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Author: Enrico Mattievich
Publisher:
ISBN: 9780979268939
Category : America
Languages : en
Pages : 218
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Book Description
"The ruins of the Andean labyrinth of Chavin hold the key to the hidden significance of the Greek myths."
Author: Enrico Mattievich
Publisher:
ISBN: 9780979268939
Category : America
Languages : en
Pages : 218
Get Book Here
Book Description
"The ruins of the Andean labyrinth of Chavin hold the key to the hidden significance of the Greek myths."
Author: Enrico Mattievich
Publisher:
ISBN: 9780979268922
Category : Social Science
Languages : en
Pages : 218
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Book Description
In his Journey to the Mythological Inferno, author Enrico Mattievich, boldly ties the many loose ends-and proposes a novel theory-to, among other things, our understanding of the origin of pre-Columbian American civilization, to the origin of ancient Greek mythology, to the tantalizing mystery of ancient knowledge of America in the Old World, and to myths of ancient travelers to the 'Underworld' (Southern Hemisphere). With about 75 illustrations and maps, Dr. Mattievich 'reconstructs' a possible journey by ancient Greek to the heartland of South America, guided by the verses of Greek and Roman poets, and following the mighty Amazon river all the way to its source at the Peruvian Andes.
Author: Kim Paffenroth
Publisher: Permuted Press
ISBN: 1934861375
Category : Fiction
Languages : en
Pages : 265
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Book Description
Using Dante’s Inferno to draw out the reality behind the fantasy, author Kim Paffenroth tells the true events… During his lost wanderings, Dante came upon an infestation of the living dead. The unspeakable acts he witnessed —cannibalism, live burnings, evisceration, crucifixion, and dozens more—became the basis of all the horrors described in Inferno. At last, the real story can be told.
Author: Mercedes Aguirre
Publisher: Oxford University Press
ISBN: 0191022861
Category : Religion
Languages : en
Pages : 455
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Book Description
A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.
Author: Michail Varvarousis
Publisher: Outskirts Press
ISBN: 1478772409
Category : History
Languages : en
Pages : 133
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Book Description
The subject presented in this book is the result of a long study and research upon the seamanship of the ancient and medieval world. It aims to investigate the ability of ancient exploration voyages to the great oceans and to present, in a simple and understandable manner, all those components that shed light on an ancient effort to explore the Atlantic Ocean and probably even the American continent.
Author: Salomon Kroonenberg
Publisher: Reaktion Books
ISBN: 1780230540
Category : History
Languages : en
Pages : 306
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Book Description
When people go looking for hell, they go underground. Dante, Aeneas, and Odysseus all journeyed beneath the earth to find the underworld, a place where the dead are tortured according to their sins. Buffy the Vampire Slayer had to deal with a huge underground pit infested with demons below her high school called the Hellmouth. And when Homer Simpson ate the forbidden donut for which he’d sold his soul to the devil, he was sucked through a fiery hole in the ground. Though humans actually haven’t gone more than 7.5 miles into the earth, we associate this mysterious underground realm with darkness and death, and the depths of the earth’s interior remain an inspiration for writers and artists trying to imagine hell. Why Hell Stinks of Sulfur uses subterranean mythology as a point of departure to explore the vast world that lies beneath our feet. Geologist Salomon Kroonenberg takes us on an expedition that begins in Dante’s Inferno and continues through Virgil, Da Vinci, Descartes, and Jules Verne. He investigates the nine circles of hell, searches a lake near Naples for the gates of hell used by Aeneas, and turns a scientific spotlight on the many myths of the underworld. He uncovers the layers of the earth’s interior one by one, describing the variety of gasses, ores, liquids, and metals that add to the immense variety of color that can be found below us. Kroonenberg views the inside of the earth as a living ecosystem whose riches we are only beginning to discover, and he warns against our thirst for natural resources exhausting the earth. From the underground rivers and lakes that have never seen the light of day to the story of Saint Barbara—the patron saint of mineworkers—Kroonenberg’s pursuit of the geological foundations of hell is a fascinating journey to the center of the earth.
