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Author: Beate Wilhelm
Publisher: GRIN Verlag
ISBN: 3638782808
Category : Language Arts & Disciplines
Languages : en
Pages : 33
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Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2, University of Ulster (Faculty of Arts), course: Proseminar Irish Author Studies, 5 entries in the bibliography, language: English, abstract: When in 1914 James Joyce wanted to have his literary work Dubliners published by the British publisher Grant Richards, it was not at all as easy as Joyce had imagined. Before Richards could accept the work changes had to be applied that were accompanied by an exchange of various letters between author and publisher. The reason for Richard's hesitation to publish the book in its first version was the very accuracy of its language. Literary conventions would have been shocked by Joyce's accurate and entirely realistic description of social situations and psychological states. In his letter to Grant Richards Joyce tries to justify his style, and it is thus that he speaks of 'scrupulous meanness' for the first time. The term 'meanness' connotes stinginess or the lack of generosity. Joyce uses it to describe the economy of language applying to his stories. However, the interpretation demands a more complicated understanding of the term. 'Scrupulousness' is a crucial element both in Joyce's use of language, and in the structure and form of the stories. 'Scrupulous meanness' refers to a most complex and heavily allusive style that determines the reading of Dubliners. From the minimum of words Joyce succeeds to extract the maximum effect so that the very economy of his style gives Dubliners such concentration and resonance that it "passes through realism into symbolism" (Dubliners,1991, p. xix). Joyce puts this style forward as a means to express his moral intent. This essay aims to examine James Joyce's method of 'scrupulous meanness' in two short stories chosen from the collection of Dubliners: 'The Sisters' and 'The Dead'. In addition, Joyce's attempt of conveying a temper of death and hopelessness shall find access into t
Author: Beate Wilhelm
Publisher: GRIN Verlag
ISBN: 3638782808
Category : Language Arts & Disciplines
Languages : en
Pages : 33
Get Book Here
Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2, University of Ulster (Faculty of Arts), course: Proseminar Irish Author Studies, 5 entries in the bibliography, language: English, abstract: When in 1914 James Joyce wanted to have his literary work Dubliners published by the British publisher Grant Richards, it was not at all as easy as Joyce had imagined. Before Richards could accept the work changes had to be applied that were accompanied by an exchange of various letters between author and publisher. The reason for Richard's hesitation to publish the book in its first version was the very accuracy of its language. Literary conventions would have been shocked by Joyce's accurate and entirely realistic description of social situations and psychological states. In his letter to Grant Richards Joyce tries to justify his style, and it is thus that he speaks of 'scrupulous meanness' for the first time. The term 'meanness' connotes stinginess or the lack of generosity. Joyce uses it to describe the economy of language applying to his stories. However, the interpretation demands a more complicated understanding of the term. 'Scrupulousness' is a crucial element both in Joyce's use of language, and in the structure and form of the stories. 'Scrupulous meanness' refers to a most complex and heavily allusive style that determines the reading of Dubliners. From the minimum of words Joyce succeeds to extract the maximum effect so that the very economy of his style gives Dubliners such concentration and resonance that it "passes through realism into symbolism" (Dubliners,1991, p. xix). Joyce puts this style forward as a means to express his moral intent. This essay aims to examine James Joyce's method of 'scrupulous meanness' in two short stories chosen from the collection of Dubliners: 'The Sisters' and 'The Dead'. In addition, Joyce's attempt of conveying a temper of death and hopelessness shall find access into t
Author: A. Nicholas Fargnoli
Publisher: Infobase Publishing
ISBN: 1438108486
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
Examines the life and writings of James Joyce, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
Author: James Joyce
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 228
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Book Description
Dubliners is a collection of picturesque short stories that paint a portrait of life in middle-class Dublin in the early 20th century. Joyce, a Dublin native, was careful to use actual locations and settings in the city, as well as language and slang in use at the time, to make the stories directly relatable to those who lived there. The collection had a rocky publication history, with the stories being initially rejected over eighteen times before being provisionally accepted by a publisher—then later rejected again, multiple times. It took Joyce nine years to finally see his stories in print, but not before seeing a printer burn all but one copy of the proofs. Today Dubliners survives as a rich example of not just literary excellence, but of what everyday life was like for average Dubliners in their day. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: Nell Zink
Publisher: HarperCollins UK
ISBN: 0008130868
Category : Fiction
Languages : en
Pages : 129
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Book Description
‘Heady and rambunctious ... Wake up, this book says: in its plot lines, in its humour, in its philosophical underpinnings and political agenda. I'll pay it the highest compliment it knows – this book is a wild thing.’ New York Times Book Review
Author: Vivian Heller
Publisher: University of Illinois Press
ISBN: 9780252064852
Category : History
Languages : en
Pages : 220
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Book Description
Modernism has long been seen as either a symptom of decadence or a sign of emancipation. Vivian Heller argues that Joyce's writing cannot be categorized as either decadent or emancipatory because it is predicated on the dialectical intimacy of these two terms. Heller relies on Joyce's changing use of epiphany to trace the arc of his development, focusing on the negative epiphanies of Dubliners, the relativistic epiphanies of A Portrait of the Artist as a Young Man, and the retrospective epiphanies of Ulysses.
