Jazz Performer: Holiday Inspirations PDF Download
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Author: Paul Johnston
Publisher: Alfred Music
ISBN: 1470627809
Category : Music
Languages : en
Pages : 42
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Book Description
This collection contains favorite music of the Christmas season, with fresh, jazzy arrangements. Each piece contains a written-out solo section, so even musicians unfamiliar with playing jazz can sound as if they’re improvising a solo. Titles: * Angels We Have Heard on High * Away in a Manger * Bring a Torch, Jeannette, Isabella * Deck the Halls * God Rest Ye Merry, Gentlemen * It Came Upon the Midnight Clear * Jingle Bells * Joy to the World * Lo! How a Rose E’er Blooming * Silent Night. ". . . after playing through this book, I feel I have taken a crash course on improvisation! Every piece in the book contains a written-out improvisation solo, so even if you are not a jazz musician, you can 'fake' it by just learning the notes as written! The amazing thing is, after a while, you cannot help but experiment with your own improvisations!" --Yiyi Ku, Music Teachers Helper Blog
Author: Paul Johnston
Publisher: Alfred Music
ISBN: 1470627809
Category : Music
Languages : en
Pages : 42
Get Book
Book Description
This collection contains favorite music of the Christmas season, with fresh, jazzy arrangements. Each piece contains a written-out solo section, so even musicians unfamiliar with playing jazz can sound as if they’re improvising a solo. Titles: * Angels We Have Heard on High * Away in a Manger * Bring a Torch, Jeannette, Isabella * Deck the Halls * God Rest Ye Merry, Gentlemen * It Came Upon the Midnight Clear * Jingle Bells * Joy to the World * Lo! How a Rose E’er Blooming * Silent Night. ". . . after playing through this book, I feel I have taken a crash course on improvisation! Every piece in the book contains a written-out improvisation solo, so even if you are not a jazz musician, you can 'fake' it by just learning the notes as written! The amazing thing is, after a while, you cannot help but experiment with your own improvisations!" --Yiyi Ku, Music Teachers Helper Blog
Author: John Szwed
Publisher: Penguin Books
ISBN: 0143107968
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
"Drawing on a vast amount of new material that has surfaced in the last decade ... jazz writer John Szwed considers how [Holiday's] life inflected her art, her influences, her uncanny voice and rhythmic genius, a number of her signature songs, and her legacy"--Amazon.com.
Author: Bill Cunliffe
Publisher: Alfred Music
ISBN: 1470627876
Category : Music
Languages : en
Pages : 50
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Book Description
These arrangements were inspired by Bill Cunliffe’s CD That Time of Year, containing freely improvised jazz interpretations of ageless carols. The music is filled with many influences---from bebop and swing to Baroque music, Impressionism, and modern jazz. Titles: * Angels from the Realms of Glory * Coventry Carol * God Rest Ye Merry, Gentlemen * Jingle Bells * Silent Night * Ukrainian Bell Carol * We Three Kings
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458437523
Category : Music
Languages : en
Pages : 244
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Book Description
(Fake Book). This follow-up to the popular Your First Fake Book includes over 100 more great songs that even beginning-level musicians can enjoy playing! It features the same larger notation with simplified harmonies and melodies, all songs in the key of C, and introductions for each song, to add a more finished sound to the arrangements. The songs are in many musical styles and include: Alfie * All I Ask of You * All My Loving * Always on My Mind * Autumn in New York * Blue Skies * Cabaret * Crazy * Fields of Gold * Go the Distance * God Bless' the Child * Great Balls of Fire * Hey, Good Lookin' * How Deep Is Your Love * I'll Be There * If * Imagine * Jailhouse Rock * Kansas City * Memory * Michelle * Misty * My Girl * My Heart Will Go On * People * Stand by Me * Star Dust * Tangerine * Tears in Heaven * Tennessee Waltz * Unchained Melody * What a Wonderful World * What'll I Do? * You've Got a Friend * and more.
Author: Tracy Fessenden
Publisher: Penn State Press
ISBN: 0271087226
Category : Biography & Autobiography
Languages : en
Pages : 275
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Book Description
Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life. Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance. Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.
Author: Billie Holiday
Publisher: Crown
ISBN: 0767923863
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
Perfect for fans of The United States vs. Billie Holiday, this is the fiercely honest, no-holds-barred memoir of the legendary jazz, swing, and standards singing sensation—a fiftieth-anniversary edition updated with stunning new photos, a revised discography, and an insightful foreword by music writer David Ritz Taking the reader on a fast-moving journey from Billie Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.
