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Author: Jodi Throckmorton
Publisher: Pennsylvania Academy of Fine Arts
ISBN: 9781646570164
Category :
Languages : en
Pages : 128
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Book Description
"This publication, the first comprehensive catalogue of Joan Semmel's work, will trace the artist's career from early abstract-expressionist paintings through her movement-defining feminist art and activism and, finally, to the vital and monumental work that she is making today of her own mature body. This book gives readers the opportunity to experience almost fifty-five years of Semmel's extraordinary work, including forty of her paintings, as well as a selection of her rarely seen drawings, collages, and photographs. In the face of persistent censorship and in defiance of deep-rooted sexism and ageism, Joan Semmel (b. 1932) relentlessly makes paintings that reflect the ongoing struggle for women's equal representation, power to make decisions about their own bodies and sexuality, and empowerment through the self. At a moment when sex and body positivity have become international movements, it's critical to celebrate Semmel's pivotal and under-recognized role in bringing these ideas forward. Though Semmel is one of the most important feminist painters, and her work has consistently gained visibility within that context, she remains relatively unacknowledged for her impact on representational painting in the United States. The authors will consider Semmel in both feminist and figurative painting frameworks-a long-held desire of the artist-specifically in relation to Semmel's forward-thinking approach to painting the nude body. Throughout her career, Semmel has always been ahead of the curve-today, at 87 years old, she is making vital work that continues to challenge the traditions of figurative painting"--
Author: Jodi Throckmorton
Publisher: Pennsylvania Academy of Fine Arts
ISBN: 9781646570164
Category :
Languages : en
Pages : 128
Get Book Here
Book Description
"This publication, the first comprehensive catalogue of Joan Semmel's work, will trace the artist's career from early abstract-expressionist paintings through her movement-defining feminist art and activism and, finally, to the vital and monumental work that she is making today of her own mature body. This book gives readers the opportunity to experience almost fifty-five years of Semmel's extraordinary work, including forty of her paintings, as well as a selection of her rarely seen drawings, collages, and photographs. In the face of persistent censorship and in defiance of deep-rooted sexism and ageism, Joan Semmel (b. 1932) relentlessly makes paintings that reflect the ongoing struggle for women's equal representation, power to make decisions about their own bodies and sexuality, and empowerment through the self. At a moment when sex and body positivity have become international movements, it's critical to celebrate Semmel's pivotal and under-recognized role in bringing these ideas forward. Though Semmel is one of the most important feminist painters, and her work has consistently gained visibility within that context, she remains relatively unacknowledged for her impact on representational painting in the United States. The authors will consider Semmel in both feminist and figurative painting frameworks-a long-held desire of the artist-specifically in relation to Semmel's forward-thinking approach to painting the nude body. Throughout her career, Semmel has always been ahead of the curve-today, at 87 years old, she is making vital work that continues to challenge the traditions of figurative painting"--
Author: Marta Gnyp
Publisher: Skira
ISBN: 9788857241197
Category :
Languages : en
Pages : 344
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Book Description
Leading trailblazers in contemporary art reflect on the transformations in ideology and practice that shape today's art market In New Waves, Dutch art historian Marta Gnyp interviews a number of artists and curators about contemporary art's shifting landscape. Her inquest is divided into five chapters that each address a subject of major change in recent years. "Rewriting the Canon" details the rediscovery and revaluation of several postwar artists including painters Joan Semmel, Stanley Whitney and Claudette Johnson. In "Extending New Media," artists Cory Arcangel and Alex da Corte discuss the creative possibilities posed by new technology. "New Approaches to Truth and Morality" sees installation artist Jordon Wolfson and photographer Mohamed Bourouissa reflect on the ethics of art making. "New Classic Art" examines the practices of four artists--Claire Tabouret, Adriana Varejão, Daniel Richter and Jenny Saville--whose work provides a contemporary spin on the classical art tradition. Finally, Gnyp speaks to several curators, collectors and museum directors to discuss the evolving art market in the 21st century.
Author: Alejandro Jassan
Publisher:
ISBN: 9780578446387
Category :
Languages : en
Pages : 70
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Book Description
Exhibition catalogue for "Joan Semmel: A Necessary Elaboration" at Alexander Gray Associates, New York. The exhibition presented work by Joan Semmel created between 2017-18.
Author: Joan Semmel
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
Author: Lee Lozano
Publisher: Wexner Center
ISBN:
Category : Art, American
Languages : en
Pages : 176
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Book Description
This compelling book looks at the work of three influential women artists and at the import of feminism in their practices. Painters Lee Lozano (1930-1999), Sylvia Plimack Mangold (b. 1938), and Joan Semmel (b. 1932) are each intensely private and--to varying degrees--chose or have chosen to disappear into their studios to work. Seemingly unconcerned about the prevailing styles or movements, these three women nevertheless each contributed to transformations in the art world. Solitaire examines in depth the three artists' work, sets the historical and social context, and analyzes the private endeavor of the artist alongside the critical reception of their art. The authors call attention to other artists who, like these three, have chosen private or idiosyncratic paths that too often exclude them from art historical narratives. Distributed for the Wexner Center for the Arts Exhibition Schedule: Wexner Center for the Arts, The Ohio State University (February 2 - April 13, 2008)
Author: Hilary Robinson
Publisher: John Wiley & Sons
ISBN: 1118929187
Category : Art
Languages : en
Pages : 590
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Book Description
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art—in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.
Author: Andrea Andersson
Publisher: Yale University Press
ISBN: 0300248644
Category : Art
Languages : en
Pages : 193
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Book Description
“What I want to do is code-switch. To have there be layers of history and politics, but also this heady, arty stuff—inside jokes, black humor—that you might have to take a while to research if you want to really get it.”—Sanford Biggers Sanford Biggers (b. 1970) is a Harlem-based artist working in various media including painting, sculpture, video, and performance. He describes his practice as “code-switching”—mixing disparate elements to create layers of meaning—to account for his wide-ranging interests. This catalogue focuses on a series of repurposed quilts (many made in the 19th century) that embodies this interest in mixture. Informed by the significance of quilts to the Underground Railroad, Biggers transforms the quilts into new works using materials such as paint, tar, glitter, and charcoal to add his own layers of codes, whether they be historical, political, or purely artistic. Insightful essays survey Biggers’s career, his art in relation to music, and the history upon which the series draws. Also featured is a short yet powerful graphic essay by an award-winning illustrator that introduces the layered meanings inherent in the art and craft of quilting.
Author: Christian Liclair
Publisher: Taylor & Francis
ISBN: 1000564363
Category : Art
Languages : en
Pages : 190
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Book Description
Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. This book considers the potential of sexually explicit art to challenge a socially constructed conception of sexuality as well as gender, and explores the sexually explicit as a means to (re-)claim agency for marginalized subjectivities and to emancipate desire from within the patriarchal and heteronormative system. In distinct case studies, the author focuses on works by four US-American artists – Robert Mapplethorpe, Joan Semmel, Betty Tompkins, and Tee A. Corinne – and situates them in relation to contemporaneous debates associated with the insurgent Sexual Liberation Movements of the 1970s. The book will be of interest to scholars working in art history, visual culture, and gender and sexuality studies.
Author: Andrea Karnes
Publisher: Delmonico Books
ISBN: 9781636810355
Category : Art
Languages : en
Pages : 172
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Book Description
Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women--their bodies, gestures and individuality--at the forefront. The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved. Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.
Author: Kelly Baum
Publisher: Metropolitan Museum of Art
ISBN: 1588397254
Category : Art
Languages : en
Pages : 259
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Book Description
"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
