Italian, Spanish, and French Paintings

Italian, Spanish, and French Paintings PDF Author: John and Mable Ringling Museum of Art
Publisher: Scala
ISBN:
Category : Art
Languages : en
Pages : 556

Get Book Here

Book Description
Presenting a wealth of new research, analysis and previously unpublished documentation, this volume is the first comprehensive examination of the Italian, Spanish and French Old Master paintings in the collections of the John and Mable Ringling Museum of Art. The largest and most significant collection of its kind in the American Southeast, the Ringling's 300-plus Italian, Spanish and French paintings include important works by well-known artists such as Cortona, Piero di Cosimo, Guercino, Rosa, Strozzi, Tiepolo and Veronese; Coypel, Nattier and Raoux; and Cano, Ribera and Velazquez. A rich resource for scholars and enthusiasts alike, this book includes comprehensive entries for each painting with details of technique and materials, provenance, patronage, attribution, date, subject, iconography, conservation history and bibliography, all accompanied by vivid, newly commissioned color photography of each work.

Italian, Spanish, and French Paintings

Italian, Spanish, and French Paintings PDF Author: John and Mable Ringling Museum of Art
Publisher: Scala
ISBN:
Category : Art
Languages : en
Pages : 556

Get Book Here

Book Description
Presenting a wealth of new research, analysis and previously unpublished documentation, this volume is the first comprehensive examination of the Italian, Spanish and French Old Master paintings in the collections of the John and Mable Ringling Museum of Art. The largest and most significant collection of its kind in the American Southeast, the Ringling's 300-plus Italian, Spanish and French paintings include important works by well-known artists such as Cortona, Piero di Cosimo, Guercino, Rosa, Strozzi, Tiepolo and Veronese; Coypel, Nattier and Raoux; and Cano, Ribera and Velazquez. A rich resource for scholars and enthusiasts alike, this book includes comprehensive entries for each painting with details of technique and materials, provenance, patronage, attribution, date, subject, iconography, conservation history and bibliography, all accompanied by vivid, newly commissioned color photography of each work.

The Evolving House Museum

The Evolving House Museum PDF Author:
Publisher: BRILL
ISBN: 9004700757
Category : Business & Economics
Languages : en
Pages : 338

Get Book Here

Book Description
This volume explores twelve house museums, created over more than two centuries, and founded across the globe. What motivates collectors to establish independent house museums instead of donating their collections to preexisting institutions? How have collectors’ original intentions manifested themselves in their museums? Have founder mandates aided the survival or caused the demise of their institutions? How have house museums’ collections or buildings evolved over time? Must museums reinterpret their collections to remain relevant to contemporary and diverse audiences? In seeking to answer these questions, the volume’s authors share the unique stories behind the creation and evolution of these fascinating institutions, and the intriguing stories of the exceptional individuals who founded them. Contributors: Aistė Bimbirytė, Eliza Butler, Chih-En Chen, Enrico Colle, Allegra Davis, Marissa Hershon, Mia Laufer, Ulrike Müller, Nadine Nour el Din, Inge Reist, Anne Nellis Richter, and Georgina S. Walker.

Late Medieval Italian Art and Its Contexts

Late Medieval Italian Art and Its Contexts PDF Author: Donal Cooper
Publisher: Boydell & Brewer
ISBN: 178327090X
Category :
Languages : en
Pages : 413

Get Book Here

Book Description
Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.

Collecting Early Modern Art (1400-1800) in the U.S. South

Collecting Early Modern Art (1400-1800) in the U.S. South PDF Author: Lisandra Estevez
Publisher: Cambridge Scholars Publishing
ISBN: 1527568199
Category : Art
Languages : en
Pages : 234

Get Book Here

Book Description
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.

Old Masters Worldwide

Old Masters Worldwide PDF Author: Susanna Avery-Quash
Publisher: Bloomsbury Publishing USA
ISBN: 1501348167
Category : Art
Languages : en
Pages : 320

Get Book Here

Book Description
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.

France in the Golden Age

France in the Golden Age PDF Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870992953
Category : Classicism in art
Languages : en
Pages : 420

Get Book Here

Book Description


Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez

Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez PDF Author: David Pullins
Publisher: Metropolitan Museum of Art
ISBN: 1588397564
Category : Art
Languages : en
Pages : 184

Get Book Here

Book Description
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja.

French Paintings 1500-1825, the Fine Arts Museums of San Francisco

French Paintings 1500-1825, the Fine Arts Museums of San Francisco PDF Author: Fine Arts Museums of San Francisco
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 382

Get Book Here

Book Description


Art in Genoa, 1600-1750

Art in Genoa, 1600-1750 PDF Author: Jonathan Bober
Publisher: Princeton University Press
ISBN: 0691206511
Category : Art
Languages : en
Pages : 385

Get Book Here

Book Description
Genoa completed its transformation from a faded maritime power into a thriving banking center for Europe in the seventeenth century. The wealth accumulated by its leading families spurred investment in the visual arts on an enormous scale. This volume explores how artists both foreign and native created a singularly rich and extravagant expression of the baroque in works of extraordinary variety, sumptuousness, and exuberance. This art, however, has remained largely hidden behind the facades of the city's palaces, with few works, apart from those by the school's great expatriates, found beyond its borders. As a result, the Genoese baroque has been insufficiently considered or appreciated.0Lavishly illustrated, 'A Superb Baroque' is comprehensive, encompassing all the major media and participants. Presented are some 140 select works by the celebrated foreigners drawn to the city and its flourishing environment. Offering three levels of exploration-essays that frame and interpret, section introductions that characterize principal currents and stages, and texts that elucidate individual works-this volume is by far the most extensive study of the Genoese baroque in the English language.00Exhibition: National Gallery of Art, Washington, DC, USA (03.05.-16.08.2020) / Scuderie del Quirinale, Rome, Italy (03.10.2020 - 10.01.2021).

Buying Baroque

Buying Baroque PDF Author: Edgar Peters Bowron
Publisher: Penn State Press
ISBN: 0271079444
Category : Art
Languages : en
Pages : 449

Get Book Here

Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.