronze medal in Architecture, Independent Publisher Book Awards] This book comprises a series of 22 case studies by renowned experts and new scholars in the field of architecture competition research. In 2015, it constitutes the most comprehensive survey of the dynamics behind the definition, organization, judging, archiving and publishing of architectural, landscape and urban design competitions in the world. These richly documented contributions revolve around a few questions that can be summarized in a two-fold critical interrogation: How can design competitions - these historical democratic devices, both praised and dreaded by designers - be considered laboratories for the production of environmental design quality, and, ultimately, for the renewing of culture and knowledge? Includes 340 illustrations, bibliographical references and index of over 200 cited competitions. Keywords: Architecture / International competitions / Architectural judgment / Design thinking / Digital archiving (databases) / Architectural publications / Architectural experimentation / Landscape architecture / Urban studies
Publisher: Potential Architecture Books
ISBN: 0992131707
Category : Architecture
Languages : en
Pages : 406
Book Description
[Winner of the 2016 Bronze medal in Architecture, Independent Publisher Book Awards] This book comprises a series of 22 case studies by renowned experts and new scholars in the field of architecture competition research. In 2015, it constitutes the most comprehensive survey of the dynamics behind the definition, organization, judging, archiving and publishing of architectural, landscape and urban design competitions in the world. These richly documented contributions revolve around a few questions that can be summarized in a two-fold critical interrogation: How can design competitions - these historical democratic devices, both praised and dreaded by designers - be considered laboratories for the production of environmental design quality, and, ultimately, for the renewing of culture and knowledge? Includes 340 illustrations, bibliographical references and index of over 200 cited competitions. Keywords: Architecture / International competitions / Architectural judgment / Design thinking / Digital archiving (databases) / Architectural publications / Architectural experimentation / Landscape architecture / Urban studies
Green Architecture
Author: James Wines
Publisher:
ISBN: 9783836503211
Category : Architecture
Languages : en
Pages : 0
Book Description
When is a house ecological? Does the use of natural materials and solar cells on the roof make a building an example of "green" architecture? Perhaps even Antoni Gaud? and Frank Lloyd Wright designed "greener" buildings than most contemporary architects, whose low-energy houses scarcely differ outwardly from traditional ones. James Wines puts up the various - and often irreconcilable - concepts of environmentally-friendly architecture for discussion, making a case for an architecture that not only focuses on technological solutions, but also tries to reconcile man and nature in its formal idiom. Among the examples of contemporary ecological architecture presented are works by Emilio Ambasz, Gustav Peichl, Arthur Quarmby, Jean Nouvel, Sim Van der Ryn, Jourda and Perraudin, Log ID, James Cutler, Stanley Saitowitz, Fran'ois Roche, Nigel Coates and Michael Sorkin.
Publisher:
ISBN: 9783836503211
Category : Architecture
Languages : en
Pages : 0
Book Description
When is a house ecological? Does the use of natural materials and solar cells on the roof make a building an example of "green" architecture? Perhaps even Antoni Gaud? and Frank Lloyd Wright designed "greener" buildings than most contemporary architects, whose low-energy houses scarcely differ outwardly from traditional ones. James Wines puts up the various - and often irreconcilable - concepts of environmentally-friendly architecture for discussion, making a case for an architecture that not only focuses on technological solutions, but also tries to reconcile man and nature in its formal idiom. Among the examples of contemporary ecological architecture presented are works by Emilio Ambasz, Gustav Peichl, Arthur Quarmby, Jean Nouvel, Sim Van der Ryn, Jourda and Perraudin, Log ID, James Cutler, Stanley Saitowitz, Fran'ois Roche, Nigel Coates and Michael Sorkin.
The Poetics of the Homeric Citadel
Author: Olga Zekiou
Publisher: Cambridge Scholars Publishing
ISBN: 1527527018
Category : History
Languages : en
Pages : 290
Book Description
The Poetics of the Homeric Citadel is an enquiry on the origins of the architectural forms as expressed in Mycenaean architecture. The Homeric Citadel is woven within concrete landscape formations and realizes the concept of the all-embracing space, which, in religious philosophy, represents God’s image in man. It is both a cosmogonic symbol and, at the same time, a ‘philosophical’ one. The rocky citadel with the deep well was the scene where ancient mysteries took place, and it is experienced by its citizen in his process of psychological transformation into the higher being which is called Anthropos; where ‘anthropos’ is the inner and complete man, which impacts upon the life of the individual. The basic architectural elements; column, triangle and megaron are archetypal images and revealed within this self-perfecting process of acquiring the goal and ultimate end of our archetypal journey towards ‘self-realization’. The famous Lion Gate provides the mystical symbol called tetraktys, which is represented figuratively by the triangular slab. The tripartite, four-columned ‘Megaron’ unfolds within the same schema and expresses one of the oldest religious symbols of humanity. The research draws on a multiplicity of sources within the fields of history, history of religion, philosophy, anthropology, historical geography, historical biographies, the Jungian analytical psychology and alchemy, archaeology and history of art and architecture, and ancient Greek literature. It relies on observation from visits to archaeological sites and of the arts and artifacts of the period under study which provide the link that reveals the poetic dimension of Mycenaean architecture.
Publisher: Cambridge Scholars Publishing
ISBN: 1527527018
Category : History
Languages : en
Pages : 290
Book Description
The Poetics of the Homeric Citadel is an enquiry on the origins of the architectural forms as expressed in Mycenaean architecture. The Homeric Citadel is woven within concrete landscape formations and realizes the concept of the all-embracing space, which, in religious philosophy, represents God’s image in man. It is both a cosmogonic symbol and, at the same time, a ‘philosophical’ one. The rocky citadel with the deep well was the scene where ancient mysteries took place, and it is experienced by its citizen in his process of psychological transformation into the higher being which is called Anthropos; where ‘anthropos’ is the inner and complete man, which impacts upon the life of the individual. The basic architectural elements; column, triangle and megaron are archetypal images and revealed within this self-perfecting process of acquiring the goal and ultimate end of our archetypal journey towards ‘self-realization’. The famous Lion Gate provides the mystical symbol called tetraktys, which is represented figuratively by the triangular slab. The tripartite, four-columned ‘Megaron’ unfolds within the same schema and expresses one of the oldest religious symbols of humanity. The research draws on a multiplicity of sources within the fields of history, history of religion, philosophy, anthropology, historical geography, historical biographies, the Jungian analytical psychology and alchemy, archaeology and history of art and architecture, and ancient Greek literature. It relies on observation from visits to archaeological sites and of the arts and artifacts of the period under study which provide the link that reveals the poetic dimension of Mycenaean architecture.