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Author: Ralph Yarrow
Publisher: Routledge
ISBN: 1000418146
Category : Performing Arts
Languages : en
Pages : 167
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Book Description
Regarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East. The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation. This book combines: a biography of the group, charting their history, methodology and modes of operation an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009) practical exercises and games, taken from Jana Sanskriti's workshops and festivals. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Author: Ralph Yarrow
Publisher: Routledge
ISBN: 1000418146
Category : Performing Arts
Languages : en
Pages : 167
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Book Description
Regarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East. The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation. This book combines: a biography of the group, charting their history, methodology and modes of operation an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009) practical exercises and games, taken from Jana Sanskriti's workshops and festivals. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Author: Sanjoy Ganguly
Publisher: Routledge
ISBN: 1315405040
Category : Performing Arts
Languages : en
Pages : 150
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Book Description
Jana Sanskriti is internationally recognised as the most iconic post-Boalian Theatre of the Oppressed operation in the world today. This fully illustrated book by the Bengali company's founder and artistic director Sanjoy Ganguly, edited by Ralph Yarrow, collects and explains their programme of workshop exercises, placing them in the context of their social and activist work. A set of interviews with Ganguly complements these practical sequences, drawing in topics such as the role of the joker, the nature of development, participation and agency, aesthetics as transformation, and Theatre of the Oppressed in the context of a market economy.
Author: Sanjoy Ganguly
Publisher: Routledge
ISBN: 1136978631
Category : Drama
Languages : en
Pages : 343
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Book Description
Jana Sanskriti Centre for the Theatre of the Oppressed, based in West Bengal, is probably the largest and longest lasting Forum Theatre operation in the world. It was considered by Augusto Boal to be the chief exponent of his methodology outside of its native Brazil. This book is a unique first-hand account - by the group's artistic director Sanjoy Ganguly - of Jana Sanskriti's growth and development since its founding in 1985, which has resulted in a national Forum Theatre network throughout India. Ganguly describes the plays, people and places that have formed this unique operation and discusses its contribution to the wider themes espoused by Forum Theatre. Ganguly charts and reflects on the practice of theatre as politics, developing an intriguing and persuasive case for Forum Theatre and its role in provoking responsible action. His combination of anecdotal insight and lucid discussion of Boal’s practice offers a vision of far-reaching transformation in politics and civil society.
Author: Meade, Rosie
Publisher: Policy Press
ISBN: 1447340515
Category : Education
Languages : en
Pages : 272
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Book Description
Drawing on international examples, this book interrogates the relationship between the arts, culture and community development. Contributors from six continents, reimagine community development as they consider how aesthetic arts contribute to processes of peacebuilding, youth empowerment, participatory planning and environmental regeneration.
Author: Nilanjana Premaratna
Publisher: Springer
ISBN: 3319757202
Category : Political Science
Languages : en
Pages : 256
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Book Description
This book contributes to key debates in peacebuilding by exploring the role of theatre and art in general. Premaratna argues that the dialogical and multi-voiced nature of theatre is particularly suited to assisting societies coming to terms with conflict and opening up possibilities for conversation. These are important parts of the peacebuilding process. The book engages the conceptual links between theatre and peacebuilding and then offers an in-depth empirical exploration of how three South Asian theatre groups approach peacebuilding: Jana Karaliya in Sri Lanka, Jana Sanskriti in India, and Sarwanam in Nepal. The ensuing reflections offer insights that are relevant to both students and practitioners concerned with issues of peace and conflict.
Author: Julian Boal
Publisher: Taylor & Francis
ISBN: 1000901378
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
Political theatre, like any kind of political action, can only be judged in relation to the political moment in which it tries to intervene. Theatre of the Oppressed (TO) was created to fight against dictatorship and an extremely centralized conception of politics. How does it function now, in a time of social media and so-called participatory democracies? Providing an in-depth account of the political and cultural context in which TO emerged, this book asks: How do contemporary understandings of concepts like oppression, representation, participation, and emancipation shape TO today? Highlighting the pitfalls of reducing oppression to one-to-one relationships, the book proposes a version of Forum Theatre dramaturgy that portrays oppression as a defining structure of societies. The author also shares specific examples of movements and other organizations that use Theatre of the Oppressed to construct themselves. Theatre of the Oppressed and Its Times is an essential text for practitioners and scholars of TO, applied theatre practitioners, students, and anyone interested in how theatre can concretely assist in the transformation of the world.
