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Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297661
Category : Music
Languages : en
Pages : 452
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Book Description
Musical genius, polemicist, explosive personality-that was the nineteenth-century German composer Richard Wagner, who paid as much attention to his reputation as to his genius. Often maddening, and sometimes called mad, Wagner wrote with the same intensity that characterized his music. The letters and essays collected in Judaism in Music and Other Essays were published during the 1850s and 1860s, the period when he was chiefly occupied with the creation of The Ring of the Nibelung. Highlighting this collection is the notorious 1850 article "Judaism in Music, " which caused such a firestorm that nearly twenty years later Wagner published an unapologetic appendix. Other prose pieces include "On the Performing of Tannhauser, " written while he was in political exile; "On Musical Criticism, " an appeal for a more vital approach to art undivorced from life; and "Music of the Future." This volume concludes with letters to friends about the intent and performance of his great operas; estimations of Liszt, Beethoven, Mozart, Gluck, Berlioz, and others; and suggestions for the reform of opera houses in Vienna, Paris, and Zurich. The Bison Book edition includes the full text of volume 3 of William Ashton Ellis's 1894 translation commissioned by the London Wagner Society.
Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297661
Category : Music
Languages : en
Pages : 452
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Book Description
Musical genius, polemicist, explosive personality-that was the nineteenth-century German composer Richard Wagner, who paid as much attention to his reputation as to his genius. Often maddening, and sometimes called mad, Wagner wrote with the same intensity that characterized his music. The letters and essays collected in Judaism in Music and Other Essays were published during the 1850s and 1860s, the period when he was chiefly occupied with the creation of The Ring of the Nibelung. Highlighting this collection is the notorious 1850 article "Judaism in Music, " which caused such a firestorm that nearly twenty years later Wagner published an unapologetic appendix. Other prose pieces include "On the Performing of Tannhauser, " written while he was in political exile; "On Musical Criticism, " an appeal for a more vital approach to art undivorced from life; and "Music of the Future." This volume concludes with letters to friends about the intent and performance of his great operas; estimations of Liszt, Beethoven, Mozart, Gluck, Berlioz, and others; and suggestions for the reform of opera houses in Vienna, Paris, and Zurich. The Bison Book edition includes the full text of volume 3 of William Ashton Ellis's 1894 translation commissioned by the London Wagner Society.
Author: Richard Wagner
Publisher: Createspace Independent Pub
ISBN: 9781479227938
Category : Music
Languages : en
Pages : 26
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Book Description
Support Public Domain: like and share http: //facebook.com/BookLiberationFront Das Judenthum in der Musik (German: "Jewishness in Music," but normally translated Judaism in Music; spelled after its first publications as Judentum) is an essay by Richard Wagner which attacks Jews in general and the composers Giacomo Meyerbeer and Felix Mendelssohn in particular. It was published under a pseudonym in the Neue Zeitschrift fur Musik (NZM) of Leipzig in September 1850 and was reissued in a greatly expanded version under Wagners name in 1869. It is regarded by many as an important landmark in the history of German antisemitism. The first version of the article appeared in the NZM under the pseudonym of K. Freigedank ("K. Freethought"). In an April 1851 letter to Franz Liszt, Wagner gave the excuse that he used a pseudonym "to prevent the question being dragged down by the Jews to a purely personal level." At the time Wagner was living in exile in Zurich, on the run after his role in the 1849 revolution in Dresden. His article followed a series of essays in the NZM by his disciple Theodor Uhlig, attacking the music of Meyerbeer's opera Le prophete. Wagner was particularly enraged by the success of Le prophete in Paris, all the more so because he had earlier been a slavish admirer of Meyerbeer, who had given him financial support and used his influence to get Wagners early opera Rienzi, his first real success, staged in Dresden in 1841. Wagner was also emboldened by the death of Mendelssohn in 1847, the popularity of whose conservative style he felt was cramping the potential of German music. Although Wagner had shown virtually no sign of anti-Jewish prejudice previously (despite the claims by Rose in his book Wagner, Race and Revolution, and others), he was determined to build on Uhligs articles and prepare a broadside that would attack his artistic enemies, embedded in what he took to be a populist Judaeophobic context.
