Author: Melissa Raphael
Publisher: A&C Black
ISBN: 1441190562
Category : Religion
Languages : en
Pages : 242
Book Description
The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics. Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art.
Judaism and the Visual Image
Author: Melissa Raphael
Publisher: A&C Black
ISBN: 1441190562
Category : Religion
Languages : en
Pages : 242
Book Description
The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics. Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art.
Publisher: A&C Black
ISBN: 1441190562
Category : Religion
Languages : en
Pages : 242
Book Description
The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics. Judaism and the Visual Image argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art.
Rudolf Otto and the Concept of Holiness
Author: Melissa Raphael
Publisher:
ISBN: 9780191683602
Category : Holy, The
Languages : en
Pages : 239
Book Description
An examination of Rudolf Otto's 20th-century concept of holiness. This volume analyzes the scholarly context that shaped Otto's idea of holiness, and discusses the relation of the numinous and the holy to the divine personality, morality, religious experience and emancipatory theology.
Publisher:
ISBN: 9780191683602
Category : Holy, The
Languages : en
Pages : 239
Book Description
An examination of Rudolf Otto's 20th-century concept of holiness. This volume analyzes the scholarly context that shaped Otto's idea of holiness, and discusses the relation of the numinous and the holy to the divine personality, morality, religious experience and emancipatory theology.
Image, Action, and Idea in Contemporary Jewish Art
Author: Ben Schachter
Publisher: Penn State Press
ISBN: 0271080841
Category : Art
Languages : en
Pages : 175
Book Description
Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment’s prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process. Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of melachot—work-like “creative activities” as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and melachot in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists’ methods and Judaism’s demanding attention to procedure. A compellingly written challenge to traditionalism, Image, Action, and Idea in Contemporary Jewish Art makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.
Publisher: Penn State Press
ISBN: 0271080841
Category : Art
Languages : en
Pages : 175
Book Description
Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment’s prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process. Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of melachot—work-like “creative activities” as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and melachot in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists’ methods and Judaism’s demanding attention to procedure. A compellingly written challenge to traditionalism, Image, Action, and Idea in Contemporary Jewish Art makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.
Jewish Dimensions in Modern Visual Culture
Author: Rose-Carol Washton Long
Publisher: UPNE
ISBN: 1584657952
Category : Art
Languages : en
Pages : 352
Book Description
A fascinating look at key aspects of visual culture in modern Jewish history
Publisher: UPNE
ISBN: 1584657952
Category : Art
Languages : en
Pages : 352
Book Description
A fascinating look at key aspects of visual culture in modern Jewish history
Looking Jewish
Author: Carol Zemel
Publisher: Indiana University Press
ISBN: 0253015421
Category : Social Science
Languages : en
Pages : 282
Book Description
“Thanks to Carol Zemel’s provocative study, we are invited to look at Jewish art in new ways . . . provides a deeper understanding of the ordeal of diaspora.” —Studies in American Jewish Literature Jewish art and visual culture—art made by Jews about Jews—in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions. She begins with a painting by Ken Aptekar entitled Albert: Used to Be Abraham, a double portrait of a man, which serves to illustrate Zemel’s conception of the doubleness of Jewish diasporic art. She considers two interwar photographers, Alter Kacyzne and Moshe Vorobeichic; images by the Polish writer Bruno Schulz; the pre- and postwar photographs of Roman Vishniac; the figure of the Jewish mother in postwar popular culture (Molly Goldberg); and works by R. B. Kitaj, Ben Katchor, and Vera Frenkel that explore Jewish identity in a postmodern environment.
Publisher: Indiana University Press
ISBN: 0253015421
Category : Social Science
Languages : en
Pages : 282
Book Description
“Thanks to Carol Zemel’s provocative study, we are invited to look at Jewish art in new ways . . . provides a deeper understanding of the ordeal of diaspora.” —Studies in American Jewish Literature Jewish art and visual culture—art made by Jews about Jews—in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions. She begins with a painting by Ken Aptekar entitled Albert: Used to Be Abraham, a double portrait of a man, which serves to illustrate Zemel’s conception of the doubleness of Jewish diasporic art. She considers two interwar photographers, Alter Kacyzne and Moshe Vorobeichic; images by the Polish writer Bruno Schulz; the pre- and postwar photographs of Roman Vishniac; the figure of the Jewish mother in postwar popular culture (Molly Goldberg); and works by R. B. Kitaj, Ben Katchor, and Vera Frenkel that explore Jewish identity in a postmodern environment.
Visual Judaism in Late Antiquity
Author: Lee I. Levine
Publisher:
ISBN: 9780300100891
Category : Art
Languages : en
Pages : 582
Book Description
Surveys Jewish visual culture in the Late Roman and Byzantine eras, including expression via figural images, biblical scenes and religious symbols.
Publisher:
ISBN: 9780300100891
Category : Art
Languages : en
Pages : 582
Book Description
Surveys Jewish visual culture in the Late Roman and Byzantine eras, including expression via figural images, biblical scenes and religious symbols.
Reframing Rembrandt
Author: Michael Zell
Publisher: Univ of California Press
ISBN: 0520227417
Category : Art
Languages : en
Pages : 287
Book Description
"This book embeds Rembrandt's art in the pluralistic religious context of seventeenth-century Amsterdam, arguing for the restoration of this historical dimension to contemporary discussions of the artists. By incorporating this perspective, Zell confirms and revises one of the most forceful myths attached to Rembrandt's art and life: his presumed attraction and sensitivity to the Jews of early modern Amsterdam."--BOOK JACKET.
Publisher: Univ of California Press
ISBN: 0520227417
Category : Art
Languages : en
Pages : 287
Book Description
"This book embeds Rembrandt's art in the pluralistic religious context of seventeenth-century Amsterdam, arguing for the restoration of this historical dimension to contemporary discussions of the artists. By incorporating this perspective, Zell confirms and revises one of the most forceful myths attached to Rembrandt's art and life: his presumed attraction and sensitivity to the Jews of early modern Amsterdam."--BOOK JACKET.
Jewish Artists and the Bible in Twentieth-century America
Author: Samantha Baskind
Publisher: Penn State University Press
ISBN: 9780271059839
Category : Art, American
Languages : en
Pages : 0
Book Description
Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.
Publisher: Penn State University Press
ISBN: 9780271059839
Category : Art, American
Languages : en
Pages : 0
Book Description
Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.
Imagining the Self, Imagining the Other
Author: Eva Frojmovic
Publisher: BRILL
ISBN: 9789004125650
Category : History
Languages : en
Pages : 364
Book Description
This collection of essays re-examines the dynamics of Jewish indentity and Jewish-Christian relations in the Middle Ages and Early Modern period, from the perspective of visual culture, especially manuscript illustration.
Publisher: BRILL
ISBN: 9789004125650
Category : History
Languages : en
Pages : 364
Book Description
This collection of essays re-examines the dynamics of Jewish indentity and Jewish-Christian relations in the Middle Ages and Early Modern period, from the perspective of visual culture, especially manuscript illustration.
Jewish Icons
Author: Richard I. Cohen
Publisher: Univ of California Press
ISBN: 9780520917910
Category : Architecture
Languages : en
Pages : 392
Book Description
With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society.
Publisher: Univ of California Press
ISBN: 9780520917910
Category : Architecture
Languages : en
Pages : 392
Book Description
With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society.