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Author: Nicholas John
Publisher:
ISBN: 9780714540078
Category :
Languages : it
Pages : 116
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Author: Nicholas John
Publisher:
ISBN: 9780714540078
Category :
Languages : it
Pages : 116
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Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 360
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Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
Author: Julian Budden
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 554
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Author: Gabriele Baldini
Publisher: Cambridge University Press
ISBN: 9780521297127
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
A translation of Baldini's acclaimed study of verdi's operatic masterpieces, with new editorial additions.
Author: Roger Parker
Publisher: Princeton University Press
ISBN: 9780691015576
Category : Music
Languages : en
Pages : 212
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Book Description
In a collection of essays, Oxford Fellow Roger Parker brings a series of valuable insights to bear on Verdian analysis and criticism. The book serves as a model of research and critical thinking about opera, while nevertheless retaining a deep respect for opera's continuing power to touch generations of listeners. 4 photos. 46 music examples.
Author: Giuseppe Verdi
Publisher: Leyerle Publications
ISBN:
Category : Music
Languages : it
Pages : 488
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Author: GIUSEPPE. VERDI
Publisher:
ISBN: 9781033388341
Category :
Languages : it
Pages : 0
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Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 9780802083876
Category : Music
Languages : en
Pages : 258
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Book Description
Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.
Author: Lemony Snicket
Publisher: Liveright Publishing
ISBN: 1324090634
Category : Fiction
Languages : en
Pages : 100
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Book Description
Washington Post Bestseller A new stand-alone adventure—appropriate for all ages—by Lemony Snicket, one of the twenty-first century’s most beloved authors. In the years since this publishing house was founded, we have worked with an array of wondrous authors who have brought illuminating clarity to our bewildering world. Now, instead, we bring you Lemony Snicket. Over the course of his long and suspicious career, Mr. Snicket has investigated many things, including villainy, treachery, conspiracy, ennui, and various suspicious fires. In this book, he is investigating his own death. Poison for Breakfast is a different sort of book than others we have published, and from others you may have read. It is different from other books Mr. Snicket has written. It could be said to be a book of philosophy, something almost no one likes, but it is also a mystery, and many people claim to like those. Certainly Mr. Snicket didn’t relish the dreadful task of solving it, but he had no choice. It was put in front of him, right there, on his plate.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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