Author: Marco Benoît Carbone
Publisher: Bloomsbury Publishing
ISBN: 1350118206
Category : Art
Languages : en
Pages : 273
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Book Description
Turning to a region of South Italy associated with Greater Greece and the geographies of Homer's Odyssey, Marco Benoît Carbone delivers a historical and ethnographic treatment of how places defined in public imagination and media by their associated histories become sites of memory and identity, as their landscape and mythologies turn into insignia of a romanticised antiquity. For the ancient Greeks, Homer had set the marine monsters of the Odyssey in the Strait between Calabria and Sicily. Since then, this passage has been glowing with the aura of its mythological landmarks. Travellers and tourists have played Odysseus by re-enacting his journey. Scholars and explorers have explained the myths as metaphors of whirlpools and marine fauna. The iconic Strait and village of Scilla have turned into place-myths and playgrounds, defined by the region's heritage. Carbone observes the enduring impact of Hellas on the real Strait today. The continuous rekindling of cultural and visual traditions of place in the arts, media, travel, and tourism have intersected with philhellenic historiographies, shaping local policies, public histories, views of development, and forms of Hellenicist identitarianism. Elements of society have celebrated the landscape of the Odyssey, appropriated Homer as their imagined heirs, and purported themselves as the original Europeans–pandering to outdated ideological appropriations of 'classical' antiquity and exclusionary, West-centric views of the Mediterranean.
Author: Larry Halzwarth
Publisher: Hyperink Inc
ISBN: 1614643172
Category : Literary Criticism
Languages : en
Pages : 67
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Book Description
The Inferno is the first third of Dante Alighieri's epic poem The Divine Comedy, originally written in the Tuscan dialect of Italian. It was written in the early years of the 14th century. In a time when all serious literary works invariably were written in Latin, Dante deliberately chose his native language to present his epic, hence the word comedy describing a subject that is far from light entertainment. The poem was published in Italy a full century before Gutenberg's press revolutionized the printing and publishing industry. Although there are no known copies in Dante's hand that have survived to the present day, there are several hundred in manuscript form, some dating back to a few years after Dante's death. The first known copy to appear in print dates from 1472, over one hundred and fifty after Dante first published the work.
Author: Glyn Iliffe
Publisher: Canelo
ISBN: 1911420992
Category : Fiction
Languages : en
Pages : 497
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Book Description
Historical fantasy full of “suspense, treachery, and bone-crunching action . . . will leave fans of the genre eagerly awaiting the rest of the series” (The Times Literary Supplement). It was a time of myth and mystery. A time when Gods walked among men. It was a time of heroes. Greece is a country in turmoil, divided by feuding kingdoms desiring wealth, power and revenge. When Eperitus, a young exiled soldier, comes to the aid of a group of warriors in battle, little does he know that it will be the start of an incredible adventure. For he is about to join the charismatic Odysseus, Prince of Ithaca, on a vital quest to save his homeland. Odysseus travels to Sparta to join the most famous heroes of the time in paying suit to the sensuous Helen. Armed with nothing but his wits and intelligence, he must enter a treacherous world of warfare and politics to compete for the greatest prize in Greece. But few care for the problems of an impoverished prince when war with Troy is beckoning. An epic saga set in one of the most dramatic periods of history, King of Ithaca is a voyage of discovery of one man’s journey to become a King—and a legend. “A must read for those who enjoy good old epic battles, chilling death scenes and the extravagance of ancient Greece.” —Lifestyle Magazine “The reader does not need to be classicist to enjoy this epic and stirring tale. It makes a great novel.” —Historical Novels Review
Author: Judith Fletcher
Publisher: Oxford University Press
ISBN: 0192524224
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.