Author: James Joyce
Publisher: First Avenue Editions ™
ISBN: 1467797774
Category : Fiction
Languages : en
Pages : 229
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Book Description
This collection of fifteen short stories by Irish author James Joyce examines how one's surroundings can shape and influence a person. Although initially considered too edgy for publication, Dubliners later became a classic as readers began to appreciate Joyce's realistic fiction. In each story, Joyce documents the daily lives and hardships of fictional Dublin citizens. Joyce's collection progresses from the struggles of childhood to the struggles of adulthood. This collection includes one of Joyce's most famous short stories, "The Dead," which depicts the ways memories of the past can intrude upon the present. Joyce provides a glimpse into twentieth-century Irish culture and history in this unabridged short story collection, first published in 1914.
Author: Abd Alkareem Atteh
Publisher: Cambridge Scholars Publishing
ISBN: 1527568334
Category : Literary Criticism
Languages : en
Pages : 158
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Book Description
This book sheds light on the modernist short story cycle and its pivotal role in representing and depicting place. With an ever-changing attitude towards place and what it means, modernist writers found in the short story cycle a suitable form to depict this sense of change. Drawing from a range of recent theories of the short story cycle and theories of place, this book highlights, in a comparative way, the role of the emergent short story genre and its seminal role in grasping and capturing a fragmented world through the various short and interconnected narratives and narrative strategies a short story cycle can accommodate. As such, this text contributes to the study of the modernist short story (cycle), American literature, Irish literature, comparative literature, and theories and studies of place.
Author: Thomas Jackson Rice
Publisher: University of Illinois Press
ISBN: 9780252065835
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Thomas Rice compellingly argues that James Joyce's work resists postmodernist approaches of ambiguity: Joyce never abandoned his conviction that reality exists, regardless of the human ability to represent it. Placing Joyce in his cultural context, Rice first traces the influence of Euclidean and non-Euclidean geometries on Dubliners and A Portrait of the Artist as a Young Man. He then demonstrates that, when later innovations in science transformed entire worldviews, Joyce recognized conventional literary modes of representation as offering only arbitrary constructions of this reality. Joyce responded in Ulysses by experimenting with perspective, embedding design, and affirming the existence of reality. Rice contends that Ulysses presages the multiple tensions of chaos theory; likewise, chaos theory can serve as a model for understanding Ulysses. In Finnegans Wake Joyce consummates his vision and anticipates the theories of complexity science through a dynamic approximation of reality.
Author: Thomas Morris
Publisher:
ISBN: 9780992817015
Category : Fiction
Languages : en
Pages : 0
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Book Description
Dubliners 100 invites new and established Irish writers to create 'cover versions' of their favourite stories from James Joyce's Dubliners.
Author: Bill Goldstein
Publisher: Macmillan + ORM
ISBN: 1627795294
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
A Lambda Literary Awards Finalist Named one of the best books of 2017 by NPR's Book Concierge A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust’s In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—“The Waste Land." As Willa Cather put it, “The world broke in two in 1922 or thereabouts,” and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.
