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Author: Paul Robey Bryan
Publisher: Stuyvesant, NY : Pendragon Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 592
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Book Description
The reputation of Johann Wanhal (Vanhal) as one of the most important eighteenth-century symphony composers has been acknowledged both by contemporaries of his time and ours. His music demonstrates the basic changes in the musical styles and compositional concepts that occurred during his lifetime; it reveals his extraordinarily fine talent and his role as an innovator, a contributor, and an influencer of others. The biographical section of this volume presents an analysis of the information sources and a new interpretation of Wanhal's life and his position in the musical community. The thematic catalogue of Wanhal's symphonies includes incipits of all the movements and all the copies, both manuscript and printed, that the author has found. Further significant additions to our knowledge of both Wanhal, his contemporaries, and their modi operandi are provided by studies of the manuscript copies themselves. They include a record of the groups of copyists, along with summaries and samples of the individual copyists' hands, and the papers they used. The descriptions of the manuscripts are complemented by a study of the publishers and their confusing opus-number systems as well as pertinent information about the individual symphonies. For those interested in Wanhal himself the lists of his autographs and analysis of his handwriting should also be useful. From the Preface. Winner of the Vincent H. Duckles Award for the best book-length biography or other research tool in music published in 1997. Congratulations on your outstanding achievement. MLA is pleased to recognize your important contribution to the scholarly literature in our field. Music Library Association Board of Directors
Author: Paul Robey Bryan
Publisher: Stuyvesant, NY : Pendragon Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 592
Get Book Here
Book Description
The reputation of Johann Wanhal (Vanhal) as one of the most important eighteenth-century symphony composers has been acknowledged both by contemporaries of his time and ours. His music demonstrates the basic changes in the musical styles and compositional concepts that occurred during his lifetime; it reveals his extraordinarily fine talent and his role as an innovator, a contributor, and an influencer of others. The biographical section of this volume presents an analysis of the information sources and a new interpretation of Wanhal's life and his position in the musical community. The thematic catalogue of Wanhal's symphonies includes incipits of all the movements and all the copies, both manuscript and printed, that the author has found. Further significant additions to our knowledge of both Wanhal, his contemporaries, and their modi operandi are provided by studies of the manuscript copies themselves. They include a record of the groups of copyists, along with summaries and samples of the individual copyists' hands, and the papers they used. The descriptions of the manuscripts are complemented by a study of the publishers and their confusing opus-number systems as well as pertinent information about the individual symphonies. For those interested in Wanhal himself the lists of his autographs and analysis of his handwriting should also be useful. From the Preface. Winner of the Vincent H. Duckles Award for the best book-length biography or other research tool in music published in 1997. Congratulations on your outstanding achievement. MLA is pleased to recognize your important contribution to the scholarly literature in our field. Music Library Association Board of Directors
Author: Johann B. Vanhal
Publisher: A-R Editions, Inc.
ISBN: 089579358X
Category : Chamber music
Languages : en
Pages : 98
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Book Description
Author: A. Peter Brown
Publisher: Indiana University Press
ISBN: 9780253334879
Category : Music
Languages : en
Pages : 760
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Book Description
More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.
Author: Johann Baptist Vanhal
Publisher: A-R Editions, Inc.
ISBN: 0895792001
Category : Music
Languages : en
Pages : 122
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Book Description
Author: Erica Buurman
Publisher: Cambridge University Press
ISBN: 1108852564
Category : Music
Languages : en
Pages : 209
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Book Description
The repertoire of the early Viennese ballroom was highly influential in the broader histories of both social dance and music in nineteenth-century Europe. Yet music scholarship has traditionally paid little attention to ballroom dance music before the era of the Strauss dynasty, with the exception of a handful of dances by Haydn, Mozart and Beethoven. This book positions Viennese social dances in their specific performing contexts and investigates the wider repertoire of the Viennese ballroom in the decades around 1800, most of which stems from dozens of non-canonical composers. Close examination of this material yields new insights into the social contexts associated with familiar dance types, and reveals that the ballroom repertoire of this period connected with virtually every aspect of Viennese musical life, from opera and concert music to the emerging category of entertainment music that was later exemplified by the waltzes of Lanner and Strauss.
Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
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Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Author: Chappell White
Publisher: Taylor & Francis
ISBN: 9782881244957
Category : Music
Languages : en
Pages : 420
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Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 1469643731
Category : Music
Languages : en
Pages : 924
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Book Description
This definitive volume, the second, largest, and most central in Newman's History of the Sonata Idea, covers the period from the first sample Italian sonatas using the new techniques of the Alberti bass about 1735 to the succession of masterpieces by Haydn, Mozart, and Beethoven which extended until about 1820. It is one of the few books to deal exclusively with the classical era in music. Originally published in 1963. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Cliff Eisen
Publisher: A-R Editions, Inc.
ISBN: 0895794179
Category : Music
Languages : en
Pages : 202
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Book Description
Author: David Gramit
Publisher: University Rochester Press
ISBN: 9781580462501
Category : Biography & Autobiography
Languages : en
Pages : 302
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Book Description
Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.
