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Author: Daniel Eagan
Publisher: A&C Black
ISBN: 0826429777
Category : Performing Arts
Languages : en
Pages : 848
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Book Description
Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry.
Author: Daniel Eagan
Publisher: A&C Black
ISBN: 0826429777
Category : Performing Arts
Languages : en
Pages : 848
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Book Description
Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry.
Author: Jay Leyda
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 580
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Book Description
Author: Thomas E. Sheridan
Publisher:
ISBN:
Category : Fortification
Languages : en
Pages : 44
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Book Description
Author: Albrecht Classen
Publisher: Rowman & Littlefield
ISBN: 0739177842
Category : Biography & Autobiography
Languages : en
Pages : 230
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Book Description
The history of the United States has been deeply determined by Germans throughout time, but hardly anyone has noticed that this was the case in the Southwest as well, known as Arizona/Sonora today, in the eighteenth century as Pimer a Alta. This was the area where the Jesuits operated all by themselves, and many of them, at least since the 1730s, originated from the Holy Roman Empire, hence were identified as Germans (including Swiss, Austrians, Bohemians, Croats, Alsatians, and Poles). Most of them were highly devout and dedicated, hard working and very intelligent people, achieving wonders in terms of settling the native population, teaching and converting them to Christianity. However, because of complex political processes and the effects of the 'black legend' all Jesuit missionaries were expelled from the Americas in 1767, and the order was banned globally in 1773. As this book illustrates, a surprisingly large number of these German Jesuits composed extensive reports and even encyclopedias, not to forget letters, about the Sonoran Desert and its people. Much of what we know about that world derives from their writing, which proves to be fascinating, lively, and highly informative reading material.
Author: Claire Knight
Publisher: Cornell University Press
ISBN: 1501776185
Category : Art
Languages : en
Pages : 276
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Book Description
Stalin's Final Films explores a neglected period in the history of Soviet cinema, breathing new life into a body of films long considered moribund as the pinnacle of Stalinism. While film censorship reached its apogee in this period and fewer films were made, film attendance also peaked as Soviet audiences voted with their seats and distinguished a clearly popular postwar cinema. Claire Knight examines the tensions between official ideology and audience engagement, and between education and entertainment, inherent in these popular films, as well as the financial considerations that shaped and constrained them. She explores how the Soviet regime used films to address the major challenges faced by the USSR after the Great Patriotic War (World War II), showing how war dramas, spy thrillers, Stalin epics, and rural comedies alike were mobilized to consolidate an official narrative of the war, reestablish Stalinist orthodoxy, and dramatize the rebuilding of socialist society. Yet, Knight also highlights how these same films were used by filmmakers more experimentally, exploring a diverse range of responses to the ideological crisis that lay at the heart of Soviet postwar culture, as a victorious people were denied the fruits of their sacrificial labor. After the war, new heroes were demanded by both the regime and Soviet audiences, and filmmakers sought to provide them, with at times surprising results. Stalin's Final Films mines Soviet cinema as an invaluable resource for understanding the unique character of postwar Stalinism and the cinema of the most repressive era in Soviet history.
Author: Richard Collins
Publisher: Wheatmark, Inc.
ISBN: 1627871330
Category : Biography & Autobiography
Languages : en
Pages : 231
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Book Description
Borderland immigration and drug trafficking are heated issues for most people living in the Southwest. But for Arizona rancher-author Richard Collins, who operates a 13,000 acre ranch near the Mexican border, they are a daily occurrence. Wanting to hear firsthand from those living and working in the middle of the action, Collins embarks on a horseback journey along the Arizona-Sonoran borderlands in Riding Behind the Padre: Horseback Views from Both Sides of the Border. In this true story, Collins joins up with a congenial group of Mexican riders retracing the pathways of Eusebio Francisco Kino, the pioneering Jesuit priest who explored the same borderlands three hundred years prior. The riders include a cross-section of Mexico's growing middle class, bonded by faith in the Catholic Church, love of family and their country, and dedicated to the cause of Kino's sainthood. They are also troubled by America's failed war on drugs and its outdated immigration policies, and they often wonder if the United States is their ally or adversary. Through their perspectives and insights, the reader comes away with a better understanding of borderland complexities and a difficult but workable road map for the future. With a passion for landscape, horses, and history, this modern-day cowboy adventure unfolds in the Sonoran Desert where the dangers are fewer than advertised, beauty far outweighs ugliness, and most people are still friendly and caring.
Author: Betsy A. McLane
Publisher: Bloomsbury Publishing USA
ISBN: 1501385135
Category : Performing Arts
Languages : en
Pages : 470
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Book Description
A New History of Documentary Film includes new research that offers a fresh way to understand how the field began and grew. Retaining the original edition's core structure, there is added emphasis of the interplay among various approaches to documentaries and the people who made them. This edition also clearly explains the ways that interactions among the shifting forces of economics, technology, and artistry shape the form. New to this edition: - An additional chapter that brings the story of English language documentary to the present day - Increased coverage of women and people of color in documentary production - Streaming - Black Lives Matter - Animated documentaries - List of documentary filmmakers, organized chronologically by the years of their activity in the field
Author: Paul Coates
Publisher: Taylor & Francis
ISBN: 135195153X
Category : Religion
Languages : en
Pages : 225
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Book Description
Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).
Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714189
Category : Performing Arts
Languages : en
Pages : 431
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Book Description
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Author: Tim Bergfelder
Publisher: Bloomsbury Publishing
ISBN: 1911239422
Category : Performing Arts
Languages : en
Pages : 625
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Book Description
This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
