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Author: Juliane Prade-Weiss
Publisher: Bloomsbury Publishing USA
ISBN: 150134420X
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Laments and complaints are among the most ancient poetical forms and ubiquitous in everyday speech. Understanding plaintive language, however, is often prevented by the resentment and fear it evokes. Lamenting and complaining seems pointless, irreconcilable, and destructive. Language of Ruin and Consumption examines Freud's approaches to lamenting and complaining, the heart of psychoanalytic therapy and theory, and takes them as guidelines for reading key works of the modern canon. The re-negotiation of older--ritual, dramatic, and juridical--forms in Rilke, Wittgenstein, Scholem, Benjamin, and Kafka puts plaintive language in the center of modern individuality and expounds a fundamental dimension of language neglected in theory: reciprocity is at issue in plaintive language. Language of Ruin and Consumption advocates that a fruitful reception of psychoanalysis in criticism combines the discussion of psychoanalytical concepts with an adaptation of the hermeneutical principle ignored in most philosophical approaches to language, or relegated to mere rhetoric: speech is not only by someone and on something, but also addressed to someone.
Author: Juliane Prade-Weiss
Publisher: Bloomsbury Publishing USA
ISBN: 150134420X
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Laments and complaints are among the most ancient poetical forms and ubiquitous in everyday speech. Understanding plaintive language, however, is often prevented by the resentment and fear it evokes. Lamenting and complaining seems pointless, irreconcilable, and destructive. Language of Ruin and Consumption examines Freud's approaches to lamenting and complaining, the heart of psychoanalytic therapy and theory, and takes them as guidelines for reading key works of the modern canon. The re-negotiation of older--ritual, dramatic, and juridical--forms in Rilke, Wittgenstein, Scholem, Benjamin, and Kafka puts plaintive language in the center of modern individuality and expounds a fundamental dimension of language neglected in theory: reciprocity is at issue in plaintive language. Language of Ruin and Consumption advocates that a fruitful reception of psychoanalysis in criticism combines the discussion of psychoanalytical concepts with an adaptation of the hermeneutical principle ignored in most philosophical approaches to language, or relegated to mere rhetoric: speech is not only by someone and on something, but also addressed to someone.
Author: Noah Webster
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1032
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Book Description
Author: Noah Webster
Publisher:
ISBN:
Category :
Languages : en
Pages : 1030
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Book Description
Author: Costas Canakis
Publisher: Cambridge Scholars Publishing
ISBN: 1443822094
Category : Language Arts & Disciplines
Languages : en
Pages : 264
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Book Description
This volume is a collection of papers on aspects of language and sexuality as understood and problematized by scholars in linguistics and anthropology. The idea behind this volume was to bring together people working on language-and-sexuality issues from within these two fields given that linguistic research on this topic is, more often than not, fieldwork-related and anthropological research characteristically focuses on issues of sexual onomasiology and semasiology, a concomitant of its preoccupation with social categories and categorization. This endeavor is in many respects a continuation of the discussion on the social constitution of gender while following up on a slowly but steadily growing tradition of research on language and sexuality, both in relation to gender and beyond it. Although gender and sexuality may be thought of as distinct, in principle, they interact not only in the framework provided by heteronormativity, but also in contexts where their presupposed alignment is questioned, if not summarily rebuked. Therefore, if there is, indeed, something to be said about language and sexuality beyond gender, any such discussion will also have to go through it. On the other hand, work on gendered language will have to co-estimate the findings of research on language-and-sexuality. Contributors in this volume have assumed a variety of theoretical positions from which to tackle their diverse topics, covering a wide range of sexually relevant language pertaining to heterosexual, lesbian, gay, and queer experience but also to voice, silence, the unconscious, and nationalism. Issues of identities and desires inevitably take center stage in many of the papers, reflecting dominant theoretical approaches and tensions in the field, even as authors may remain skeptical of the usefulness of the ensuing polarizations. At the same time, the polyphony envisioned by the editors and contributors in this volume will be operative in the ongoing critical appraisal of theoretical stances towards the intricate indexical relation between language, gender, and sexuality.
Author: H. Neffgen
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 168
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Book Description
Author:
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 184
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Book Description
Author: John E. Drabinski
Publisher: Bloomsbury Publishing USA
ISBN: 1441158480
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and aural totalitarianism). How is it possible to speak about the Other? How is it possible for the Other to speak? Does all speaking about or by the Other render that speaking common, thereby rendering what is different identical? These questions gather together a number of issues that cross and intersect disciplinary boundaries: signification, representation, ethics, politics, and so on. The problematics with which Drabinski is concerned begin in the debate between Levinas and Derrida, then later in dialogue with Blanchot and Irigaray. To this extent, Godard is particularly well-suited as an interlocutor. Godard's work, especially in the 1970s, is itself a self-conscious form of philosophy. His films theorize themselves, produce a reflexive sound-image language, and so in many ways match the very essence of philosophy: thought thinking thought. Still, the medium of sound and image complicates any rendering of Godard's work as philosophy. Godard produces a philosophically significant cinematic language, rather than simply narrating or representing philosophical ideas in the medium of film. And this language must be taken seriously in the context of the problem of difference. For, if difference is concerned with signification as such, then the visual and aural retain equal rights with writing (and all questions obtaining therein). Indeed, if part of the problem of speaking about or by the Other is how such speaking traffics in inscription, then cinematic language is certainly an important - and authentically complex - intervention in that problem. The nature of the debate in this project - how the language of alterity is possible or impossible - immediately breaks disciplinary borders between philosophy, literary theory, film studies, and cultural studies. What it means to engage with film in this context, however, is complicated. To wit, there are two standard treatments of film in philosophy. Film is typically either an example of a philosophical position or philosophy is used to interpret motifs, characters, plot lines, etc. In neither case is film engaged as a form of philosophizing itself, that is, as a language engaged with philosophical problematics. It is articulating exactly this engagement that this book takes as its primary task. The aim of the project is to read Godard's work as primary texts, with all the attention due the idiosyncratic language of those texts. Framed by the debate about difference and signification, these primary texts register and resonate as transformative interventions. The overarching argument of the book is that Godard's conception and practice of cinematic language opens new, important possibilities for thinking about radical alterity.
Author: Francesco Pellizzi
Publisher: Harvard University Press
ISBN: 0873658655
Category : Art
Languages : en
Pages : 361
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Book Description
RES 63/64 includes "Source and trace" by Christopher S. Wood; "Timelessness, fluidity, and Apollo's libation" by Milette Gaifman; "A liquid history: Blood and animation in late medieval art" by Beate Fricke; "Guercino's 'wet' drawing" by Nicola Suthor; "The readymade metabolized: Fluxus in life" by David Joselit; and other papers.
Author: Gary Kelly
Publisher: Taylor & Francis
ISBN: 1040246443
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Feminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
Author: Noah Webster
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1512
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Book Description