Author: Larry Minsky
Publisher: Alfred Music
ISBN: 9781457461767
Category : Music
Languages : en
Pages : 28
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Book Description
Hot New York jazz player Larry Minsky combines a great mix of jazz harmonies and swing styles in this exciting intermediate piano solo collection. There is a written-out improvisation for every piece giving performers an authentic professional jazz sound. Includes six Christmas favorites and one Hannukah melody: * O Come All Ye Faithful * Sevivon * O Christmas Tree * What Child Is This * Pat-A-Pan * We Wish You a Merry Christmas * Santa Claus Is Comin' to Town
Author: Bud Kliment
Publisher: Holloway House Publishing
ISBN: 9780870675614
Category : Biography & Autobiography
Languages : en
Pages : 182
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Book Description
A biography of one of the most widely admired jazz singers of all time.
Author: Stuart A. Kallen
Publisher: Greenhaven Publishing LLC
ISBN: 1420511335
Category : Young Adult Nonfiction
Languages : en
Pages : 130
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Book Description
Rhythm and Blues, along with soul music has historically been written and produced by black Americans to reflect the African American experience in the United States. This book covers a range of styles within RandB, including boogie-woogie, Doo-Wop, jump blues, and 12-bar blues, Motown soul, 70s funk, urban contemporary, and hip hop soul.
Author: Charles River Charles River Editors
Publisher:
ISBN: 9781541055230
Category :
Languages : en
Pages : 80
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Book Description
*Includes pictures *Includes the artists' quotes about their lives *Includes online resources and a bibliography for further reading *Includes a table of contents If Billie Holiday wanted to become a jazz singer, she chose the best of all eras in which to attempt it. A wave of great jazz and jazz/pop crossover artists swept over the United States from the 1920s through the 1950s, generating a golden age for the genre. This wondrous jazz era was well represented by both black and white master artists, men, women, vocalists, and instrumentalists, and Billie Holiday has stood the test of time as well as any, despite struggling with an environment that easily could have doomed such aspirations. Emerging from such a powerful group of talented vocalists was not easy. The woman who has come to represent a model of great, instinctive jazz singing came from nowhere, had nothing, and virtually had no one who was truly helpful in her background. She was raw and untrained but went forward regardless, with limited and quirky vocal gifts, the likes of which had never been heard in the highest circles of jazz. This especially was true among women, where perfection of phrasing and a smooth style of delivery stood as the unspoken guidelines of vocal success. No female counterpart of Louis Armstrong, one of Holiday's idols, was ever going to survive in the female jazz world for long, except perhaps as a novelty. It was not only hard-headed persistence that made Holiday "a preeminent female jazz vocalist" but a self-education, with the core belief that to sound like another singer was to not make music at all. Singing only from her deepest instinct and accepting no one as a literal model, she magically "changed the paradigm for jazz singing" by refusing to do anything the way it was expected to be done, or by swinging in any way that did not come authentically from her own artistry. Holiday "rewrote the rules" of jazz singing by using her voice not to imitate other singers, but by taking on the style of movement and sound common to jazz instruments. On top of that, she took the moderately employed practice of singing off the beat and brought it to the rhythmic forefront of virtually everything she sang. Holiday could "subtly twist [the] rhythm" in a way never before heard, "in the manner of an instrumental soloist." Grateful to Louis Armstrong as a model, any song she took up was transformed rhythmically, tonally, and emotionally, with her "light and untrained" instrument, which despite its clarity could wield "a wounded poignancy" . Etta James, the legendary jazz, gospel, rhythm & blues, and soul singer, was perfectly positioned to reign as the supreme artist in the emerging soul genre of the '40s and '50s in America. No one ever doubted her talent, the highly distinctive and versatile nature of her voice, or her drive to succeed, and yet, she has been "woefully overlooked" in the history of indigenous rock and blues music in the United States. She is famous and recognized for several iconic hits with which she is eternally associated, such as "I'd Rather Go Blind" and "At Last," but her place in the pantheon of great soul artists is unsteady and not always instantly recognizable by those outside of a knowledgeable group of devotees. For the rest of soul music's listeners, mention of her name will result in a hasty inclusion into the inner circle of leading artists, as though James had been momentarily forgotten. Once the object of focus, however, she is revered as one of the titans of the genre, and those who had allowed her to slip from their minds are immediately reawakened to her powerful vocal and interpretive gifts. Such a vague position within the history of the form is partly due to a difficulty James experienced in crossing over to the white audience when others of the same genre were succeeding brilliantly at garnering a new, mixed race fan base.
