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Author: Ralph Waldo Emerson
Publisher: Harvard University Press
ISBN: 9780674484733
Category : Biography & Autobiography
Languages : en
Pages : 658
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Book Description
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
Author: Ralph Waldo Emerson
Publisher: Harvard University Press
ISBN: 9780674484733
Category : Biography & Autobiography
Languages : en
Pages : 658
Get Book Here
Book Description
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
Author: Ralph Waldo Emerson
Publisher: Harvard University Press
ISBN: 9780674484757
Category : Biography & Autobiography
Languages : en
Pages : 720
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Book Description
The twelfth volume makes available nine of Emerson's lecture notebooks, covering a span of twenty-seven years, from 1835 to 1862, from apprenticeship to fame. These notebooks contain materials Emerson collected for the composition of his lectures, articles, and essays during those years.
Author: Ralph Waldo Emerson
Publisher: Harvard University Press
ISBN: 9780674484702
Category : Biography & Autobiography
Languages : en
Pages : 652
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Book Description
Vols. 8, 11-12 accompanied by separate "Emendations and departures from the manuscript," by the editors.
Author: Ralph Waldo Emerson
Publisher: Harvard University Press
ISBN: 9780674484504
Category : Biography & Autobiography
Languages : en
Pages : 502
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Book Description
Ralph Waldo Emerson, the man and thinker, will be fully revealed for the first time in this new edition of his journals and notebooks. The old image of the ideal nineteenth-century gentleman, created by editorial omissions of his spontaneous thoughts, is replaced by the picture of Emerson as he really was. His frank and often bitter criticisms of men and society, his "nihilizing," his anguish at the death of his first wife, his bleak struggles with depression and loneliness, his sardonic views of woman, his earthy humor, his ideas of the Negro, of religion, of God--these and other expressions of his private thought and feeling, formerly deleted or subdued, are here restored. Restored also is the full evidence needed for studies of his habits of composition, the development of his style, and the sources of his ideas. Cancelled passages are reproduced, misreadings are corrected, and hitherto unpublished manuscripts are now printed. The text comes as close to a literal transcription as is feasible. A full apparatus of annotation, identification of quotations, and textual notes is supplied. Reproduced in this volume are twelve facsimile manuscript pages, many with Emerson's marginal drawings. The first volume includes some of the "Wide Worlds," journals begun while Emerson was at Harvard, and four contemporary notebooks, mostly unpublished. In these storehouses of quotation, juvenile verse, themes, and stories are the first versions of Emerson's "Valedictory Poem," Bowdoin Prize Essays, and first published work. Together they give a faithful picture of Emerson's apprenticeship as an artist and reveal the extent of his hidden and frustrated ambition--to become a writer.
Author: Ralph Waldo Emerson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Ralph Waldo Emerson
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 640
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Book Description
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
Author: Ralph Waldo Emerson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Elisa Tamarkin
Publisher: University of Chicago Press
ISBN: 022645312X
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
"Before 1800 nothing was irrelevant. So argues Elisa Tamarkin's sweeping cultural history of a key shift in consciousness: the arrival, around 1800, of "relevance" as the means to grasp how something previously disregarded becomes important and interesting. At a time when so much makes claims to attention every day, how does one decide what is most valuable right now? This is not only a contemporary problem. For Ralph Waldo Emerson, the question for the nineteenth century was how, in the immensity and "succession" of objects, anything becomes a proper object of experience. How that question was finally defined as one of relevance is the story of Apropos of Nothing. Relevance, Tamarkin shows, was primarily an Anglo-American concept. It engaged major intellectual figures, centrally the pragmatists-William James, Alain Locke, and John Dewey-and before them thinkers including Emerson and Alfred North Whitehead. Most of all, relevance was a problem for the worlds of art, literature, education, and criticism. These were fascinated by how old, boring, distant, or unfamiliar things get taken in; how they are admitted as meaningful; how they come home to us like the ludicrous raven comes to Edgar Allan Poe's student in the middle of the night in some obscure connection with himself. Many nineteenth-century American artists saw their paintings as pragmatic works that make relevance-that suggest versions of events that feel apropos of our world the moment we see them. (Tamarkin's book is richly illustrated, in color, with works by Winslow Homer, Abbott Handerson Thayer, Edgar Degas, and others.) Relevance remains a conundrum, especially for the humanities. It obliges us to say why we admit Poe's poem-or, say, a line of Emerson's-is interesting enough to study it, to dedicate ourselves to understanding it, to affirming that this effort is, in Emerson's words, "relevant to me and mine, to nature, and the hour that now passes.""--
Author: Ming Xie
Publisher: Routledge
ISBN: 1000526224
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
First published in 1999. The subject of this book is the translation and appropriation of Chinese poetry by some English and American writers in the early decades of this century. The author explores the be concerned as much with English translation of Chinese poetry per se as with the relationship between this body of translation from the Chinese and the developing poetics and practices of what is usually referred to as "Imagism," as much with the question of historical influence or ascription as with certain interpretive and critical aspects of this correlative relationship. Focusing on the direct influence of Chinese poetry upon the theory and practice of Imagism, attributing to Imagist poets in general and Ezra Pound in particular the perception in Chinese poetry of the essential qualities and principles for rejuvenating English poetry in the early decades of the century.
Author: Merton M. Sealts
Publisher: University of Missouri Press
ISBN: 9780826210463
Category : Literary Collections
Languages : en
Pages : 294
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Book Description
These lucid essays, though varied in subject, have the commonality of an emphasis on teaching. The first essay, entitled "Emerson as Teacher," demonstrates how Emerson "provoked and inspired and educated his students - and his students' students.".
