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Publisher: Rizzoli Publications
ISBN: 0847858510
Category : Art
Languages : en
Pages : 0
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Book Description
The catalogue to a groundbreaking exhibition of Dubuffet’s seminal “Art Brut” and including historic essays by the artist published in English for the first time. Jean Dubuffet is a French painter and sculptor who painted in a deliberately crude manner, inspired by art of the mentally ill or “Art Brut.” Dubuffet developed a technique of thick impasto and frequently incorporated unorthodox materials ranging from cement and gravel to leaves, dust, and even butterfly wings into his works. His controversial materials and mark-making solidified his legacy as an iconoclastic figure in the canon of postwar European paintings, and his work has been exhibited and collected all over the world. This is the first book to be published on Dubuffet’s early work in painting and sculpture in more than two decades. Organized by Mark Rosenthal, the exhibition focuses on Dubuffet’s work from 1943 to 1959, and emphasizes the artist’s anticultural approach in his depiction of subjects and his use of unorthodox materials. Several works by the French painter are on loan from private collections and museums.
Author:
Publisher: Rizzoli Publications
ISBN: 0847858510
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
The catalogue to a groundbreaking exhibition of Dubuffet’s seminal “Art Brut” and including historic essays by the artist published in English for the first time. Jean Dubuffet is a French painter and sculptor who painted in a deliberately crude manner, inspired by art of the mentally ill or “Art Brut.” Dubuffet developed a technique of thick impasto and frequently incorporated unorthodox materials ranging from cement and gravel to leaves, dust, and even butterfly wings into his works. His controversial materials and mark-making solidified his legacy as an iconoclastic figure in the canon of postwar European paintings, and his work has been exhibited and collected all over the world. This is the first book to be published on Dubuffet’s early work in painting and sculpture in more than two decades. Organized by Mark Rosenthal, the exhibition focuses on Dubuffet’s work from 1943 to 1959, and emphasizes the artist’s anticultural approach in his depiction of subjects and his use of unorthodox materials. Several works by the French painter are on loan from private collections and museums.
Author: Jean Dubuffet
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Megan Conway
Publisher: Museum of American Folk Art
ISBN: 9780912161266
Category : Art
Languages : en
Pages : 248
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Book Description
Exhibition organized in collaboration with Collection d l'Art Brut Lausanne.
Author: John Corbett
Publisher: Smart Museum of Art, the University of C
ISBN: 9780935573480
Category : Figurative art, American
Languages : en
Pages : 0
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Book Description
Monster Roster: Existentialist Art in Postwar Chicago (on view at the Smart Museum in winter/spring 2016) will be accompanied by a comprehensive publication--the first of its kind--that includes an introductory essay by critic and collector Dennis Adrian; an overview of the Monster Roster by John Corbett; an essay about the historical context out of which the Monster Roster emerged by historian Thomas Dyja; a discussion of Monster Roster prints by art historian and curator Marc Pascale; an in depth look at Leon Golub's early work by art historian Jon Bird; and a personal response to the Monster Roster's work by contemporary artist Arlene Shechet. There will also be historic reprints of key texts including Franz Schulze's 1972 essay "Chicago: The Setting and the Group" from Fantastic Images: Chicago Art Since 1945 as well as Jean Dubuffet's lecture "Anticultural Positions" given at the Arts Club of Chicago in 1951. The publication will also contain full-color reproductions of all work on view in Monster Roster, a detailed chronology and exhibition history, and reproductions of ephemera and historical photographs.
Author: Valérie Da Costa
Publisher: Ediciones Polígrafa S.A.
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Dubuffet was one of the most remarkable artists of the 20th century. An enemy of culture and of the art of museums, he was an anarchist and an atheist, and anti military and unpatriotic in his attitudes. As such, he was a rebel who rejected all labels or categories, asserting there is no such thing as abstract art, either that or art is always abstract. 130 illustrations
Author:
Publisher:
ISBN: 9780982688694
Category :
Languages : en
Pages :
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Book Description
Exhibition catalogue for a show on view at Acquavella Galleries: April 15 - June 10, 2016.
Author: Keith Haring
Publisher: Penguin
ISBN: 1101195614
Category : Art
Languages : en
Pages : 465
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Book Description
Keith Haring is synonymous with the downtown New York art scene of the 1980's. His artwork-with its simple, bold lines and dynamic figures in motion-filtered in to the world's consciousness and is still instantly recognizable, twenty years after his death. This Penguin Classics Deluxe Edition features ninety black-and-white images of classic artwork and never-before-published Polaroid images, and is a remarkable glimpse of a man who, in his quest to become an artist, instead became an icon. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Ronald D. Spencer
Publisher: Oxford University Press
ISBN: 0195349032
Category : Art
Languages : en
Pages : 260
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Book Description
The authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it "real" or "original" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur is an expert who evaluates the "rightness" of a work based on much careful scrutiny of many works by an artist and familiarity with that artist's usual manner of working with materials. In determining provenance, a researcher traces the physical object from the artist through a chain of ownership to the present owner--simple enough in concept, though it assumes that the documentation is not faked or inaccurate. The goal is to ensure that the object is the same one that left the artist's hand. Scientific testing, although sometimes useful, is often longer on promise than result. Dating paint or wood samples, for instance, can show that a painting was made in Rembrandt's lifetime, but it cannot prove that it is by Rembrandt's hand. If expert opinion is divided, and large sums of money are involved, a dispute over authenticity may end up in a court of law, where evaluation of expert opinion evidence can be problematic. The essays in this book clarify the nature of the methods outlined above and explain, based on case law, the present status of authentication issues in court. Contributors include experts from Christie's, London; Sotheby's, New York; and the former director of the Frick Collection; as well as leading art historians and art dealers; an art conservator; a forensic graphologist; a philanthropist and collector; and a specialist in French art law. Their collective knowledge on issues of authenticity will be invaluable for anyone interested in the world of visual art.
Author: Jean Dubuffet
Publisher: Thunder's Mouth Press
ISBN: 9780941423090
Category : Art
Languages : en
Pages : 118
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Book Description
Author: Richard Serra
Publisher: University of Chicago Press
ISBN: 0226748804
Category : Architecture
Languages : en
Pages : 290
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Book Description
One of the most important sculptors of this century, Richard Serra has been a spokesman on the nature and status of art in our day. Best known for site-specific works in steel, Serra has much to say about the relation of sculpture to place, whether urban, natural, or architectural, and about the nature of art itself, whether political, decorative, or personal. In interviews with writers including Douglas and Davis Sylvester, he discusses specific installations and offers insights into his approach to the problem each presents. Interviews by Peter Eisenman and Alan Colquhoun elicit Serra's thoughts on the relation of architecture to contemporary sculpture, a primary component in his own work. From essays like "Extended Notes from Sight Point Road" to Serra's extended commentary on the Tilted Arc fiasco, the pieces in this volume comprise a document of one artist's engagement with the practical, philosophical, and political problems of art.