Author: Kim Solga
Publisher: Bloomsbury Publishing
ISBN: 1350135496
Category : History
Languages : en
Pages : 296
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Book Description
To call something modern is to assert something fundamental about the social, cultural, economic and technical sophistication of that thing, over and against what has come before. A Cultural History of Theatre in the Modern Age provides an interdisciplinary overview of theatre and performance in their social and material contexts from the late 19th century through the early 2000s, emphasizing key developments and trends that both exemplify and trouble the various meanings of the term 'modern', and the identity of modernist theatre and performance. Highly illustrated with 40 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Author: Kelly Howe
Publisher: Routledge
ISBN: 1351967967
Category : Performing Arts
Languages : en
Pages : 859
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Book Description
This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppressed. Developed by Brazilian director and theorist Augusto Boal, these theatrical forms invite people to mobilize their knowledge and rehearse struggles against oppression. Featuring a diverse array of voices (many of them as yet unheard in the academic world), the book hosts dialogues on the following questions, among others: Why and how did Theatre of the Oppressed develop? What are the differences between the 1970s (when Theatre of the Oppressed began) and today? How has Theatre of the Oppressed been shaped by local and global shifts of the last 40-plus years? Why has Theatre of the Oppressed spread or "multiplied" across so many geographic, national, and cultural borders? How has Theatre of the Oppressed been shaped by globalization, "development," and neoliberalism? What are the stakes, challenges, and possibilities of Theatre of the Oppressed today? How can Theatre of the Oppressed balance practical analysis of what is with ambitious insistence on what could be? How can Theatre of the Oppressed hope, but concretely? Broad in scope yet rich in detail, The Routledge Companion to Theatre of the Oppressed contains practical and critical content relevant to artists, activists, teachers, students, and researchers.
Author: Birgit Fritz
Publisher: Columbia University Press
ISBN: 3838264231
Category : Political Science
Languages : en
Pages : 317
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Book Description
This handbook not only provides a very wide-ranging introduction and orientation to the world of the Theatre of the Oppressed, but Birgit Fritz also presents concrete and practical assistance for structuring basic workshops in process-oriented theatre work and in developing Forum Theatre plays. Birgit Fritz explores the working principles of emancipatory theatre work and somatic learning in depth. She gives numerous examples of the work and life of theatre groups and reveals fascinating possibilities of how theatre for social change can be successfully linked with social and political commitment, so that artistic process can bring about cross-generational collaboration, develop social democracy, and operate as an active force for peace.
Author: Selina Busby
Publisher: Taylor & Francis
ISBN: 1000689123
Category : Performing Arts
Languages : en
Pages : 733
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Book Description
This companion interrogates the relationship between theatre and youth from a global perspective, taking in performances and theatre made by, for, and about young people. These different but interrelated forms of theatre are addressed through four critical themes that underpin the ways in which analysis of contemporary theatre in relation to young people can be framed: political utterances – exploring the varied ways theatre becomes a platform for political utterance as a process of dialogic thinking and critical imagining; critical positioning – examining youth theatre work that navigates the sensitive, dynamic, and complex terrains in which young people live and perform; pedagogic frames – outlining a range of contexts and programmes in which young people learn to make and understand theatre that reflects their artistic capacities and aesthetic strategies; applying performance – discussing a range of projects and companies whose work has been influential in the development of youth theatre within specific contexts. Providing critical, research-informed, and research-based discussions on the intersection between young people, their representation, and their participation in theatre, this is a landmark text for students, scholars, and practitioners whose work and thinking involves theatre and young people.
