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Author: Mirella Agorni
Publisher: Routledge
ISBN: 1317640632
Category : Language Arts & Disciplines
Languages : en
Pages : 178
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Book Description
Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.
Author: Maureen McCue
Publisher: Routledge
ISBN: 1317171497
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Author: Mirella Agorni
Publisher: Routledge
ISBN: 1317640632
Category : Language Arts & Disciplines
Languages : en
Pages : 178
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Book Description
Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.
Author: Joanne Shattock
Publisher: Cambridge University Press
ISBN: 0521882885
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
A volume of essays on Victorian themes, genres and authors, aimed at students and lecturers.
Author: Germana Cubeta
Publisher: Springer Nature
ISBN: 3030474291
Category : Literary Criticism
Languages : en
Pages : 117
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Book Description
This work explores Dickens’s perception of Italy as it appears in the travel book Pictures from Italy. Corpus methodologies, alongside the notion of intersectionality, display the writer’s multi-faceted interpretation of the Italians and his efforts to highlight their multidimensionality and heterogeneity. The book debates that Pictures from Italy departs from conventions – it investigates the function of travel in the construction of Italian identity and discusses Dickens’s relationship with Italy. Corpus linguistics methodologies analyse the language of the book and shed newlight on the relationship between body language and culture.
Author: Daniela Rossini
Publisher: Harvard University Press
ISBN: 9780674028241
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
In 1918, Wilson's image as leader of the free world and the image of America as dispenser of democracy spread through Italy, filling an ideological void. Rossini sets the Italian-American political confrontation in the context of the countries' cultural perceptions of each other, different war experiences, and ideas about participatory democracy.
Author:
Publisher: BRILL
ISBN: 9004358137
Category : Social Science
Languages : en
Pages : 492
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Book Description
How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing.
Author: Alison Chapman
Publisher: OUP Oxford
ISBN: 0191035459
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
How did nineteenth-century women's poetry shift from the poetess poetry of lyric effusion and hyper-femininity to the muscular epic of Elizabeth Barrett Browning's Aurora Leigh? Networking the Nation re-writes women's poetic traditions by demonstrating the debt that Barrett Browning's revolutionary poetics owed to a circle of American and British women poets living in Florence and campaigning in their poetry and in their salons for Italian Unification. These women poets—Isa Blagden, Elizabeth Kinney, Eliza Ogilvy, and Theodosia Garrow Trollope—formed with Barrett Browning a network of poetry, sociability, and politics, which was devoted to the mission of campaigning for Italy as an independent nation state. In their poetic experiments with the active lyric voice, in their forging of a transnational persona through the periodical press, in their salons and spiritualist séances, the women poets formed a network that attempted to assert and perform an independent unified Italy in their work. Networking the Nation maps the careers of these expatriate women poets who were based in Florence in the key years of Risorgimento politics, racing their transnational social and print communities, and the problematic but schismatic shift in their poetry from the conventional sphere of the poetess. In the fraught and thrilling engagement with their adopted nation's revolutionary turmoil, and in their experiments with different types of writing agency, the women poets in this book offer revolutions of other kinds: revolutions of women's poetry and the very act of writing.
Author: Roderick Cavaliero
Publisher: Bloomsbury Publishing
ISBN: 0857713892
Category : Travel
Languages : en
Pages : 257
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Book Description
Italia Romantica is a vivid history of the English Romantics' love affair with Italy and of the changing attitudes in pre-unification Italy. In the eyes of the English Romantics, Italy was not a nation but Italia, a place inhabited by the ancients. Theirs was a view shaped by the eighteenth century, the age of the Grand Tour, when no future nobleman's education was complete without a visit to Venice's carnival, the majestic ruins of the Forum in Rome, or the legendary Mount Vesuvius. The people of Italy, divided by language, region, and culture, did not share these artistic and historical ideals of Italia. After the Napoleonic wars all this was to change: Napoleon's march across Europe altered the map of Italy and brought an end to the Grand Tour in its previous form. Nationalism began to replace local loyalties and the land 'where the lemon trees blow' now attracted tourists. Through the eyes of Romantic travellers and poets such as Byron, Keats and Shelley, we see a fascinating picture of pre-unification Italy, struggling to recover after Napoleon and edging towards the Risorgimento. Here is the Italy of idealised antiquity, magnificent but crumbling, somewhat like a gigantic and rather run-down living museum. Roderick Cavaliero's compelling story is full of bandits, unreformed Catholicism, poets and improvisatory, shot through with vignettes of timeless urban and pastoral life, remarkable characters and anecdote, in this readable and strongly-etched cultural history.
Author: Jonathan Sachs
Publisher: Oxford University Press
ISBN: 0195376129
Category : History
Languages : en
Pages : 317
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Book Description
This work argues that Rome is relevant to the Romantic period not as the continuation of an earlier neoclassicism, but rather as a concept that is simultaneously transformed and transformative: transformed in the sense that new models of historical thinking produced a changed understandings of historicity itself.
Author: Benjamin Colbert
Publisher: Routledge
ISBN: 1351900404
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Percy Bysshe Shelley joined the deluge of sightseers that poured onto the Continent after Napoleon's defeat in 1814, and over the next eight years Shelley followed major travelling trends, visiting Switzerland in 1816 and Italy from 1818. Shelley's Eye is the first study to address Shelley's participation in the travel culture of Post-Napoleonic Europe, and the first to consider Shelley as an important travel writer in his own right. This book is informed by original research on a wide range of period travel writings, including Mary Shelley and Shelley's neglected collaboration, History of a Six Weeks' Tour (1817), in which 'Mont Blanc' first appeared. Fully responsive to the culture of travel, Shelley's travel prose and poetry form fascinating conversations with major Romantic travellers like Byron, Wollstonecraft, and Wordsworth, as well as lesser-known but widely read travel writers of the day, including Morris Birkbeck, Charlotte Eaton, and John Chetwode Eustace. In this provocative study, Benjamin Colbert demonstrates how the Grand Tour remains a vital cultural metaphor for Shelley and his contemporaries, under pressure from mass travel and popular culture. Shelley's travel prose and 'visionary' poetry explore motives of perception underlying travel discourse and posit an authentic 'aesthetic vision' that reconfigures social, historical, and political meanings of 'sights' from the perspective of an ideal tourist-observer. Shelley's Eye offers a new perspective on Shelley's intellectual history. It is also a timely and important contribution to recent interdisciplinary scholarship that aims to re-evaluate Romantic idealism in the context of physical, experiential, or material cultural practices.
