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Author: Nikolaos Kotsopoulos
Publisher: Black Dog Pub Limited
ISBN: 9781906155667
Category : Music
Languages : en
Pages : 191
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Book Description
Krautrock: Cosmic Rock and its Legacy charts the history of this influential music genre, from its roots in free jazz, psychedelia and the music of Karlheinz Stockhausen, to the groundbreaking experiments of Faust, Kraftwerk and Can. The late 1960s in West Germany was a period of profound breakthroughs, upheavals and reversals. Out of this climate, a music scene exploded that would forever change the face of western rock; at times anarchic, at others mystical, magickal, or utopian, it pushed rock beyond any known limits. Illustrated with concert photos, posters, record cover art and other rare visual material, and also including essays by Michel Faber, Erik Davis, David Stubbs, Ken Hollings and testimonials from Gavin Russom (Delia and Gavin/Black Meteoric Star), Plastic Crimewave, Stephen Thrower (Coil/Cyclobe), and Ann Shenton (Add N to (X)) this is an essential compendium to a music whose spirit and ideas still vibrate through contemporary culture today.
Author: Nikolaos Kotsopoulos
Publisher: Black Dog Pub Limited
ISBN: 9781906155667
Category : Music
Languages : en
Pages : 191
Get Book Here
Book Description
Krautrock: Cosmic Rock and its Legacy charts the history of this influential music genre, from its roots in free jazz, psychedelia and the music of Karlheinz Stockhausen, to the groundbreaking experiments of Faust, Kraftwerk and Can. The late 1960s in West Germany was a period of profound breakthroughs, upheavals and reversals. Out of this climate, a music scene exploded that would forever change the face of western rock; at times anarchic, at others mystical, magickal, or utopian, it pushed rock beyond any known limits. Illustrated with concert photos, posters, record cover art and other rare visual material, and also including essays by Michel Faber, Erik Davis, David Stubbs, Ken Hollings and testimonials from Gavin Russom (Delia and Gavin/Black Meteoric Star), Plastic Crimewave, Stephen Thrower (Coil/Cyclobe), and Ann Shenton (Add N to (X)) this is an essential compendium to a music whose spirit and ideas still vibrate through contemporary culture today.
Author: Ulrich Adelt
Publisher: University of Michigan Press
ISBN: 0472053191
Category : Music
Languages : en
Pages : 247
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Book Description
The first in-depth study of one of the most influential movements of contemporary popular music
Author: Marshall Gu
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 169
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Book Description
Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. In May 1945, the Allies defeated Nazi Germany, putting an end to the European front of World War II and the Third Reich. In the immediate aftermath, German youth were tasked to create their own culture. Krautrock is this unlikely success story, as hundreds of bands-including Kraftwerk and Can-seemed to sprout overnight in the early 1970s, forging a unique and experimental sound that was different than American or British rock. The major innovation of krautrock is not only its motorik beat, the steady click-click of Can's Jaki Liebezeit or monolithic stomp-stomp of Neu!'s Klaus Dinger, but also how the musicians relate to each other. In krautrock, no musician is given more focus than any other, and listening to these bands is to witness interplay common in jazz music. Thus, krautrock represents German politics reflected in music: a dictatorship replaced by democracy. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.
Author: Uwe Schütte
Publisher: Cambridge University Press
ISBN: 1009041592
Category : Music
Languages : en
Pages : 345
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Book Description
This Companion is the first academic introduction to the 1960s/70s 'Krautrock' movement of German experimental music that has long attracted the attention of the music press and fans in Britain and abroad. It offers a structured approach to this exceptionally heterogeneous and decentralized movement, combining overviews with detailed analysis and close readings. The volume first analyzes the cultural, historical and economic contexts of Krautrock's emergence. It then features expert chapters discussing all the key bands of the era including Can, Kraftwerk, Tangerine Dream, Neu!, Faust, Ash Ra Tempel, Cluster and Amon Düül II. The volume concludes with essays that trace the varied, wide-ranging legacy of Krautrock from a variety of perspectives, exploring in particular the impact of German experimental music in the Anglosphere, including British post-punk and Detroit Techno. A final chapter examining the current bands that continue the Krautrock sound closes this comprehensive overview of the Krautrock phenomenon.
Author: David Stubbs
Publisher: Melville House
ISBN: 1612194745
Category : History
Languages : en
Pages : 514
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Book Description
"First published in Great Britain in 2014 by Faber and Faber Ltd"--Title page verso.
Author: Julian Cope
Publisher:
ISBN: 9780952671916
Category : Krautrock (Music)
Languages : en
Pages : 138
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Book Description
Author: Rob Young
Publisher: Faber & Faber
ISBN: 0571311512
Category : Biography & Autobiography
Languages : en
Pages : 501
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Book Description
All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books. In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space. Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves. CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.
Author: Steve Freeman
Publisher:
ISBN:
Category : Electronic music
Languages : en
Pages : 332
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Book Description
Author: David Stubbs
Publisher: Faber & Faber
ISBN: 0571283349
Category : Music
Languages : en
Pages : 342
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Book Description
West Germany following the Second World War was a country in shock: estranged from its recent history, and adrift from the rest of Europe. But this disorientating landscape proved fertile ground for a generation of musicians who, from the 1960s onwards, would develop the experimental and various sounds that became known as Krautrock. Eschewing the Anglo-American jazz/blues tradition, they took their inspiration from elsewhere: the mysticism of the East; the fractured classicism of Stockhausen; the pneumatic repetition of industry and the dense forests of the Rhineland; the endless winding of Autobahns. Faust, Neu!, Cluster, Ash Ra Tempel, Amon Düül II, Can and Kraftwerk. These may not all be household names, but the influence of their ruminative, expansive compositions upon Western popular music is incalculable. These groups were key to the development of postpunk, electronica and ambient music. Without them Bowie would not have made his Berlin trilogy, Talking Heads would have been a straight-ahead rock band, and the Pet Shop Boys would have a completely different stage act. Future Days is an in-depth study of this meditative, sometimes abstract, often very beautiful music and the groups that made it, throwing light on the social and political context that informed them. It's an indispensable book for those wanting to understand how much of today's music came about, and to discover a wealth of highly influential and pioneering musicians.
Author: Uwe Schütte
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110423545
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The development of German pop music represents a fascinating cultural mirror to the history of post-war Germany, reflecting sociological changes and political developments. While film studies is an already established discipline, German pop music is currently emerging as a new and exciting field of academic study. This pioneering companion is the first volume to provide a comprehensive overview of the subject, charting the development of German pop music from the post-war period 'Schlager' to the present 'Diskursrock'. Written by acknowledged experts from Germany, the UK and the US, the various chapters provide overviews of pertinent genres as well as focusing on major bands such as CAN, Kraftwerk or Rammstein. While these acts have shaped the international profile of German pop music, the volume also undertakes in-depth examinations of the specific German contributions to genres such as punk, industrial, rap and techno. The survey is concluded by an interview with the leading German pop theorist Diedrich Diederichsen. The volume constitutes an indispensible companion for any student, teacher and scholar in the area of German studies interested in contemporary popular culture.