Author: Richard Wagner
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 95
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Book Description
Author: Milton E. Brener
Publisher: McFarland
ISBN: 0786491388
Category : Social Science
Languages : en
Pages : 344
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Book Description
It is well known that Richard Wagner, the renowned and controversial 19th century composer, exhibited intense anti-Semitism. The evidence is everywhere in his writings as well as in conversations his second wife recorded in her diaries. In his infamous essay "Judaism in Music," Wagner forever cemented his unpleasant reputation with his assertion that Jews were incapable of either creating or appreciating great art. Wagner's close ties with many talented Jews, then, are surprising. Most writers have dismissed these connections as cynical manipulations and rank hypocrisy. Examination of the original sources, however, reveals something different: unmistakeable, undeniable empathy and friendship between Wagner and the Jews in his life. Indeed, the composer had warm relationships with numerous individual Jews. Two of them resided frequently over extended periods in his home. One of these, the rabbi's son Hermann Levi, conducted Wagner's final opera--Parsifal, based on Christian legend--at Wagner's request; no one, Wagner declared, understood his work so well. Even in death his Jewish friends were by his side; two were among his twelve pallbearers. The contradictions between Wagner's antipathy toward the amorphous entity "The Jews" and his genuine friendships with individual Jews are the subject of this book. Drawing on extensive sources in both German and English, including Wagner's autobiography and diary and the diaries of his second wife, this comprehensive treatment of Wagner's anti-Semitism is the first to place it in perspective with his life and work. Included in the text are portions of unpublished letters exchanged between Wagner and Hermann Levi. Altogether, the book reveals astonishing complexities in a man long known as much for his prejudice as for his epic contributions to opera.
Author: Richard Wagner
Publisher: Blurb
ISBN: 9780464900030
Category : History
Languages : en
Pages : 104
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Book Description
Famous "Ring" Trilogy composer Richard Wagner argues in this essay that Jewish involvement in European culture always had a negative and distorting impact. Jews, Wagner wrote, did not have the European "folkish soul" required to create genuinely European art, and, as a result, were only imitators who crassly deformed all that they produced. As a result, he said, all art-be it musical or otherwise-from Jewish sources was always shallow and a mockery of true art. Along the way, he discusses the Jewish type, and their broader influence in society. First published in 1850, "Judaism in Music" created a storm which forever earned him the hatred of the Jewish lobby in Germany and elsewhere. Originally issued under a pseudonym, Wagner republished the book in 1869, along with a supplement, under his own name. In the supplement, Wagner discusses the reaction to the original essay's publication, and goes on to discuss how the Jews controlled the major newspapers and theaters of his day, and how the media turned against him after the 1850 essay saw the light of day. This edition also contains Wagner's 1878 essay "What is German," which contains further remarks on Jewish activities within Germany.
Author: Daniel C. Harlow
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802866255
Category : History
Languages : en
Pages : 543
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Book Description
Based on a conference held Apr. 4-5, 2008 at Amherst College.
Author: Shaye J. D. Cohen
Publisher: Mohr Siebeck
ISBN: 9783161503757
Category : Christianity and other religions
Languages : en
Pages : 644
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Book Description
This volume collects thirty essays by Shaye J.D. Cohen. First published between 1980 and 2006, these essays deal with a wide variety of themes and texts: Jewish Hellenism; Josephus; the Synagogue; Conversion to Judaism; Blood and Impurity; the boundary between Judaism and Christianity. What unites them is their philological orientation. Many of these essays are close studies of obscure passages in Jewish and Christian texts. The essays are united too by their common assumption that the ancient world was a single cultural continuum; that ancient Judaism, in all its expressions and varieties, was a Hellenism; and that texts written in Hebrew share a world of discourse with those written in Greek. Many of these essays are well-known and have been much discussed in contemporary scholarship. Among these are: The Significance of Yavneh (the title essay), Patriarchs and Scholarchs, Masada: Literary Tradition, Archaeological Remains, and the Credibility of Josephus, Epigraphical Rabbis, The Conversion of Antoninus, Menstruants and the Sacred in Judaism and Christianity, and A Brief History of Jewish Circumcision Blood.
Author: Richard Wagner
Publisher:
ISBN: 9781684183074
Category : History
Languages : en
Pages : 104
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Book Description
Famous "Ring" Trilogy composer Richard Wagner's anti-Jewish tract in which he argues that Jewish involvement in European culture always had a negative and distorting impact. Along the way, he discusses the Jewish type, and their broader influence in society.
Author: Richard Wagner
Publisher: London : W. Reeves
ISBN:
Category : Jews
Languages : de
Pages : 95
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Book Description
Author: Richard Wagner
Publisher: Forgotten Books
ISBN: 9781330090152
Category : Music
Languages : en
Pages : 156
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Book Description
Excerpt from Judaism in Music (Das Judenthum in Der Musik) Being the Original Essay Together With the Later Supplement It may be fairly presumed that none will deem the re-issue in English dress of Wagner's "Das Judenthum in der Musik" to imply any desire to revive the matters of controversy therein contained. The lapse of nearly sixty years since publication of the original essay and of forty since Wagner's account to Madarne Muchanoff (and hence to the world) of the consequences attracted to himself by the publication should alone suffice to point unmistakably to the unlikelihood of any such proposition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
